- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 226 - 250 of 1000 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Innovators - NeuroniumInterview | Electronic Soundmaker & Computer Music, Feb 1984Neuronium — Michel Huygen |
Making Records - Part 1Feature Series | Topic: Mastering, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jan 1985An intriguing insight into just what is required of the home recordist when setting out to cut your first disc. |
MultisplitFeature | Topic: Electronics / Build | Electronics & Music Maker, Jun 1982A unique and versatile project that distributes, splits and matches signals. |
Roland D110Review | Music Technology, Sep 1988LA SynthesiserRoland's MT32 LA synth expander proved so popular with pro musicians, the company had trouble explaining that it was aimed at the domestic market. Now Thomas Clement test-drives the professionals' LA expander. |
PianosGroup: The MIDI Connection Supplement |
Friend Chip TCR1 Timecode RefresherReview | Music Technology, Feb 1992When The Stranglers had timecode trouble and the big studios couldn't help, the Time Code Refresher could - they liked it so much they bought one. Vic Lennard feels refreshed. |
Black & Blue Feel like Going HomeGroup: Sound Reports & Views |
TechTalkInterview | Topic: MIDI | Electronics & Music Maker, Jan 1986One of America’s leading session players takes a breather between TOA equipment demonstrations, and takes Tim Goodyer into his confidence over MIDI and a few of the behind-the-scenes goings-on in its administration. |
Domestic DATReview | Sound On Sound, Jul 1989Sony DTC M100David Mellor compares the new Sony DTC M100 Digital Audio Tape recorder with the studio industry standard - the Sony DTC 1000ES. |
Sinclair QLFeature | Topic: Computing | Electronic Soundmaker & Computer Music, Jun 1984Often rumoured, seldom seen |
Armadillo A616 SamplerReview | Sound On Sound, Apr 1990The Acorn Archimedes has not yet proved to be a popular computer amongst musicians, mainly because of the lack of useful software. Paul Ireson takes a look at a significant development in the world of Archimedes music: the Armadillo A616 stereo 16-bit sampler. |
Special FXReview | Recording Musician, May 1993Award Quad-FX Effects Loop ExpanderNever again need you bemoan the paucity of FX sends on your 1976 StudioCraftMaster desk — 200 quid on this and you'll have 'em coming out of yer ears. |
Yamaha MDF2 Data FilerReview | Sound On Sound, Jun 1992Martin Russ files his report on a MIDI accessory which could fill a big hole in your musical life. |
Studio FocusFeature | Topic: Recording Studios | Home & Studio Recording, Jul 1984Metronome StudioMetronome Studio. |
Call the AnalystReview | Micro Music, Oct/Nov 1989At last the MA-36 MIDI Data Analyser is here to diagnose all your MIDI illnesses |
The Mini DocReview | Electronics & Music Maker, Aug 1984The Doctor Click is one of the synthesiser world's most comprehensive universal interface units, but its price puts it beyond the reach of most musicians. Ian Gilby examines a new, cheaper alternative from the same manufacturer. |
Amdek Graphic Equaliser KitFeature | Topic: Electronics / Build | Electronics & Music Maker, Oct 1983Build and modify this 10-band processor kit |
Can You Make Music Without Electronics?Editorial | Electronics & Music Maker, Sep 1981 |
Tom Hidley - Studio DesignerInterview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby. |
CommentEditorial | Music Technology, Dec 1992 |
Hi-FiFeature | Electronics & Music Maker, Jun 1981 |
Production LinesOpinion | Recording Musician, Jul 1992Guest producer Nicky Graham looks into the future of recorded music. |