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Studio FocusFeature | Topic: Recording Studios | Home & Studio Recording, Dec 1983Spaceward Studios, Cambridge. |
Docklands RendezvousInterview | Music Technology, Aug 1988Jean Michel Jarre is about to stage the world's biggest ever concert in the London Docklands. David Bradwell finds out about the technological dark age and the art of showmanship. |
Fast ForwardNews | Home & Studio Recording, Jan 1986 |
Sycologic M16Review | Electronics & Music Maker, Apr 1986MIDI MatrixIf ever there was an interfacing unit that looked likely to solve all MIDI routing problems in one go, the M16 is it. Paul Wiffen checks it out. |
Sony Portable DAT RecorderReview | Sound On Sound, Jul 1988DAT is beginning to take a firm hold in the studio market despite all the controversy. Ed Jones reflects on Digital Audio Tape and roadtests Sony's new TCD-D10 portable recorder. |
The Shape Of Things To ComeNews | Sound On Sound, Jun 1986Details of new MIDI software and something for all Fostex Model 80 owners are amongst the new products we have for you this month. |
Sony DPS-M7Review | Sound On Sound, May 1992Digital Sonic ModulatorFollowing hot on the heels of the DPS-D7 and R7 digital delay and reverb units comes a third dedicated processor in Sony's DPS series — the DPS-M7. David Mellor wonders whether this marks the end of the line for multiple effects units. |
A New MasterFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jul 1990With Digital Audio Tape becoming widely used for mastering, it's important to know how it differs from its quarter-inch predecessor and how it can benefit you. Vic Lennard acknowledges his new master. |
Tape Machine Survey - Part 3Feature Series | Topic: Buyer's Guide | Sound International, Jul 1978A readable survey covering manufacturers from I to T. |
Fast forwardNews | The Mix, May 1995No hype, no waffle - just tomorrow's products todayTomorrow's hot products previewed |
Korg SDD1000 Digital DelayReview | Home & Studio Recording, Feb 1985 |
Yamaha SPX90 Multi-Effect ProcessorReview | Electronics & Music Maker, Mar 1986Yamaha's rack effects box to end all rack effects boxes. Tim Goodyer finds out why you might want two. |
Ibanez DM1000, Cutec CD424, MXR System IIGroup: Echoes |
Roland S550Review | Music Technology, Jun 1988Sampling moduleRoland follow up their successful S50 sampler with a more highly-specified rack-mount alternative that includes sample display capabilities. Bob O'Donnell monitors its performance. |
Lexicon LXP5Review | Music Technology, Jan 1990Multi-fx ProcessorTheir LXP1 brought luxury reverb within reach of home studios, now Lexicon's LXP5 offers a variety of new effects to the studio on a budget. Robert Rich reads the lexicon of fx. |
Tascam 246 PortastudioGroup: Recording WorldStudiotestA dream or a mere luxury? |
Yamaha MT120Review | Sound On Sound, Feb 19924-track Cassette RecorderYamaha's new MT120 cassette 4-tracker improves further on their successful MT100, offering excellent features including 5-band graphic EQ; Dave Lockwood boldly goes where even the manual hasn't gone before. |
Rhythms of the worldGroup: Control RoomKorg WavedrumInnovative electronic percussion |
Marantz CDR1 CD RecorderReview | Music Technology, Apr 1992Compact Disc RecorderRecording CDs at home reaches the "affordable" level - at under £4000, CD Recordable moves into the realm of the home studio. Tim Goodyer primes the laser. |
Tascam 238 SyncasetReview | Sound On Sound, Aug 19888-track RecorderThe 8-track war hots up. Now Tascam have an 8-track cassette to compete with the Toa MR8T. We know that eight tracks on compact cassette are possible, but who does it better, Tascam or Toa? David Mellor decides. |