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Blow your head

Group: In Session

Interview | The Mix, Dec 1994

Inventing the multi-track recorder

Akai's Attack

Review | Electronic Soundmaker & Computer Music, Jan 1985
Akai AX 80/1212 Mixer/Recorder

Akai leap bravely into the hard world of Pro music gear, with a poly, the AX 80, and a unique 12-channel mixer/recorder.

Fairlight Goes MIDI

Group: Computer Musician

Feature | Topic: MIDI | Electronics & Music Maker, Jun 1985

At last, the CMI frees itself from the constraints of an analogue interface and starts talking MIDI. Paul Wiffen checks out the results.

Musical Micro

Feature | Topic: Computing | International Musician & Recording World, Aug 1985
Bananas and Softsels

Advice for those with unusual computers

Before You Press Record

Feature | Topic: Recording | Making Music, Oct 1987
Recording Tips

Steinberg Avalon 2.0

Review | Sound On Sound, Dec 1991
Sample Editing Software For The ST

Martin Russ edits, analyses, time corrects and synthesizes as he explores the features of the Steinberg's Avalon software.

Microillusions Music-X

Review | Music Technology, Oct 1989

Commodore's Amiga computer is the beneficiary of this impressive - and colourful - sequencing package. Ian Waugh welcomes the illusion.

Primed For Launch

Review | Electronic Soundmaker & Computer Music, Nov 1984
Chroma Polaris

The new Chroma Polaris Polysynth. Will it self-destruct?

Fostex X-15 Multitracker

Review | Electronics & Music Maker, May 1983

Ensoniq VFX

Review | Sound On Sound, Jul 1989

Following on from last month’s praise-filled preview. Paul Ireson takes a longer, harder look at Ensoniq's new VFX synthesizer, and finds that the beauty of this machine is far more than skin-deep. Is this the synth of 1989? Read the review to find out...

What It All Means

Feature | Topic: Microphones | Making Music, Jun 1986
Microphones

It's the microphone's turn to have all its technical terms translated into understandable language.

Hands On: Steinberg Cubase

Feature | Topic: Sequencing | Sound On Sound, Jan 1992

This month David Mellor presents a guided tour of Steinberg's ubiquitous sequencer program.

Tascam 246/Audio-Technica Portastudios

Review | One Two Testing, Feb 1986

Two four-track, six-channel machines rated

Torch Baring

Interview | Making Music, Jan 1987

Running your own studio, writing your own soundtracks and surviving someone else's Hollywood. William Orbit speaks.

C-Lab Creator

Review | Sound On Sound, Nov 1987

Martin Russ loops the hours away with Version 1.2 of this new MIDI sequencing package for the Atari ST computer from Germany's C-Lab.

Ensoniq EPS16 Plus

Review | Music Technology, Feb 1991
Digital Sampling Workstation

After a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples.

Tascam 238

Review | Music Technology, Jan 1989
Eight-track cassette recorder

The four-track cassette recorder revolutionised home recording and significantly changed the recording industry; will the eight-track cassette have a similar effect? Vic Lennard goes on record.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Jul 1992
Hints, Tips & News From The World Of Music Software

This month, helpful hints for users of C-Lab and Opcode software.

Window of opportunity

Group: Control Room

Review | The Mix, Feb 1995
Sound Station Sampler

Inexpensive sampling for PC owners

Ensoniq Mirage

Review | International Musician & Recording World, Apr 1985
KeyboardCheck

The big sampling surprise from Frankfurt gets the Curtis Schwartz seal of approval

New ROMantics

Feature | Topic: Computing, Tape, Vinyl, CD, DAT | Music Technology, Nov 1993
The MT guide to CD-ROM

Entertainment format of the future, or simply a handy digital storage medium? Ian Waugh writes the (Yellow) book on CD-ROM.

Action Replay

Review | Sound On Sound, Apr 1989
Akai S1000PB 16bit Stereo Sample Player with SWM and Workstation Disks

Do you find the idea of sampling your own sounds unappealing? Why not settle for a high quality replay-only sampler like the Akai S1000PB and spend the money you save on more library disks? Paul Ireson checks out the machine and Akai's newly launched set of Workstation and SWM disks.

Tape Recorders

Feature | Topic: Recording, Tape, Vinyl, CD, DAT | Recording Musician, Aug 1992

Paul White explains the basic principles of tape recorders to help you make better recordings.

Home Studio Recordist

Feature | Topic: Home Studio | Home & Studio Recording, Apr 1984
Kevin Hook

Kevin Hook describes his home recording set-up.

The CX5M Revisited

Group: Computer Musician

Feature | Topic: Computing | Electronics & Music Maker, Mar 1985

David Ellis digs deep inside Yamaha's MSX music computer, and finds it's capable of interfacing with more external hardware than its manufacturers seem willing to disclose...

 

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