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MicroLink System ML10Review | Electronics & Music Maker, Sep 1984for Casio MT200 and Sinclair SpectrumMicro Musical's latest hardware/software package links the Casio MT200 to the Sinclair Spectrum home micro. Somehow, Paul White managed to find time to review it. |
The French ConnectionInterview | Electronic Soundmaker & Computer Music, Mar 1985Jean Michel Jarre explains his current views on music, synthesisers and synthesis in an in-depth interview. |
Roland JV-1000Group: Quality ControlMusic workstationKeyboard-driven control |
Studio FocusFeature | Topic: Recording Studios | Home & Studio Recording, Aug 1984Deep StudioA look at Deep Studio - set up with the help of the Manpower Services Commission. |
Guitar GuruFeature | Making Music, Nov 1986Oldies identified: Epiphone, Ibanez, Fender, Eros, Radiotone, Hofner, Rickenbacker, Excetro and Fasan. |
ElectroMix 842 - Part 2Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Nov 1982The second and final part of our superb professional quality studio mixer project |
The ProducersGroup: Recording WorldHi Energy wizard Mike Stock collides with Chas de Whalley during a sweaty get-down-and-shake-it interview |
Notes on the Recording of Synergy's "Cords"Feature | Topic: Composing / Art, Recording | Polyphony, Sep/Oct 1978 |
Hohner Harmonica Pickup SystemsReview | Electronics & Music Maker, Oct 1983 |
Akai S950 Digital SamplerReview | Music Technology, Jan 1989As musicians demand ever more from their samplers, Akai replace the studio-standard S900 with an enhanced machine. Vic Lennard samples the march of progress. |
SansuiReview | Sound On Sound, Mar 199010-Track Recording PackageCombine two 6-track cassette recorders, one synchroniser and a 12:6:2 mixer, and what have you got? A rather appealing multitrack demo studio from Sansui. David Lockwood reports. |
On The Beat - Part 19Feature Series | Topic: Drum Programming | Music Technology, Apr 1991African RhythmsThe quest for the secrets of rhythm programming continues - this month it takes the intrepid Nigel Lord and his faithful drum machine into the heart of Africa. |
A Buyer's Guide To Digital PianosFeature | Topic: Buyer's Guide | Sound On Sound, Jul 1992The sound of an acoustic piano is perhaps the most important single timbre in pop, rock, jazz, and classical music. Julian Colbeck looks at contemporary MIDI alternatives to the real thing. |
Aries 10:4:8 Mixing ConsoleReview | Home & Studio Recording, Oct 1986A no-nonsense, standard format split recording console at a sensible price. |
Redmere Soloist AmpReview | Sound International, Jan 1979GuitarIf I were to say, 'Dave Blake isn't, in the same way as the Redmere Soloist combo is,' you'd probably wonder what on earth I was talking about. So I won't. |
The Streets Of San FranciscoInterview | Music Technology, Jul 1993Hip-hop beats, anarchic industrial noise and the odd jazz lick are the hallmarks of The Disposable Heroes Of Hiphoprisy’s debut album Hypocrisy Is The Greatest Luxury. Kean Wong drops in on San Francisco’s uncompromising renegades and discovers which are the sharpest tools at the cutting edge of rap |
Four into Four Will GoReview | Home & Studio Recording, Apr 1986Teczon Dub Multi 4x4Currently the least expensive cassette multitracker to offer simultaneous recording on all four channels. |
FrontLinesNews | Phaze 1, Apr 1989People, Gear, Events, Gossiphappening people, gear, events, gossip |
SynbalFeature | Topic: Electronics / Build | Electronics & Music Maker, Feb 1983The first of two versatile electronic percussion modules |
State of the IndustryShow Report | Home & Studio Recording, May 1987Yet another show. Organised by the Audio Engineering Society, this 4-day show displayed the latest advancements in recording technology. |
TX7 - To The LimitFeature | Topic: Synthesis & Sound Design | Sound On Sound, Jun 1986Ray Elder details a way of creating new programs of your own on Yamaha's TX7 expander without having to use a DX7. All you need is a Spectrum computer, some DX7 voice editing software and the free advice contained within this article! |