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Alligator Ebony 200 Drum AmpReview | In Tune, Jul 1986Alligator 200 watt electro-percussion combo in the studio. |
The CodebreakerFeature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Aug 1985Build a sync to MIDI interface |
Double FeatureReview | Recording Musician, Mar 1993Fostex MC102 Keyboard Mixer/Cassette RecorderWhat a good idea — a stereo mastering cassette machine and a mixer in a compact rack package! |
Music PrintingFeature | Topic: Computing | Sound On Sound, Dec 1988Paul Gilby takes a brief look at printer technology with particular reference to the Citizen HQP45 24-pin dot-matrix printer. |
Everything You Ever Wanted To Know About System Exclusive - Part 3Feature Series | Topic: MIDI | Sound On Sound, Jun 1989(But Were Too Afraid To Ask!)PART 3: Martin Russ continues his in-depth explanation of MIDI's most misunderstood messages. |
In the Sticks with PromucoFeature | Topic: Design, Development & Manufacture | In Tune, Dec 1985 |
Waxing LyricalFeature | Topic: Arranging / Songwriting | International Musician & Recording World, Oct 1985How To Write LyricsRichard Walmsley takes a look at the under-estimated art of lyric writing |
Music On TapFeature | Topic: Live, Performing | Electronics & Music Maker, Dec 1985At great risk to the magazine’s circulation, we present a guide to spending your evenings playing music instead of reading about it. Your local may never be the same again. |
Arthur BrownInterview | Electronics & Music Maker, Jun 1983Vocals and electronic music in unique combination |
Home Is The HeroGroup: Bedroom Bouncedown - Home RecordingSix stars outline their home demo set-upssketching song ideas at home. how certain successful stars record their demos - John Entwistle, Nik Kershaw, Annabel Lamb, Adrian Belew, Blancmange |
The Vital LinkReview | Electronic Soundmaker & Computer Music, Oct 1984Syco's Analogue to Digital Interface is less than half the price of its nearest competitor. But does it match the quality? We investigate. |
Hinton MIDICGroup: Computer MusicianMIDI Hardware and Software for RS232 Interface StandardA MIDI utility hardware and software package for any RS232-equipped micro. Review by Simon Trask, who’s thinking of having RS232 fitted to himself. |
Yamaha DD5Review | Music Technology, Jul 1989Digital DrumsIan Waugh hits on an interesting idea from Yamaha: a sub-£100 set of drum-pads-in-a-box which can be used to play any MIDI instrument. |
GlossaryGroup: Drum Machine Supplement |
Electro-Music EngineerFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Aug 1983Valve Surgery — Repairing Tube Instrument AmplifiersValve Surgery explained |
Akai MX76Review | Music Technology, May 1989MIDI Master KeyboardAkai's new MIDI master keyboard boasts a weighted six-octave keyboard and new terminology for its features. Simon Trask decides MIDI control is more than a simple matter of feel. |
Alesis Data FilerReview | Music Technology, Jan 1990ALESIS DATADISK MIDI Data RecorderThe latest MIDI data recorder to appear is the Alesis Datafiler SysEx recorder, which allows you to record system exclusive info direct to disk. Filing with Vic Lennard. |
When Is SyncFeature | Topic: Syncronisation | One Two Testing, Aug 1985the science of synchronisation explained |
NewsNews | Sound International, Dec 1978Studios & RecordingMan bites guitar; parents set to choose the sax of their children; speaker found in House of Commons, etc. |
Room EQ: Myth or Legend? - Part 4Feature Series | Topic: Acoustics | Home & Studio Recording, May 1987In the last part of Ben Duncan's series, he examines the acoustic properties on Live End/Dead End studios. |
The Missing LinkReview | Sound On Sound, Nov 1990Fostex MTC1 Sync BoxTake Fostex's R8 tape deck, Steinberg's Cubase sequencer and an MTC1, and what have you got? Total creative freedom! Richard Aaron discovers the missing link in the recording chain. |
Live EndFeature | Topic: Live | Sound On Sound, Jan 1993Mixing The CureLive Music for the Hi-Tech Musician |
How Analogue Synthesizers WorkFeature | Topic: Synthesis & Sound Design | Sound On Sound, Dec 1987They've been a mainstay of electronic music for over 20 years, they're less expensive than ever before, and they still make sounds the digital machines can't. Analogue synthesizers have been receiving some digital assistance of late, but at heart they're still analogue synthesizers - and if you want to make them perform magic, you need to speak their language. Craig Anderton is your interpreter... |