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Steal The FeelFeature | Topic: Sequencing | Sound On Sound, Nov 1991Stealing a bit of someone else's playing is the way to swing a dance record. But rather than just lifting a drum loop, wouldn't it be nice if you could invite the drummer to play directly into your sequencer? Well, maybe you can. Wilf Smarties explains how. |
Dr T'S KCS OmegaReview | Music Technology, Dec 1991Atari ST SoftwareCombining four Dr T's programs, Omega brings together scorewriting, sequencing and powerful editing facilities on the Atari ST. Ian Waugh reckons it's Christmas. |
Roland R8 Rhythm ComposerReview | Sound On Sound, Feb 1989Paul Ireson beats a path to the door of Roland's new flagship drumbox and finds a groovy kind of love. |
Start of the ARTReview | Sound On Sound, Mar 1990Multiverb II Multiverb EXTDave Lockwood casts his eye over this brace of MIDI controllable multi-effects processors from ART. |
Macromusic - Part 4Group: Computer MusicianBeyond the Groove |
Hard disk for softiesGroup: Control RoomTurtle Beach QuadStudioDigital four-track for PC |
Sample!Review | Micro Music, Jan 1990We look at internal sampling packages for all the top micros in this definitive round up |
Mix-It-Yourself Porta-studio SingleFeature | Topic: Marketing / Promotion | Home & Studio Recording, Dec 1984TLO Records recently released a single by Bonaventura in the form of a four track Portastudio-compatible cassette that you can mix yourself. Could it be a new trend for the future? |
Apple NotesFeature | Topic: Computing | Sound On Sound, Aug 1993 |
Ensoniq Performance SamplerReview | Sound On Sound, Feb 1988The ability to load new samples whilst playing is only one of many performance-related features which make the 20-voice EPS stand out from the current crowd of sampling keyboards. Craig Anderton reveals the others... |
2B Or Not 2BReview | Electronics & Music Maker, Nov 1985UMI 2B SoftwareThe 1B version was good, but Simon Trask has spent a month with its successor, and reckons it deserves its reputation as the most professional sequencing package designed round a home computer. |
MIDIsoft StudioReview | Music Technology, Nov 1988Software for the Atari STThis new Atari ST sequencing software package from America combines affordability with flexibility. Simon Trask applies the soft touch. |
Noise Reduction UnitFeature | Topic: Electronics / Build | Electronics & Music Maker, May 1981 |
Masterbits Sample CD CollectionReview | Sound On Sound, Jul 1990David Hughes lends an ear to three well-priced CDs full of synthesizer and drum machine samples. |
Ensoniq EPSReview | Music Technology, Oct 1988Performance SamplerIt's been a while in the pipeline but Ensoniq's successor to their popular Mirage sampler is up and running. Simon Trask checks out the latest "peoples' sampler". |
Making TracksReview | Home & Studio Recording, Dec 1986Tascam Porta TwoThis month's cover feature, the brand new Tascam Porta 2. Bristling with features, this 6-channel, 4-track portable studio still falls within an attractive price bracket. |
Souper TrouperReview | Sound On Sound, Oct 1993Digital Soup Editing Software For The PCIt's very cheap and immensely powerful. Read our review to find out more... |
Edit TrackReview | Micro Music, Jun/Jul 1989Hybrid Arts budget package that thinks big as John Renwick discovers |
Masters Of The UniverseFeature | Topic: Mastering, Tape, Vinyl, CD, DAT | Sound On Sound, Dec 1991So you wanna record an album? Anyone with a DAT recorder can make what they think is a usable master tape, but it takes a little know-how to do it properly. Mastering engineers Mike Brown and Martin Giles of CTS Studios explain what goes into preparing master tapes for tape, record and CD duplication. |
What the hell does Quantisation think it is?Feature | Topic: Sequencing | Music Technology, Feb 1992Quantisation: the sequencer's revenge on the trained musician. Vic Lennard looks at this much-used but little-understood feature and finds that it has feelings, too. |
Linn 9000Review | Electronics & Music Maker, Apr 1985Digital Drum Machine and Keyboard RecorderThe people who introduced the world to the concept of digital drums have now applied their expertise to MIDI keyboard recording. Paul Wiffen gives his verdict. |