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Live End

Feature | Topic: Live | Sound On Sound, Mar 1993
Miranda Sex Garden: Sampling The Nation's PA Systems

Sampling Techniques - Part 1

Feature Series | Topic: Sampling | Sound On Sound, Dec 1992
How To Get The Most From Your Sampler

Ian Anderson

Interview | Home & Studio Recording, Mar 1989

Jethro Tull's main man takes us behind the fish farmer exterior and into his home studio.

Fostex DCM100 & Mixtab

Review | Music Technology, Dec 1992
MIDI Mixing System

MIDI up your mix

Alesis 1622 Mixing Desk

Review | Music Technology, Jul 1990

Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance.

Recording Techniques - Part 12

Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Nov 1990

Part 12: Equalisation, there are equalisers, and there are equalisers. David Mellor wonders whether some are more equal than others.

Hill Multimix

Review | Home & Studio Recording, Jul 1984

Vesta Fire RV-2 & Vesta Kozo RV-3

Review | Home & Studio Recording, Jan 1985
Dual Reverberation Devices

Twin Voice

Interview | Making Music, Jul 1987

Vestax MR44 Cassette Multitrack

Review | Recording Musician, Oct 1992

A no-nonsense, rack-mount multitracker with an attractive price tag.

Dynacord DRP16 Digital Reverb

Review | Home & Studio Recording, Dec 1984

The State of Play

Interview | Home & Studio Recording, Sep 1986

Not so much a home studio as a studio in the home.

Star Quality

Review | Sound On Sound, Sep 1993
Studiomaster Star System Mixer

Is it an analogue modular synth? No! It's a mixer with a difference.

Leader

Editorial | Sound On Sound, Jun 1993
Bigger & Better Than Ever!

Peter Gabriel Live

Feature | Topic: Live | Sound On Sound, Jul 1993
The Secret World Tour

A behind the scenes look at how Gabriel steamed up Earl's Court with his hot new stage show.

Tascam M2524

Review | Sound On Sound, Jun 1991
MIDI Mixer

This new 24-input desk has an in-line tape monitor section doubling as additional line inputs and the benefit of MIDI muting. Dave Lockwood sounds it out.

Alesis 1622 Mixer

Review | Sound On Sound, Mar 1990

Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear.

The Synclap

Feature | Topic: Electronics / Build | Electronics & Music Maker, Sep 1983

E&MM's latest project that creates single, multiple, ensemble claps with pitch control and ambience

The New Wave

Review | Sound On Sound, Feb 1992
Korg Wavestation A/D

Korg add new samples, a vocoder and a pair of audio inputs to their highly acclaimed Advanced Vector synthesizer, and put the result in a rack. Kendall Wrightson says the Wavestation A/D is a TV/film composer's dream machine.

Clarion: Home Studio System

Review | Music UK, May 1983

The CLARION Home Studio — Best yet cassette?

Purple Phase

Group: In Session

Interview Audio | The Mix, Jul 1994

Hendrix rises again - thanks to two musicians, a helpful bureaucrat, and a rack-full of Akais

Budget 24-Track

Review | Sound On Sound, Sep 1989

Have you always wanted a 24-track studio but could never afford the gear? Well now, maybe you can. David Mellor looks at a package of equipment that offers 24 tape tracks at a budget price.

Microsound Digital Music System

Group: Computer Musician

Review | Electronics & Music Maker, Jun 1985
MIDI Sampling Hardware and Software for Commodore 64

In which a long-awaited, British-built sampling hardware/software package for the CBM64 catches MIDI and makes it to the review stage. Simon Trask reports.

America

News | Electronics & Music Maker, May 1983

New products from the States

Wally Badarou

Interview | Sound On Sound, Dec 1990
Creating The Future

Anyone can dream about the studio of the future, but it takes a unique talent to build it in the present. Wally Badarou's personal studio defies conventional ideas of studio design, substituting voice-controlled DMP11s for a large console, and putting the musician first. Paul Tingen listens in.

 

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