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Search results
 Recording Techniques - Part 8Feature Series | Topic: Recording | Sound On Sound, Jul 1990Recording DrumsPart 8: David Mellor explains several techniques for taming that most difficult of instruments to record - the drum kit. |
 The Rhythm SectionInterview | Sound International, May 1978Charlie Tumahai & Simon FoxBe Bop Deluxe's drummer and bassist under the magnifying glass. |
 When Is A Tape RecorderFeature | Topic: Tape, Vinyl, CD, DAT | One Two Testing, Feb 1985how they work |
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 Keyboards with BrosInterview | Sound On Sound, Aug 1989Scott Davidson utilises the power of MIDI to provide the instrumental foundation for Bros' music, both on stage and in the studio. Julian Colbeck takes notes... |
 Digidesign TurbosynthReview | Music Technology, Sep 1988Synthesis SoftwareCAD meets synthesis inside the Apple Mac. Robert Rich fires up a program that allows you to design your sounds on computer before transferring them to your sampler. |
 BBC MicroFeature | Topic: Computing | Electronic Soundmaker & Computer Music, Feb 1984An in-depth assessment |
 Roland GR50Review | Music Technology, Aug 1989Guitar SynthesiserRoland's latest guitar synthesiser is quickly earning a reputation as the most playable guitar synth yet built. Aaron Hallas turns from widdly-widdly merchant to MlDdly-widdly merchant. |
 On The Beat - Part 3Feature Series | Topic: Drum Programming | Music Technology, Oct 1989Building on the patterns explored earlier in this series, adding expression is the theme of this month's drum programming column. Nigel "Reet" Lord changes his accent. |
 Wizard Of OzInterview | Electronics & Music Maker, Feb 1984Keyboard player to Rainbow, Black Sabbath and now Ozzy Osbourne, Don talks to Tim Oakes about his keyboards, how to Bark At The Moon, and life on the road with a werewolf... |
 Kahler Bass Tremolo + EMG P-Bass PickupsReview | One Two Testing, Feb 1986The Mercedes of bends The perfect Precision ports? |
 Gibson Explorer SynthReview | International Musician & Recording World, Feb 1986GuitarcheckPlug in, lean back, legs apart — and sound like an accordionist. Tony Mills taxes the axe |
 Sessionmaster Bass PreampReview | Recording Musician, Sep 1992 |
 Kee MarcelloGroup: ChitChat |
 How To Do Tricks With TimeGroup: Roland Newslink - Summer 1985 |
 Drum HumFeature | Topic: Tuition / Technique | Making Music, Jun 1986Geoff Nicholls calms down the fight between the drum machine and the real drummer. |
 Industry Profile - MPC ElectronicsFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Dec 1983Innovators of The Kit and the Music Percussion Computer, MPC explain their approach and hint at some new products to come. |
 80 DaysRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Sep 1990Yamaha CS80Once infamous as a roadie's nightmare, the CS80 has settled in synth history as an instrument of almost unmatched character. Peter Forrest rediscovers the pain and the pleasure. |
 With a little (more) help...Interview | International Musician & Recording World, May 1975 |
 When Worlds CollideFeature | Topic: Live | Sound On Sound, Apr 1987The Chieftains In ChinaJanet Angus reports on what happened when Irish folk group The Chieftains took up an offer to do a concert tour of China and decided to record the event. |
 How It Works: Multitrack - Part 8Feature Series | Topic: Recording | Sound On Sound, Mar 1988From the humblest of 4-track cassette recorders to the might of 48-track digital, multitrack is the technique used for 99.9% of all commercial recordings. David Mellor looks at the background to this powerful tool and wonders how we ever managed without it. |
 NewsNews | International Musician & Recording World, Mar 1985All the latest topical bulletins from the trade |
 Yamaha 9000 Drum KitReview | One Two Testing, Dec 1983 |
 InnovatorsInterview | Electronic Soundmaker & Computer Music, Jun 1984 |
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