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Quiet RiotReview | Recording Musician, Feb 1993Rocktron HUSH Intelligent Sound ProcessorPaul White opts for the quiet life with this effective cure for hiss — and there's even an enhancer and compressor thrown in for good measure. |
The Man Who Sells ExcitementInterview | Topic: Design, Development & Manufacture | Home & Studio Recording, Nov 1985Marvin Caesar, the president of Aphex speaks about how the Aural Exciter came into being, and for the first time reveals news of some forthcoming interesting new products... |
Digital Reverb GuideFeature | Topic: Effects Processing | Sound On Sound, Jul 1987Mark Jenkins brings you a round-up of the current state of the digital reverb market. |
Hands On: Revox B77 Master RecorderFeature | Sound On Sound, Aug 1991Continuing his practical guide to proven pieces of studio and music equipment, David Mellor looks this month and next at the world's two most popular stereo master recorders. |
Toa MR8TReview | Music Technology, Feb 1989Eight-track cassette recorderWhen the first Portastudio was launched, it caused a revolution in the recording industry - now you can put eight tracks on the same tape. Vic Lennard punches in. |
Sounds Natural - Part 3Feature Series | Topic: Sampling, Synthesis & Sound Design | Music Technology, Oct 1987The SnareIn the third and final part of our series on synthesising and sampling the sounds of acoustic instruments Howard Massey hits it off with the snare drum. |
Allen & Heath System 8 MixerReview | Home & Studio Recording, Nov 1983 |
Fostex Model 80 8-track Tape RecorderReview | Home & Studio Recording, Jan 1986Eight track for the reel world |
Hands On: Soundcraft Spirit Studio Mixer - Part 2Feature Series | Topic: Mixing | Sound On Sound, May 1992David Mellor concludes his guide to this low-cost high-quality console. |
Kit Wolven on Heavy MetalInterview | Home & Studio Recording, May 1987HM from the control room chair. |
The Linn LM-1 Drum ComputerReview Audio | Electronics & Music Maker, Sep 1981 |
Incoming DataNews | Music Technology, Jul 1993 |
Three Wize MenInterview | Music Technology, Jun 1988Getting philosophical about the new British hip hop. Tim "homeboy" Ponting raps with Wize man DJ Jemski about sampling, sequencing and bringing the drum kit into hip hop. |
Tascam 238Review | Music Technology, Jan 1989Eight-track cassette recorderThe four-track cassette recorder revolutionised home recording and significantly changed the recording industry; will the eight-track cassette have a similar effect? Vic Lennard goes on record. |
The NewsNews | Making Music, Aug 1986All the new stuff, including a special feature on the soon-come Stepp digital guitar. |
TalkbackInterview | Home & Studio Recording, Apr 1986Neville Unwin talks to Talk Talk about their approach to music. |
Gary NumanInterview | Electronics & Music Maker, Dec 1983One of the most successful, certainly the most consistent, of Britain's electronic musicians, Gary Numan has succeeded in taking his eclectic and compelling music into the mass market. Gary talks of his songwriting and recording techniques, his past career, and what he plans for the future |
The Sound Art Of ProgrammingInterview | Music Technology, Sep 1987An American synthesist and composer with a soft spot for aborigines and analogue sounds, talks to Bob O'Donnell about programming synths and sequencers old and new. |
Dave WoolleyInterview | Home & Studio Recording, Nov 1985Sound and video post production engineer...of Trilion Video talks about the differences in recording techniques between audio and video. |
Eight track mindGroup: In SessionThe 60's R&B producer talks to us about those classic takes, and how he got them |
The Professionals: APRSFeature | Topic: Music Business, Recording Studios | Sound On Sound, Jul 1988In the third of an occasional series on the professional bodies who look after the interests of musicians and engineers, David Mellor talks to the APRS, the body which represents many of this country's leading recording studios. |
Electronic Music StudioFeature | Topic: Education, Recording Studios | Sound On Sound, Feb 1987Goldsmiths' College, University of LondonGoldsmiths' College in London was the first higher education institute to set up its own electronic music studio and offer a course. That was back in the late 1960s. Today, it has an even wider range of specialist courses and a much better equipped complex of studios to offer prospective students the training facilities necessary for a longterm career. |