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ST Replay 4 SamplerReview | Sound On Sound, Jan 1989Martin Russ has fun turning his Atari computer into a multi-function sampler, drum machine and digital effects unit with the aid of Microdeal's low-cost Replay 4. |
AMASReview | Sound On Sound, Feb 1990Advanced MIDI Amiga SamplerGot an Amiga? Want a sampler? Then cast your beady eye over this one. Greg Truckell is your guide. |
Clares ArmadeusReview | Music Technology, Feb 1990Archimedes SoftwareThe Archimedes computer continues its bid for musical acceptance with Armadeus - a hardware/software package that allows it to sample sound. Ian Waugh goes soft on sampling. |
Keeping TrackReview | Sound On Sound, Feb 1992Opcode Track ChartNeed to keep track of your tracks in the studio? Opcode's Track Chart offers a package of handy utilities for engineers; Mike Collins tries it out. |
EditorialEditorial | Home & Studio Recording, Dec 1983 |
Band In A Box V5Review | Sound On Sound, Oct 1992Accompaniment SoftwareThis popular auto-accompaniment program is gaining in features and sophistication with every upgrade. Martin Russ plays with himself... |
Guide to Electronic Music TechniquesFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jun 1981 |
Korg SQ8 SequencerReview | Sound On Sound, Aug 1987Is it an electronic tuner? Is it a portable metronome? No, it's the world's smallest 8-track MIDI sequencer. Mark Jenkins explores its inner workings and draws his conclusions. |
Technics SV260Review | Sound On Sound, Jun 1989Portable DAT RecorderAs the market prepares itself for an influx of DAT recorders from the giants of the hi-fi world, Mark Jenkins takes a brief look at a new portable offering from Technics, the SV260. |
Mattel SynsonicsGroup: Drum Machine Supplement |
Making the Most of... - Part 13Feature Series | Topic: Tape, Vinyl, CD, DAT | Home & Studio Recording, May 1986Your Razor BladeSteve Howell covers the basics of good splicing practice in preparation for next month's article on creative remixing. |
Prophecies Spring 1984Feature | Topic: Advertisement Feature | Electronics & Music Maker, Mar 1984Advertisement Feature - Sequential Pullout |
Steinberg Cubase LiteReview | Music Technology, May 1993For the Atari STNo, it's not a lager. It's an economy version of Cubase with selected features only. Mind, you, that doesn't stop Ian Waugh from drooling at the mouth |
SDA Promidi Studio SystemReview | Music Technology, Jul 1988Software for the IBM PCSystem Design Associates' Promidi Studio System is a powerful sequencing package for IBM and compatible computers that records straight to disk. Ian Waugh checks it out. |
NewsNews | Sound International, Jan 1979EtceteraSplit as they are (these pages) into Studios and Recording, Instruments and Equipment, and Etcetera (for news pieces with no homes to go to). |
Roland JSQ-60 DCB Digital Keyboard RecorderReview | Electronics & Music Maker, May 1984E&MM contributor of old, Vince S. Hill, on Roland's DCB-standard digital keyboard recorder. |
Using Sequencers - Part 3Feature Series | Topic: Sequencing | Electronics & Music Maker, Jul 1984Real-time SequencingPaul Wiffen gives some useful tips on how to record sequences in real time. |
C-1 and you've seen 'em allReview | Micro Music, Aug/Sep 1989John Renwick puts Yamaha's super-computer through it's paces |
Strawberry Cutting RoomFeature | Topic: Mastering, Recording Studios, Tape, Vinyl, CD, DAT | Sound International, Mar 1979Nobody ever seems to think much about the art of disc-cutting: yet in reality the cutting-room is the final link in the chain that can really make or break your recording quality-wise. Ralph Denyer, therefore, takes some time out to talk to Strawberry's top cutting engineers, in an effort to demystify this vital area. |
Roland MSQ100Review | Electronics & Music Maker, Feb 1985MIDI Digital Keyboard RecorderThere are still more computer-shy musicians around than many would have you believe, so for them, this dedicated MIDI sequencer could be just the ticket. Trish McGrath investigates. |
Gravis Ultrasound Studio 8Review | Music Technology, Jul 1993Sound Card for the PC16-bit wavetable synthesis? 32-note polyphony? GM file support? Sounds like a job for Ian Waugh, and sounds like the product for any PC owner entering the wonderful world of digital sound. |
Roland CPE-800 Compu-EditorReview | Electronics & Music Maker, Nov 1981 |
Korg Audio Gallery AG-101 & AG-102Group: Quality ControlMultimedia Music System for PC & MacintoshDo Korg's new Mac and PC add-ons represent a sound investment? |
OmnichordReview | Micro Music, Dec 1989John Renwick strums away on a unique MIDI controller which may well interest any keyboard players with guitarist tendencies |