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Live EndFeature | Topic: Live | Sound On Sound, Mar 1993Miranda Sex Garden: Sampling The Nation's PA Systems |
Sampling Techniques - Part 1Feature Series | Topic: Sampling | Sound On Sound, Dec 1992How To Get The Most From Your Sampler |
Ian AndersonInterview | Home & Studio Recording, Mar 1989Jethro Tull's main man takes us behind the fish farmer exterior and into his home studio. |
Alesis 1622 Mixing DeskReview | Music Technology, Jul 1990Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance. |
Recording Techniques - Part 12Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Nov 1990Part 12: Equalisation, there are equalisers, and there are equalisers. David Mellor wonders whether some are more equal than others. |
Hill MultimixReview | Home & Studio Recording, Jul 1984 |
Vesta Fire RV-2 & Vesta Kozo RV-3Review | Home & Studio Recording, Jan 1985Dual Reverberation Devices |
Twin VoiceInterview | Making Music, Jul 1987 |
Vestax MR44 Cassette MultitrackReview | Recording Musician, Oct 1992A no-nonsense, rack-mount multitracker with an attractive price tag. |
Dynacord DRP16 Digital ReverbReview | Home & Studio Recording, Dec 1984 |
The State of PlayInterview | Home & Studio Recording, Sep 1986Not so much a home studio as a studio in the home. |
Star QualityReview | Sound On Sound, Sep 1993Studiomaster Star System MixerIs it an analogue modular synth? No! It's a mixer with a difference. |
Peter Gabriel LiveFeature | Topic: Live | Sound On Sound, Jul 1993The Secret World TourA behind the scenes look at how Gabriel steamed up Earl's Court with his hot new stage show. |
Tascam M2524Review | Sound On Sound, Jun 1991MIDI MixerThis new 24-input desk has an in-line tape monitor section doubling as additional line inputs and the benefit of MIDI muting. Dave Lockwood sounds it out. |
Alesis 1622 MixerReview | Sound On Sound, Mar 1990Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear. |
The SynclapFeature | Topic: Electronics / Build | Electronics & Music Maker, Sep 1983E&MM's latest project that creates single, multiple, ensemble claps with pitch control and ambience |
The New WaveReview | Sound On Sound, Feb 1992Korg Wavestation A/DKorg add new samples, a vocoder and a pair of audio inputs to their highly acclaimed Advanced Vector synthesizer, and put the result in a rack. Kendall Wrightson says the Wavestation A/D is a TV/film composer's dream machine. |
Purple PhaseGroup: In SessionHendrix rises again - thanks to two musicians, a helpful bureaucrat, and a rack-full of Akais |
Budget 24-TrackReview | Sound On Sound, Sep 1989Have you always wanted a 24-track studio but could never afford the gear? Well now, maybe you can. David Mellor looks at a package of equipment that offers 24 tape tracks at a budget price. |
Microsound Digital Music SystemGroup: Computer MusicianMIDI Sampling Hardware and Software for Commodore 64In which a long-awaited, British-built sampling hardware/software package for the CBM64 catches MIDI and makes it to the review stage. Simon Trask reports. |
Wally BadarouInterview | Sound On Sound, Dec 1990Creating The FutureAnyone can dream about the studio of the future, but it takes a unique talent to build it in the present. Wally Badarou's personal studio defies conventional ideas of studio design, substituting voice-controlled DMP11s for a large console, and putting the musician first. Paul Tingen listens in. |