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Vigier NautilusReview | Electronics & Music Maker, Jan 1984Digital Bass GuitarAn exciting new digital bass guitar, the Vigier opens up a new world of user recorded sounds for bass players. |
The Music NetworkFeature | Topic: Computing | Sound On Sound, Feb 1990NewsNews of the latest activities on the musicians’ electronic mail network. |
Diary Of A MadmanInterview | Electronic Soundmaker & Computer Music, May 1985An excursion into the depths of dub with reggae master and sound manipulator The Mad Professor. |
Oberheim PrommerFeature | Music Technology, Apr 1987Chris Meyer takes an in-depth look at Oberheim's EPROM burner and reader, and considers its renewed significance in the light of continually evolving MIDI applications. |
Dr BeatInterview | International Musician & Recording World, Oct 1985The Power Station's percussive powerhouse talks. Bill Milkowski puts pen to paper |
Micro Peripheral: MENTAReview | Electronics & Music Maker, Feb 1982Micro Electronic mNemonic Teaching Aid |
Revox B77 Tape RecorderReview | Home & Studio Recording, Dec 1983 |
Digging For TreasuresInterview | Electronic Soundmaker & Computer Music, Feb 1985An uphill struggle to unearth the trade secrets of this enigmatic trio, the Cocteau Twins. |
Dr T's TigerReview | Music Technology, Jun 1990Never one to use a word when an acronym will do, Dr T's have christened their new sequencer The Integrated Graphic Editor and Recorder. Glen Darcy puts a Tiger in his tank. |
Hill MultimixReview | Home & Studio Recording, Jul 1984 |
Book ReviewReview | Electronics & Music Maker, Apr 1983 |
When Is A Computer - Part 9Feature Series | Topic: Computing, Synthesis & Sound Design | One Two Testing, Jul 1984what is digital? |
Music - Part 3Feature Series | Topic: Music Theory | Sound International, Aug 1978Introducing The Dots...Is 4 getting you down? Dave Stewart puts rhythm in easy lingo. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Aug 1984Peter Tedstone informs us of his clandestine bedroom activities! |
Computers, Music And ArtInterview | Music Technology, Nov 1986His may be an unfamiliar name, but this avant-garde composer has been writing music that stretches technology to its limits for two decades. Ron Briefel talks to the man about his current passion - Yamaha's X-series equipment. |
Competition ResultsGroup: Roland Newslink - Autumn 1986Lots of info about who has won what |
The Art of Going Soft - Part 2Group: Computer MusicianJay Chapman takes a bold step for novice programmers, as he presents a Pascal program that converts musical note values into a language computers can understand. Don't worry if it leaves you standing. |
Sound AdviceFeedback | Sound On Sound, Feb 1988Our regular column devoted to readers' hints and tips about their recording equipment, instruments, software and playing techniques. |
Band-In-A-Box V4.1Review | Sound On Sound, Jul 1991Auto-Accompaniment — With StyleMartin Russ gets inside version 4.1 of Band-In-A-Box — now with user styles! |
Making the Most of your Akai S1000 Sampler - Part 1Feature Series | Topic: Sampling | Sound On Sound, May 1989Recently voted 'Best Sampler' by SOS readers, Akai's S1000 has quickly established itself as the industry standard 16-bit machine. So who better to reveal the innermost secrets of the instrument than the creator of the new SWM and Workstation sample disks, Akai product specialist Steve Howell. This month he kicks off the series with an explanation of how to take your own samples. |
Electro-Music Engineer - Part 2Feature Series | Topic: Electronics / Build, Maintenance / Repair / Modification | Electronics & Music Maker, Jan 1983Tuning Up — A Review of VCO Calibration MethodsTuning and Calibration, Part 2 |