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Musical Masterpiece?Review | Sound On Sound, Dec 1993Korg Audio Gallery Music System For Apple Mac And Windows |
Cheetah MQ8Review | Music Technology, Feb 1990SequencerLatest in their line of cost-effective gear is Cheetah's MQ8 sequencer. Simon Trask investigates a budget sequencer that incorporates some of the features of the Zyklus MIDI Performance System. |
Wersi PianostarReview Audio | Electronics & Music Maker, Jul 1981 |
What It All MeansFeature | Topic: Sampling | Making Music, Aug 1986SamplingSampling is the subject this time: we turn the technical phrases into real language. |
Hi-fiFeature | Electronics & Music Maker, Apr 1983Trends in Cartridge designModern trends in cartridge design |
Back to BackGroup: Playback - Autumn 85 |
The Missing LinksReview | Sound On Sound, Feb 1986Wave goodbye to constant repatching of MIDI cables and problems with the delay-inducing Thru socket using these useful MIDI routing boxes from Quark. Paul Wiffen enlightens us. |
Interactive MusicFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music. |
Programmable Drum SetFeature | Polyphony, Oct 1976 |
Recording Techniques - Part 10Feature Series | Topic: MIDI, Recording, Syncronisation | Sound On Sound, Sep 1990MIDI & MultitrackPart 10: David Mellor looks at ways of getting the best of both worlds by combining a MIDI system with a multitrack tape recorder. |
Beyer MCE81 Condenser MicrophoneReview | Sound On Sound, Jan 1988Beyer's MCE81 condenser mic is their latest addition to a long line of sturdy, high quality studio and stage microphones. Gareth Stuart finds out just what it records best. |
Digidesign Sound ToolsReview | Sound On Sound, Aug 1989With a Macintosh computer and Digidesign's new CD-quality digital audio system, you can cut, splice, and create extended remixes to your heart's content. Paul D. Lehrman discovers what it is like to go tapeless in the studio. |
AES SX303 Sampler KitGroup: Recording WorldStudio TestA sampling kit for under £30. Curtis Schwartz discovers the noise of art |
CadenzaReview | Sound On Sound, May 1992The Graphic SequencerPC music software still has to come some way to catch up with that for the Atari and Mac, but good, graphic, sequencer programs like Cadenza are a big step in the right direction. Peter Cudmore takes a closer look. |
Boss RPS-10 Pitch Shifter/DelayGroup: Recording WorldStudio TestJim Betteridge finds himself in harmony with the latest addition to the Microrack range |
Fast forwardNews | The Mix, Apr 1995No hype, no waffle — just tomorrow's products todayTomorrow's hot products previewed |
What It All MeansFeature | Topic: Recording | Making Music, Apr 1986RecordingWhere we sort out and explain carefully a set of technical terms: this month, recording gear |
Boss DSD-2 Digital SamplerReview | International Musician & Recording World, Aug 1985EffectscheckA simple delay pedal at first glance but Dave Burrluck discovers its true possibilities |
Big Noise MIDI MaxPakGroup: Quality Controlsequencing librarian, MIDI mixing and live control software for the PCOne package, five software programs - for the PC. |
RusslingsOpinion | Topic: Sampling | Sound On Sound, May 1992Samplers generate their own specialised jargon — so here's a quick guide to help guide you through some commonly used terms. |
Too Good To Be True?Review | Electronic Soundmaker & Computer Music, Apr 1985MirageAn exclusive review of the Mirage Sampling Synth — A price breakthrough? |
Computer Musician - Rumblings...Group: Computer MusicianA sound-sampling keyboard for £1800, and new software from Octave-Plateau, among other things. |
Making WavesReview | Sound On Sound, Dec 1991Resotek Virtual Wave SoftwareMartin Russ investigates a software synthesis program that offers a wealth of new sounds for under £100. |