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Simmons Portakit

Review | Music Technology, Sep 1988

Simmons' reply to Roland's popular Octapad comes complete with built-in sequencer, but is it a match for the Octapad II? Nicholas Rowland checks out the rhythm competition.

Cakewalk For Windows

Review | Sound On Sound, Dec 1992
Windows Sequencer

MIDI Matters - Part 1

Feature Series | Topic: MIDI | Sound On Sound, Aug 1987
Back To Basics

Jay Chapman takes a side step from his regular foray into MIDI and presents this 'back to basics' article especially for the many new readers who have picked up on the series since it first began.

Hi-Fi Graphics

Group: Recording World

Feature | Topic: Effects Processing | International Musician & Recording World, Jan 1985

Are they a viable and cheap alternative to Eqs in the studio. Curtis Schwartz takes a look at a cross section of products available

School's Out

Review | Micro Music, Aug/Sep 1989

Phil Brammer takes the Educational version of Steinberg's Pro-24 to the top of the class

The Synclavier Story - Part 3

Feature Series | Topic: Digital Audio Workstations | Music Technology, Aug 1989
PART 3: DIRECT-TO-DISK AND SYNTHESIS

In the final part of our look at the latest models of the state-of-the-art Synclavier, Scott Wilkinson homes in on the Direct-to-Disk recording system.

Music On The Macintosh

Feature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992
Software and Hardware

Newer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface.

One for the Rack

Review | Home & Studio Recording, Nov 1985

A sampling digital delay line from Korg - the SDD2000.

Sound Quest MIDI Quest

Review | Sound On Sound, Jan 1993
Universal Editor/Librarian Software

How It Works: Multitrack - Part 8

Feature Series | Topic: Recording | Sound On Sound, Mar 1988

From the humblest of 4-track cassette recorders to the might of 48-track digital, multitrack is the technique used for 99.9% of all commercial recordings. David Mellor looks at the background to this powerful tool and wonders how we ever managed without it.

Hands On: Sony DTC1000ES

Feature | Sound On Sound, Sep 1991

Following his guide to using the B77, David Mellor offers some basic advice for newcomers to the Sony DTC1000ES.

Shape Of Things To Come

News | Sound On Sound, Jan 1991

Our regular round-up of whats new in the world of hi-tech music and recording.

Making A Video Demo

Feature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jun 1991
...On A Shoestring Budget

Having a problem getting your music listened to by film production companies? Paul D. Lehrman tells the tale of how he put together a showreel of his music without it costing him the earth.

Marantz CDR1 CD Recorder

Review | Music Technology, Apr 1992
Compact Disc Recorder

Recording CDs at home reaches the "affordable" level - at under £4000, CD Recordable moves into the realm of the home studio. Tim Goodyer primes the laser.

Dr T's Tiger Cub

Review | Music Technology, Nov 1990
Software for the Atari ST

Notorious for the numerical approach of their programs, Dr T's have incorporated GEM friendliness in their latest Atari ST sequencer and scorewriter. Ian Waugh reckons it's purrfect for those on a tight budget.

Tanrak Digital Delay/Sampler

Group: Recording World

Review | International Musician & Recording World, Aug 1986
Studio Test

The sampler you can fit in your rack sampled by Tony Reed

Bits 'n' Pieces - Part 1

Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Nov 1992
An Introduction to Digital Audio

Digital audio explained from the ground up — bit by bit!

The Musician's Micro - Part 1

Review Series | Sound On Sound, Jun 1989
Yamaha C1 Music Computer

In the first of this two-part review, Ian Gilby discusses the hardware aspects of Yamaha's new portable PC compatible music computer.

Computer Musician - Rumblings

Group: Computer Musician

News | Electronics & Music Maker, Mar 1984

Using Microphones

Feature | Topic: Recording | Home & Studio Recording, Sep 1983

Technically Speaking

Feedback | Music Technology, May 1993

Illusions of Space

Interview | Recording Musician, Aug 1992
The Man Behind The Lexicon Sound

David Griesinger pioneered the research behind the Lexicon digital reverb sound. He discusses his ideas with Paul White.

Eventide H3000 Ultra-Harmoniser

Review | Music Technology, Apr 1990
Signal Processor

Eventide call it their Ultra-harmoniser, but is it worthy to follow in the footsteps of their standard-setting model 910? Vic Lennard and technology in perfect harmony.

Steinberg ProCreator

Review | Music Technology, Dec 1986
Software for Yamaha DX/TX and Atari ST

Why spend hours slaving over a hot DX7 trying to find new sounds, when there's an Atari ST program that does all the hard work for you? Simon Trask puts his feet up and takes a look.

The New Portastudio

Review | One Two Testing, Nov 1984
Tascam Porta One 4-track

what he said

 

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