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Fact File

Feature | Electronics & Music Maker, Feb 1982
Don Airey, Martin Gore and Tony Hymas

Connections

Review | Micro Music, Oct/Nov 1989

Darrin Williamson takes a look at the Phillip Rees range of hardware designed to help the flow of your MIDI data

MIDI In The UK

Feature | Topic: MIDI | Music Technology, Feb 1991
UKMA

Now that the UK has its own MIDI association, help and information are but a phone call away. Simon Trask checks out the UKMA and its founder: Vic Lennard.

Guitar Routing Box - Part 1

Feature Series | Topic: Electronics / Build | International Musician & Recording World, Aug 1975

If you undertook last month's project and converted your guitar to stereo, build a routing box to provide ultimate panning flexibility

Buzz

News | International Musician & Recording World, Nov 1975

The bands coming big in Edinburgh

Superwound Xtra-Wrap Strings

Review | In Tune, Oct 1985
Starfire Xtra-Wrap 'Reinforced Twist' Nickel Strings

Russlings

Opinion | Sound On Sound, Oct 1992

Even the most advanced of today's hi-tech instruments contain mechanical components that are prone to failure. The trick is to ensure that they just outlast the product to which they're fitted...

We Say, You Say

Editorial | Music Technology, Nov 1986

Welcome to a different kind of musicians' magazine, upholding old traditions and breaking new ground.

The Jay Arthur Column

Feature | Topic: Humour | Making Music, Dec 1987

Epic Horizons

Feature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Feb 1985
The System

Tony Duhig of Jade Warrior - his home system, including the Roland guitar synth and the Emulator.

Leader

Editorial | Recording Musician, Aug 1992

The Numbers Game

Review | Electronics & Music Maker, Feb 1986
Dynacord MCC1 Interface

The world has been waiting for an interface box that solves all its MIDI routing problems at a single stroke. Simon Trask reckons the wait is now over.

The RackPack

Feature | Topic: Electronics / Build | Electronics & Music Maker, Jul 1984

A versatile rack-mounting power supply unit is described by its designer, Paul White.

Editorial

Editorial | International Musician & Recording World, Oct 1975

Nineteen Inches of Rane

Review | Home & Studio Recording, Nov 1985
Rane PE15 Parametric Equaliser

The Rane PE15 Parametric Equaliser.

Merging: The Plus Factor

Review | Sound On Sound, Aug 1988
360 Systems MIDI Merge+

Tony Wride checks out a device which can relieve many of the MIDI-induced headaches associated with even the most modest MIDI system.

ACES 27 Band Graphic Equaliser

Review | Home & Studio Recording, May 1984

Clocking In

Feature | Topic: MIDI, Syncronisation | Music Technology, May 1990

The pro-standard SMPTE sync code is now working itself down to many semi-pro and amateur studios - but even the best systems bring their problems. Vic Lennard presents a SMPTE troubleshooters' guide.

Get it out of your System - Part 1

Feature Series | Topic: Home Studio | Home & Studio Recording, Mar 1986
(The best that is)

If you're planning to wire up a small studio, then this short series is for you. Part one looks at cable harnesses and associated problems.

Time For SMPTE - Part 1

Feature Series | Topic: Syncronisation | Sound On Sound, Nov 1985

Accepted as the synchronisation standard in the television and broadcast industry, this digital timecode is fast making inroads into the recording studio at all levels. Kendall Wrightson puts it all in perspective with the start of this series.

Ashbory Original Bass

Review | One Two Testing, Jun 1986

The oddest stringed thing since Pinocchio, by a nose

Pickup Switching Trick

Feature | Topic: Electronics / Build | Polyphony, Jan/Feb 1981

News

News | Sound International, Aug 1978
Instruments and Equipment

Pianos You'll Feel At Home With

Group: Roland Newslink - Summer 1985

Feature | Topic: Advertisement Feature | Electronic Soundmaker & Computer Music, Aug 1985

Monitoring

Feature | Topic: Live | International Musician & Recording World, Aug 1975

IM again breaks new ground — this time with a discussion about amplification between a guitarist, a soundman and an amp manufacturer.

 

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