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Raising The StandardFeature | Topic: MIDI | Music Technology, Jun 1991As MIDI expands its influence, guidelines for improved compatibility between instruments are emerging. Vic Lennard examines the new General MIDI spec and Roland's proprietary GSS system. |
Bad GigsGroup: One Two Tacticsa checklist to help avoid them |
Technically SpeakingFeature | Topic: MIDI, Syncronisation | Making Music, Oct 1986Second part of the great build-yourself-a-tape-MIDI-interface thingy. |
When Is A Tape RecorderFeature | Topic: Tape, Vinyl, CD, DAT | One Two Testing, Feb 1985how they work |
Break PointsReview | Sound On Sound, Nov 1993Gajits Breakthru Sequencer For Atari STWe put this value for money Atari sequencer through its paces. |
Multitrack RecordersFeature | Topic: Recording | Recording Musician, Sep 1992The underlying concepts of multitrack recording are explained from the bottom up. |
JamminGroup: Playback - Autumn 85 |
Datel Sound SamplerGroup: Computer MusicianHardware and Software for Sinclair SpectrumE&MM new-boy Simon Trask gets his teeth into a Spectrum-based sampling system that retails for no more than £50. |
Amiga NotesFeature | Topic: Computing | Sound On Sound, May 1993 |
Micro MusicFeature | Topic: Computing | Electronics & Music Maker, Nov 1982ZX Spectrum Synth Controller |
Tape Line-Up - Part 2Feature Series | Topic: Sound Fundamentals, Tape, Vinyl, CD, DAT | Sound On Sound, Oct 1986Part 2. If you developed a stomach ulcer through reading last month's instalment on the theory of line-up and haven't dared go near your tape machine since, you can stop worrying no was David Mellor tells you exactly what to do to achieve perfection in your recorded sound. |
Kawai R50 Drum MachineReview | Music Technology, Jun 1987It's only a month since we reviewed Kawai's R100 beatbox, yet already they've come up with a cheaper version. Rick Davies previews it. |
360 Systems Pro MIDI BassReview | Music Technology, Feb 1988Looking for a be-bop bass without hassle? Matt Isaacson looks at a box of bass sounds that may help you with the bottom end of your music without tying up your favourite synth or sampler. |
Cause An EffectFeature | Topic: Effects Processing | Music Technology, May 1991Effects processing is now an integral part of a recording studio - large or small. Aaron Hallas goes back to basics in this introduction to sound treatment. |
Stop Press - MemoryMoog PlusNews | Topic: Vintage Instruments | Electronics & Music Maker, Jan 1984 |
Firstman SQ-01 Sequence SynthesizerReview Audio | Electronics & Music Maker, Mar 1982 |
Creative Sounds ImproviserReview | Sound On Sound, Apr 1992Improvisation SoftwareAuto-accompaniment software seems to be growing up, offering real interaction and creativity in place of tacky preset patterns. Martin Russ looks at Improviser, an ST program that does just what its name suggests. |
Force TenReview | Electronics & Music Maker, Jul 1986Software for Sinclair SpectrumMusic software for the Sinclair Spectrum is alive and well. Simon Trask reports on a ten-track sequencer package from Swedish company 10 Systems. |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Oct 1992Paul Austin reports on a low-cost direct-to-disk recording board for the Amiga. |
Yamaha MT1XReview | Home & Studio Recording, Jun 1986Multitrack Cassette RecorderAffordable cassette multitrack with a few unexpectedly sophisticated features. |
Farfisa Buckingham OrganReview | International Musician & Recording World, Jun 1975 |
Gateway Multitrack CourseFeature | Topic: Education, Recording | Home & Studio Recording, Apr 1984One way to discover more about recording. |