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Too Good To Be True?Review | Sound On Sound, Mar 1992Passport AudioTraxMIDI and hard disk recording on the Mac for only £260? It sounds too good to be true, but Paul Wiffen pinches himself and finds he is awake! |
Morphology - Part 2Review Series | Sound On Sound, Dec 1993The First In-depth Appraisal of Emu's Morpheus Synth Module |
Aerial ViewInterview | Electronics & Music Maker, Mar 1985Guitars Go Avant GardeThe best-known instrumentalists aren't necessarily the ones with the most to say. We chat to American avant garde guitar player Steve Tibbetts via the postal service, and find he's got a lot of views worth hearing. |
A-Z of British Guitar Craftsmen - Part 2Feature Series | Topic: Design, Development & Manufacture | Making Music, Dec 1986Part two of our countrywide survey of all the Best in Brit luthiery — Manson to Zemaitis. |
Total Recall - Part 12Feature Series | Topic: Vintage Instruments | The Mix, Aug 1994Vintage technology strikes backCollector’s corner - including the A to Z of Analogue |
Ashly CL52 Compressor/LimiterReview | Home & Studio Recording, Jul 1986Ashly have a fine reputation for good design and solid workmanship; this model should help them to keep it. |
Projects UKFeature | Topic: Education, Recording Studios | Sound On Sound, Apr 1990Local community arts centres often house some sort of sound studio, and these can be the only way interested members of the public gain first-hand experience of recording and hi-tech equipment. David Hughes reports on one such North-East based facility. |
The ProducersGroup: Recording WorldChas De Whalley shivers with Pat Collier in Alaska... Waterloo |
Sound AdviceFeature | Topic: Home Studio | Home & Studio Recording, Jan 1984Don Larking guides you through the various equipment that goes to make up a home studio. |
ScannersNews | Music Technology, Nov 1993Today's news, tomorrow's news - the future lurks in these pages |
PlaybackInterview | Electronics & Music Maker, Sep 1985Sleuth journalist Tim Goodyer tracks down video nasties Kevin Godley and Lol Creme in a disreputable part of town. Raymond Chandler would turn in his grave. |
Recording Techniques - Part 2Feature Series | Topic: Microphones, Recording | Sound On Sound, Jan 1990PART 2: Microphones. David Mellor cuts through the mythology of microphone techniques with some practical advice. |
NewsNews | Micro Music, Oct/Nov 1989Exclusive news from UK Electronica, plus all the latest in the world of MIDI music |
Home RecordingFeature | Topic: Buyer's Guide, Recording | Music UK, Nov 1983The Four Track Future - Where To Start With Cassette-Based RecordingFour-track Fandango - Gary Cooper looks at all today's choices for cassette multitracking |
Yamaha MC1604Review | Home & Studio Recording, Feb 1986A mixer that is equally at home on the road and in the studio. |
Steve HillageInterview | Electronics & Music Maker, Jun 1983A journey through the musical world of this well respected guitarist |
The StrongroomFeature | Topic: Recording Studios | Sound On Sound, Aug 1989In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity. |
Two's CompanyReview | Recording Musician, Sep 1992TG100 and Boss DS330 Dr SynthGeneral MIDI sound modules from Boss and Yamaha, combining ease of use and low cost with impressive sounds. |
Product NewsGroup: Roland Newslink |
Vince ClarkeInterview | Sound On Sound, Dec 1991Sold on the 3-Minute SongErasure's fifth album sees the duo of Vince Clarke and Andy Bell going from strength to strength, delivering electro-pop at its finest. But the doyens of synthesizer pop recorded Chorus with almost no MIDI instruments at all. Vince Clarke tells Paul Ireson how he made a hit album with 10-year old technology. |
The Development of Electronic Music - Part 1Feature Series | Topic: Composing / Art | Electronic Soundmaker & Computer Music, Jul 1984Says it all really |
Yamaha QY10Review | Music Technology, May 1991Music SequencerThe phrase "size isn't everything" could have been written for this pocket-sized sequencer and synth expander. Simon Trask predicts big things. |