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Killer KurzweilReview | Sound On Sound, Mar 1992Kurzweil K2000Kurzweil's new keyboard offers genuine innovation: versatile synthesis, an unparalleled user interface, and up to 64MB of user sampling are only the start of what sets the K2000 apart from other sample-based instruments. Craig Anderton explains why it will turn the head of even the most jaded technophile. |
Six AppealReview | Recording Musician, Mar 1993Vestax MR66 6-Track Recorder and RMC88 Studio MixerPut these two together and you have a flexible recording and mixing system. |
Ensoniq ESQ-1Review | Sound On Sound, Aug 1986A multitrack sequencer with a built-in synth or a velocity-sensitive 8-voice polysynth with a built-in 8-track step/real-time MIDI sequencer? Tony Hastings tries to make up his mind about this versatile and well-priced instrument. |
20th Century Americans - Harold Budd - Part 2Interview Series | Music Technology, Feb 1993Harold Budd - The incredible lightness of being |
The Sequencer BibleFeature | Topic: Buyer's Guide, Sequencing | Music Technology, Oct 1992The MT Software Sequencer Buyer's BibleThe only guide you'll ever need |
More Than A Fair ResultShow Report | Electronics & Music Maker, Sep 1985BMF ReportLager bottle in hand, the Editor guides you through the gallery of new music technology on demonstration at last month's newly-public British Music Fair. Plus lots of photographs so that those who missed it can find out what the gear looks like. |
Shape of Things to ComeNews | Sound On Sound, Mar 1990Your chance to check out some of the new products launched at January’s NAMM |
C-1 and you've seen 'em allReview | Micro Music, Aug/Sep 1989John Renwick puts Yamaha's super-computer through it's paces |
NewsNews | International Musician & Recording World, Jul 1986Tomorrow's information as soon as you read it |
Sub CultureInterview | Music Technology, Jul 1993Forsaking guitars and drums for a wall of keyboards and racked modules, Sub Sub turned a home studio into a hit factory. ‘Ain’t No Love (Ain’t No Use)’ peaked at Number 3 and took everyone by surprise - except Phil Ward, who heard the single pre-release and contacted the band immediately. |
We Can't Go On... - Part 3Feature Series | Topic: Drum Programming | Music Technology, Jun 1987Beating Like This...Beating Like This. In the third part in our series on creative drum programming, Chris Meyer and Matt Isaacson take a detailed look at the various trigger-to-MIDI converters now available. |
Roland MT32 Update & EditorsReview | Sound On Sound, Jul 1988If you own an MT32 then you really should be using a computer-based voice editing program to make the most of its facilities. Martin Russ compares three possible contenders for your money from Tigress Designs, Dr T and Steinberg. |
Order of the DayInterview | Phaze 1, Apr 1989why drummer stephen morris prefers programming computers to bashing skins |
Trade iT's DigiTapeGroup: Quality ControlDirect-to-disk recording for the Atari FalconCan this latest software package help the Falcon spread its wings? |
Studio ScanFeature | Topic: Recording Studios | Electronic Soundmaker & Computer Music, Sep 1985Exclusive guide to recording electronic music |
ToolboxNews Audio | The Mix, Mar 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Jon LordInterview | Electronics & Music Maker, Aug 1982Established as a top keyboard player in Deep Purple and Whitesnake, our interview analyses the music of his new LP ‘Before I Forget’. |
The Professionals: MCPSFeature | Topic: Music Business | Sound On Sound, May 1987The Mechanical Copyright Protection SocietyThe second of an occasional series in which David Mellor takes a look at the organisations that help musicians and composers earn an honest crust in this hard world. This month: the Mechanical Copyright Protection Society. |
Box! CleverInterview | Music Technology, Aug 1987An eponymous debut single took Living in a Box high in the singles charts. In a rare interview with this publicity-shy band, Tim Goodyer found technology an essential part of their success. |
MultitaskingFeature | Topic: Computing | Music Technology, May 1988Wishing you could do more than one thing at a time may be as close as you'll ever get to doing it, but your computer is another story altogether. Harvey P Newquist III explains multitasking and some of its uses. |
Sampling Confidential - Lateral Thinking - Part 2Feature Series | Topic: Sampling | Music Technology, May 1993Dom Foulsham continues our series on the digital ins and outs of sampling, and talks to some arch sampling professionals about the tricks of their trade. Discover how to get a convincing crash cymbal; how to break the rules creatively and stay legal; and 20 things to do with a redundant manual. Read it and weep, Jive Bunny |
As Easy As EZEReview | Sound On Sound, May 1990Ensoniq EPS Sample EditorPerhaps its because the auto-looping functions on Ensoniq's EPS sampler are so effective that computer-based sample editing software for the machine is so thin on the ground? Matthew Newman checks out Gelva Software's first offering. |
Alesis MMT8 SequencerReview | Music Technology, Feb 1988The hardware sequencer to beat them all? After an overlong wait, Simon Trask gets to grips with the latest development in the Alesis World Domination plan. |