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Rock Me ArmadeusReview | Micro Music, Oct/Nov 1989Ann Owen tests the Armadeus sampling software from music newcomers - Clares |
Shape Of Things To ComeNews | Sound On Sound, Apr 1991Another colourful selection of new and improved instruments, equipment and software. |
Korg DDM220Review | Electronics & Music Maker, Oct 1984Programmable Percussion MachineThe Latin percussion variant of Korg's new budget drum machine duo comes under the scrutiny of Trish McGrath. Is its beauty more than skin deep? |
The Programmable Digital Sound Generator - Part 2Group: Computer MusicianPart 2: Applying the PDSGSome typical applications of the Programmable Digital Sound Generator, outlined by its designer, Alan Boothman. |
Sequential Studio 440Review | Sound On Sound, Jul 1987Sequential's One Man BandPaul Wiffen first encountered the Studio 440 sampling drum machine several months ago when he was called in to help Stevie Wonder suss out his! It has since become the mainstay of his own programming armoury. Here he tells why... |
Korg Professional Performance SeriesPreview | Music Technology, Apr 1988M1 Music Workstation, S1 MIDI Production WorkstationThe workstation concept comes of age. Bob O'Donnell previews Korg's Professional Performance Series Music Workstation keyboard and Production Workstation. |
That Syncing Feeling - Part 3Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989Chris Smith enlightens us on the subject of locking music to video |
Sound AdviceFeedback | Sound On Sound, Nov 1987The start of a regular monthly column devoted to readers' hints and tips about their instruments, equipment, software, recording and playing techniques. |
Inside Views: Ray DolbyInterview | Sound On Sound, Jul 1987The world's best known engineerRay Dolby's name appears on almost every recording device imaginable, yet few people outside the industry know much about this most famous engineer. In a rare interview he talks to David Mellor and explains the evolution of Dolby noise reduction. |
Roland MV30 Studio-MReview | Sound On Sound, Mar 1991The Studio In A Box?A studio in a box? Martin Russ looks at Roland's latest entry in the ongoing competition to fit the most functionality in the smallest box... |
Barcus-Berry 402 Sonic MaximizerReview | Music Technology, Mar 1987Geoff Levin tries the latest word in psychoacoustic enhancement, and finds it involves analysing the entire frequency spectrum, then time-aligning parts of it. What do the results sound like in the studio? |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Nov 1988Hints, Tips & News From The World Of Music SoftwareSpurred on by the successful reaction to our previous Steinberg and Dr.T support pages, we bring you a regular new column of hints, tips and news from the world of music software. |
VirtuosoReview | Sound On Sound, Sep 1989Designed by musicians for musicians, The Digital Muse’s long-awaited MIDI sequencer for the Atari ST offers 99 tracks, real-time multitasking operation, ultra-fast screen redraws, and a host of comprehensive features with which to make music. So does it live up to expectation? David Hughes finds out... |
TrackstarReview | Electronics & Music Maker, Oct 1986Software for Commodore 64Ian Waugh examines a new starter sequencer package designed to lure Commodore 64 users into the MIDI software habit. Is it friendly enough? |
Eko EM-10 KeyboardReview | Electronics & Music Maker, Nov 1983 |
RumblingsGroup: Computer MusicianDigital synthesis for the IBM PC, sound-sampling for the Apple II, and drum composing for the Commodore 64. David Ellis has the details. |
Sampling KeyboardsGroup: The MIDI Connection Supplement |
Sequential Prophet 3000Review | Sound On Sound, Nov 1987Two years ago Sequential launched the Prophet 2000 sampling keyboard, which set the standard for all the 12-bit machines on the market. Will the Prophet 3000 stereo rack sampler do the same for the 16-bit field? Paul Wiffen thinks so. Read why... |
Atari NotesFeature | Topic: Computing | Sound On Sound, Mar 1993 |
Using MicrophonesFeature | Topic: Acoustics, Microphones, Recording | Home & Studio Recording, Jan 1984Tips to help you achieve that 'modern' drum sound. |
dbx Recording Technology SeriesReview | Electronics & Music Maker, Oct 1981Noise ReductionNoise reduction explained. |
Sound AdviceFeature | Topic: Home Studio | Home & Studio Recording, Jan 1984Don Larking guides you through the various equipment that goes to make up a home studio. |