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Centre of AttractionShow Report | Home & Studio Recording, Aug 1985APRS ReviewNow that our feet have finally recovered from walking round the show, we can tell you what impressed us most (after the free drinks and sweatshirts). |
Choosing A Cassette TapeFeature | Topic: Recording, Tape, Vinyl, CD, DAT | Home & Studio Recording, Sep 1983Tape Talk |
Home Electro-MusicianFeature | Topic: Home Studio | Electronics & Music Maker, Jun 1982David Pallant |
Yamaha AVS10Review | Sound On Sound, Nov 1989Multitimbral ExpanderFrom the home organ division of the Japanese giant comes a box which wipes the floor with anything that Yamaha’s Professional Keyboards division can currently produce. Paul Wiffen reveals the secret of the black box... |
Ensoniq SQ1Review | Sound On Sound, Jul 1990Personal Music StudioEnsoniq don't bombard the market with products - they take their time and get it right. Paul Ireson casts an eye over their new SQ1 workstation. |
Intelligent Music UpBeatReview | Music Technology, Sep 1987Software for Apple MacintoshThis Mac program from New York sets out to bring the flexibility of computer programming techniques to drum programming. Jim Burgess drums up his enthusiasm. |
RumblingsGroup: Computer Musician |
Boss DE-200 Digital DelayReview | Electronics & Music Maker, Feb 1984A look at the latest in digital delay - that can be triggered by rhythm machine. |
Sequential Circuits Prophet-600Review | Electronics & Music Maker, Apr 1983 |
Studio ChoiceFeature | Topic: Recording Studios | International Musician & Recording World, Aug 1975Quite why a particular studio becomes popular at one time is a mystery. We seek to solve it by asking top musicians about their choice of studios. |
Namm Special ReportShow Report | Electronics & Music Maker, Aug 1984 |
MIDIsoft Studio SequencerReview | Sound On Sound, Jan 1989Tony Wride takes a look at the Advanced version of MIDIsoft Studio, an easy-to-use, versatile 64-track Atari sequencer with a lot to offer. |
Yamaha CS70MReview Audio | Electronics & Music Maker, Dec 1981Programmable Dual Channel Polyphonic Synthesiser |
We Can't Go On... - Part 6Feature Series | Topic: Drum Programming | Music Technology, Sep 1987...Beating Like This...Beating Like This. If your drum machine is too robotic and your drum kit is too static, Matt Isaacson and Chris Meyer's tour of 'alternative' percussion controllers may be right up your street. |
Yamaha QX3Review | Music Technology, Oct 1987SequencerThe latest dedicated sequencer from Yamaha offers 16 tracks, extensive editing capabilities and a built-in disk drive. Howard Massey gives it a spin. |
SmokeGroup: The Front End |
Roland SBX-80 Sync BoxReview | International Musician & Recording World, May 1985SequencercheckHow to sync without a trace. Review by Curtis Schwartz |
Tool BoxNews Audio | The Mix, Jul 1994Sounds, samples, & software upgrades for the modern studioSounds, samples, software |
Source Of InspirationRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, May 1989At the time Moog discontinued the Minimoog, they launched the first programmable monosynth to use digital parameter editing. Nick Magnus reflects on a synth that was ahead of its time but overlooked by most players. |
Shape of Things to ComeNews | Sound On Sound, Nov 1988A look at some forthcoming products from the world of hi-tech music and recording. |
Step by StepGroup: Playback - Autumn 85 |
The Fairlight Explained - Part 6Group: Computer MusicianAfter a two-month absence, Jim Grant returns to the fold with some notes on CMI waveforms, lightpens and interpolation. |
On the RoadFeature | Topic: Live | Music UK, Dec 1982Music U.K.'S P.A. TestCarlsbro P.A., EV Mikes & Evans Echo |