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Arion DDS-1/DDS-4Group: Mini Reviews |
Casio DA1Review | Sound On Sound, Mar 1989The Digital MasterCasio's DA1 is the smallest and cheapest Digital Audio Tape recorder on the market, and an ideal addition to any home studio. Paul Ireson swoons in its presence. |
33 Recording TipsGroup: Recording WorldWhat to do to get tip-top tapes from our master of the mastering, Steve Toke |
MIDI ManReview | Micro Music, Jan 1990John Renwick gets synchronised with this nifty little device from Radius |
Trackman SequencerReview | Sound On Sound, Nov 1988Paul Ireson previews this new British 32-track MIDI sequencer for the Atari ST. |
Tape Line-Up - Part 1Feature Series | Topic: Sound Fundamentals, Tape, Vinyl, CD, DAT | Sound On Sound, Sep 1986Know anything about bias, test-tones or calibration? If you use a tape recorder then you should! In the first of two parts, David Mellor explains the need for tape recorder line-up procedures and unravels the mystery behind this arcane science which can have a profound affect on the quality of your recordings. |
MIDI DJReview | Sound On Sound, May 1987Disk Recorder / SequencerMark Jenkins gets to grips with this unassuming dual channel MIDI sequencer from the States and unearths some interesting facts... |
KAM GM50Group: Quality Controldigital sampling mixerWatch out for this new DJ mixer; it's fading - fast. |
E-Mu Systems Emax IIReview | Music Technology, Feb 1990One of the most popular keyboard samplers of recent years is E-mu's Emax, now its place is to be taken by the Emax II. But will it prove as popular? Dave Richardson gets the Max. |
Mac NotesFeature | Topic: Computing | Sound On Sound, Aug 1992 |
Elka CR99Review | Music Technology, May 1989MIDI Disk RecorderMeanwhile, Elka have called their CR99 a MIDI Disk Recorder rather than a MIDI sequencer. Vic Lennard goes on record with a MIDI sequencer with a few surprises up its sleeve. |
Hollis Trackman IIReview | Music Technology, Dec 1989Perhaps the fastest-evolving Atari sequencing software is Hollis Research's Trackman which has just reached version II. Ian Waugh gets back on track. |
Sounding OffOpinion | Sound On Sound, Nov 1989The Tapeless Recording Boom — Fact Or Fiction?Is the 'Tapeless Studio’ fact or fiction? Yasmin Hashmi ponders the current state of the recording industry. |
Are All Those Microphones Necessary?Feature | Topic: Microphones | Electronics & Music Maker, Aug 1981Hi-Fi Supplement |
We Can't Go On... - Part 2Feature Series | Topic: Drum Programming | Music Technology, May 1987...Beating Like This...Beating Like This. Chris Meyer and Matt Isaacson with the second part in our series on better drum programming. This month: how to make your percussion sounds stand out from the crowd. |
Boss Micro Rack AdditionsGroup: Recording WorldStudio TestRPQ-10 PREAMP/EQ, RSD-10 DIGITAL SAMPLER/DELAY Two hot new additions to the home-effects range. Tony Reed reports |
Digigram MC5 ComposerReview | Music Technology, Oct 1987Tired of scoring out your music by hand? Simon Trask investigates a computerised alternative and discovers it may try to muscle in on the composition. |
Digital Signal Processing - Part 3Group: Computer MusicianPart 3 of this exciting digital signal processing project offering a 5 second delay program for your Sinclair Spectrum! |
Slap 'n' TickleReview | Sound On Sound, Apr 1986High quality sampled bass sounds that you can play from any MIDI keyboard, sequencer or drum machine are offered by the 360 Systems MIDI BASS. Tony Hastings assesses its performance. |
Technically SpeakingFeature | Topic: Electronics / Build, MIDI, Syncronisation | Making Music, Sep 1986First DIY steps to a MIDI sync box for your portastudio. |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Apr 1993 |
Total recall - Doctor BeatFeature Audio | Topic: Vintage Instruments | The Mix, May 1995Vintage technology strikes back |
Instant SamplingReview | Electronics & Music Maker, Nov 1985Vesta Kozo SamplerAnother goodie for your overflowing 19" effects ruck, this one offers pitch-controllable sampling and a full-function DDL into the bargain. Dave Simpson grabs a microphone and decides it's worth making room for. |