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Digigram MIDImicReview | Music Technology, Oct 1988If you've ever wished you could sing a violin or hum a tune straight into your MIDI sequencer, this French "MIDI microphone" could be for you. Debbie Poyser sings something sampled. |
FrontLinesNews | Phaze 1, Jan 1989People, Gear, Events, Gossiphappening people, gear, events, gossip |
Communication BreakdownEditorial | Music Technology, Mar 1992According to Laurie Anderson, language is a virus from outer space. Tim Goodyer examines the problems with and the justifications for technical jargon. |
WorkbenchFeature | Topic: Electronics / Build, Live, Maintenance / Repair / Modification | International Musician & Recording World, Oct 1986Sounding OutPhil Walsh is in complete remote control, and tells you how to mix on a budget. |
Sweetening the pillGroup: Sound AdviceSampler testThree big names, but which one’s the best? |
Throat Under ThreatFeature | Topic: Performing, Tuition / Technique | Making Music, Dec 1987Throat Care |
A Sample of Eastern IngenuityReview | Home & Studio Recording, Dec 1985Vesta Kozo DIG-420Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control. |
Writing Music for a DocumentaryFeature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Nov 1988Composing music for television can be both exciting and frustrating, as Ian Assersohn and Stephen Frost of Sequenza Music Production discovered when they began writing music for a documentary film about India. |
MIDI by NumbersGroup: MIDI Supplement - Part OneAn interview with, the BPI's Producer of the Year.Culture Club producer Steve Levine discusses his attitudes to modern music-making, and how the new interface makes his life easier. |
Working with VideoFeature | Topic: Video / Film / Picture | Electronics & Music Maker, Mar 1981 |
Universal Trigger InterfaceFeature | Topic: Electronics / Build | Electronics & Music Maker, Jul 1982A unique E&MM design which allows interfacing between all commercially available synthesisers, sequencers and micros. |
The Case Against The LevyEditorial | Home & Studio Recording, Jan 1984 |
A Room Of My Own: John CrossleyInterview | Topic: Home Studio | Sound On Sound, May 1993 |
Guitar GuruFeedback | Making Music, Jan 1987Another session in front of Maharishi Day and his all seeing wang bar. |
Crusading For The SampleInterview | One Two Testing, Dec 1984keyboarding Crusader with words of wisdom |
Beat BoxGroup: Do It Yourself |
PA Systems - Part 1Feature Series | Topic: Live | International Musician & Recording World, Nov 1975An explanation of PA complexities. |
Protect & surviveGroup: Sound AdviceHard disk careHealthy disk, clean botty - but how to keep it that way |
Cause & EffectsReview | Micro Music, Jan 1990Jez Ford is seriously effected by Digitech's latest signal processor - the DSP-128 |
Shaping Sound - Part 3Feature Series | Topic: Sampling | Sound On Sound, Feb 1986Filtering, Enveloping And Keyboard Sensing.In the penultimate part of his series, designed to help you get the best from your sampling machines, keyboard programmer Paul Wiffen returns to his analogue roots to modify some samples. |
CP Cases Rack Conversion KitReview | Recording Musician, Sep 1992 |
Production WarsEditorial | Music Technology, Mar 1988What is a producer's role in making music? Come to that, what is a producer? With today's technology bringing the recording studio into peoples' homes, the rules are changing. |
JBF 3D Sound Sample CDReview | Recording Musician, Nov 1992 |