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Killer Kurzweil

Review | Sound On Sound, Mar 1992
Kurzweil K2000

Kurzweil's new keyboard offers genuine innovation: versatile synthesis, an unparalleled user interface, and up to 64MB of user sampling are only the start of what sets the K2000 apart from other sample-based instruments. Craig Anderton explains why it will turn the head of even the most jaded technophile.

Six Appeal

Review | Recording Musician, Mar 1993
Vestax MR66 6-Track Recorder and RMC88 Studio Mixer

Put these two together and you have a flexible recording and mixing system.

Ensoniq ESQ-1

Review | Sound On Sound, Aug 1986

A multitrack sequencer with a built-in synth or a velocity-sensitive 8-voice polysynth with a built-in 8-track step/real-time MIDI sequencer? Tony Hastings tries to make up his mind about this versatile and well-priced instrument.

20th Century Americans - Harold Budd - Part 2

Interview Series | Music Technology, Feb 1993

Harold Budd - The incredible lightness of being

The Sequencer Bible

Feature | Topic: Buyer's Guide, Sequencing | Music Technology, Oct 1992
The MT Software Sequencer Buyer's Bible

The only guide you'll ever need

The Bond Guitar

Review | One Two Testing, Nov 1984

the stepped neck stuns

More Than A Fair Result

Show Report | Electronics & Music Maker, Sep 1985
BMF Report

Lager bottle in hand, the Editor guides you through the gallery of new music technology on demonstration at last month's newly-public British Music Fair. Plus lots of photographs so that those who missed it can find out what the gear looks like.

Shape of Things to Come

News | Sound On Sound, Mar 1990

Your chance to check out some of the new products launched at January’s NAMM

C-1 and you've seen 'em all

Review | Micro Music, Aug/Sep 1989

John Renwick puts Yamaha's super-computer through it's paces

News

News | International Musician & Recording World, Jul 1986

Tomorrow's information as soon as you read it

Sub Culture

Interview | Music Technology, Jul 1993

Forsaking guitars and drums for a wall of keyboards and racked modules, Sub Sub turned a home studio into a hit factory. ‘Ain’t No Love (Ain’t No Use)’ peaked at Number 3 and took everyone by surprise - except Phil Ward, who heard the single pre-release and contacted the band immediately.

We Can't Go On... - Part 3

Feature Series | Topic: Drum Programming | Music Technology, Jun 1987
Beating Like This

...Beating Like This. In the third part in our series on creative drum programming, Chris Meyer and Matt Isaacson take a detailed look at the various trigger-to-MIDI converters now available.

News

News | International Musician & Recording World, Jan 1986

Remember, you'll read it here first!

Roland MT32 Update & Editors

Review | Sound On Sound, Jul 1988

If you own an MT32 then you really should be using a computer-based voice editing program to make the most of its facilities. Martin Russ compares three possible contenders for your money from Tigress Designs, Dr T and Steinberg.

Order of the Day

Interview | Phaze 1, Apr 1989

why drummer stephen morris prefers programming computers to bashing skins

Trade iT's DigiTape

Group: Quality Control

Review | Music Technology, Jan 1994
Direct-to-disk recording for the Atari Falcon

Can this latest software package help the Falcon spread its wings?

Studio Scan

Feature | Topic: Recording Studios | Electronic Soundmaker & Computer Music, Sep 1985

Exclusive guide to recording electronic music

Toolbox

News Audio | The Mix, Mar 1995
Sounds, samples, & software upgrades for the modern studio

New software, updates, sounds, and samples

Jon Lord

Interview | Electronics & Music Maker, Aug 1982

Established as a top keyboard player in Deep Purple and Whitesnake, our interview analyses the music of his new LP ‘Before I Forget’.

The Professionals: MCPS

Feature | Topic: Music Business | Sound On Sound, May 1987
The Mechanical Copyright Protection Society

The second of an occasional series in which David Mellor takes a look at the organisations that help musicians and composers earn an honest crust in this hard world. This month: the Mechanical Copyright Protection Society.

Box! Clever

Interview | Music Technology, Aug 1987

An eponymous debut single took Living in a Box high in the singles charts. In a rare interview with this publicity-shy band, Tim Goodyer found technology an essential part of their success.

Multitasking

Feature | Topic: Computing | Music Technology, May 1988

Wishing you could do more than one thing at a time may be as close as you'll ever get to doing it, but your computer is another story altogether. Harvey P Newquist III explains multitasking and some of its uses.

Sampling Confidential - Lateral Thinking - Part 2

Feature Series | Topic: Sampling | Music Technology, May 1993

Dom Foulsham continues our series on the digital ins and outs of sampling, and talks to some arch sampling professionals about the tricks of their trade. Discover how to get a convincing crash cymbal; how to break the rules creatively and stay legal; and 20 things to do with a redundant manual. Read it and weep, Jive Bunny

As Easy As EZE

Review | Sound On Sound, May 1990
Ensoniq EPS Sample Editor

Perhaps its because the auto-looping functions on Ensoniq's EPS sampler are so effective that computer-based sample editing software for the machine is so thin on the ground? Matthew Newman checks out Gelva Software's first offering.

Alesis MMT8 Sequencer

Review | Music Technology, Feb 1988

The hardware sequencer to beat them all? After an overlong wait, Simon Trask gets to grips with the latest development in the Alesis World Domination plan.

 

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