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Carlsbro & Deanvard AmpsGroup: Amps |
RusslingsOpinion | Topic: Computing | Sound On Sound, Jul 1992It has come to our attention that some of you have bad back-up habits. You know who you are... |
Hits From The StickReview | Electronics & Music Maker, Sep 1986Dynacord Rhythm StickA guitar for drummers, a percussion controller for keyboardists, or a drum-kit for guitar players? The Rhythm Stick could be all of these things, as Nigel Lord discovers. |
Miking MusicGroup: Recording WorldBetteridge back again, with a step-by-step guide to the mysteries of mike technique. |
Studiomaster Stellar FET-1Review | International Musician & Recording World, Aug 1985AmpcheckThe slick, compact new power amp gets the Curtis Schwartz once over |
Accupower UPSReview | Music Technology, Apr 1991When you put your faith in a software-based sequencer, little can be as demoralising as a computer crash caused by mains fluctuation. Vic Lennard looks at one means of protecting your music. |
Voyetra Sequencer PlusReview | Sound On Sound, Mar 1991Version 4Brian Heywood evaluates the latest update to Voyetra's powerful PC-based sequencing program. |
Roland SBX-10 Sync Box/ConverterGroup: Recording WorldStudio TestCurtis Schwartz meets The Master Controller and lives to tell the tale |
Quinsoft K4 MagicianReview | Music Technology, Nov 1991Atari ST SoftwareFew players get the best out of their synths these days without the help of a software editor. Gordon Reid boots up his ST and goes to work on his Kawai K4. |
Keith LeBlancGroup: ChitChat |
SPL VitalizerReview | Sound On Sound, May 1992The Vital IngredientBy using elements of equalisation combined with established psychoacoustic principles, the SPL Vitalizer enhances the entire audio spectrum. Paul White reviews the unit that is now a vital ingredient of his mixes. |
Powertools D110 EditorReview | Music Technology, Oct 1989Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box. |
Perfect TimingGroup: Roland Newslink — Frankfurt Report |
The Auto-Tune StoryFeature | Topic: Design, Development & Manufacture | International Musician & Recording World, Jul 1975 |
Making the Most of... - Part 8Feature Series | Topic: Effects Processing | Home & Studio Recording, Dec 1985An Empty WalletBudget effects units for those of us with tight wallets. |
Tona De Brett's Vocal PointsFeature | Topic: Performing, Tuition / Technique | International Musician & Recording World, Aug 1985Due to popular demand the swinging singing tutor is back with her own series |
The ShaperFeature | Topic: Electronics / Build | Electronics & Music Maker, Mar 1983Contour your instrument envelopes with this versatile effect unit |
Zypher Electronics Digi-Atom 4800Review | Electronics & Music Maker, Sep 1984Analogue-to-MIDI converterThe first of its kind to appear on the UK market, the Digi-Atom is a CV-to-MIDI converter that allows old analogue equipment to be used in conjunction with new MIDI gear. Paul White again. |
Washburn G-10V and G-20VReview | International Musician & Recording World, Nov 1985GuitarcheckFrench, Japanese, Dave B takes them all on |
In the first placeEditorial | Music Technology, May 1994 |
Clarissa Roundbacked Electric-Acoustic Model G100ELReview | In Tune, Dec 1984 |
Music Maker Equipment SceneNews | Electronics & Music Maker, Feb 1982 |
Studio Reproduction - Part 1Feature Series | Topic: Construction / Build, Recording Studios | Sound On Sound, Oct 1989PART 1: In the first installment of this two-part feature, we take a look behind the scenes at the design, development and construction of a modern day professional recording studio. |
360 Systems Pro MIDI BassReview | Music Technology, Feb 1988Looking for a be-bop bass without hassle? Matt Isaacson looks at a box of bass sounds that may help you with the bottom end of your music without tying up your favourite synth or sampler. |
Production Lines - Muff WinwoodOpinion | Recording Musician, Sep 1992Guest producer Muff Winwood holds what are sure to be controversial opinions on artistes' responsibilities and expectations. |