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Fast forwardNews | The Mix, Apr 1995No hype, no waffle — just tomorrow's products todayTomorrow's hot products previewed |
Denon DR-M33 Cassette DeckReview | Home & Studio Recording, Dec 1985Ben Duncan looks at this cassette recorder to see if it can cope with life in the studio. |
Arch AngelGroup: RecordingAngel Studios |
Korg DRM1Review | Music Technology, Feb 1988Digital Rhythm ModuleIf you've ever wanted to trade some of your drum machine's sequence memory for sound memory, the DRM1 could be the beat box for you. Matt Isaacson sounds it out. |
MIDItemp PMM88Review | Sound On Sound, May 1990MIDI RouterMidi routing systems have come a long way since the humble passive thru box. Kendall Wrightson explores a sophisticated example of the species. |
Tascam TSR8 vs Fostex E8Review | Sound On Sound, Jul 1989The 8-Track ChallengeThe 8-track challenge: with the release of a new Tascam machine and the recent price cut on the Fostex E8, we thought it opportune to compare the two models. David Mellor adjudicates in the battle of the budget 8-tracks. |
Fostex Model 80 8-track Tape RecorderReview | Home & Studio Recording, Jan 1986Eight track for the reel world |
Peavey PC1600Review | Sound On Sound, Jun 1993MIDI Fader ControllerWant an easy way of manually switching Programs or mixing 16 channels of MIDI volume? This baby will let you do both... and much, much more. |
The segue with the silver tongueGroup: Control RoomCD player 3-way testDenon, Pioneer, Vestax lock lasers |
The Shape Of Things To ComeNews | Sound On Sound, Jan 1988Our regular colourful glimpse of forthcoming and recently released new products from the hi-tech and recording fields. |
Alesis MidiverbReview | Home & Studio Recording, Apr 1986An unbelievable digital reverb at an even more unbelievable price. |
Convention InventionShow Report | Music Technology, Feb 1989AES Convention 1988Los Angeles' recent AES convention pointed the way ahead for recording technology. Bob O'Donnell takes a trip to the fair and finds the rides to his liking. |
Revox C278Review | Sound On Sound, Aug 1989For A Few Dollars More...What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra. |
Adventures In MIDILand - Part 5Feature Series | Topic: MIDI | Sound On Sound, Dec 1990Part 5. The adventure continues - the master of MIDI manipulations, Martin Russ, does the time warp! |
Roland R880Review | Music Technology, Mar 1989Digital Reverb UnitDigital reverberation technology is recognised for making reverb units cheap, but the same technology means a little more money buys a lot more power. Vic Lennard reflects on the R880. |
Mac WorldShow Report | Micro Music, Jan 1990Mike Collins reports on what's new for Macintosh owners at the recent Mac World show in the States |
Fast ForwardNews | The Mix, Nov 1994No hype, no waffle - just tomorrow's products todayTomorrow’s products previewed |
Fast ForwardNews | The Mix, Aug 1994No hype, no waffle - just tomorrow's products todayYour guide to tomorrow’s new toys |
Function JunctionReview | Sound On Sound, Dec 1990MIDI PatchbayAudio Architecture's Function Junction range of MIDI patchbays offers up to 16 x 64 MIDI routing with MIDI merging, sophisticated MIDI processing and mother keyboard emulation. Kendall Wrightson investigates. |
Sequential Prophet 3000Review | Sound On Sound, Nov 1987Two years ago Sequential launched the Prophet 2000 sampling keyboard, which set the standard for all the 12-bit machines on the market. Will the Prophet 3000 stereo rack sampler do the same for the 16-bit field? Paul Wiffen thinks so. Read why... |
Production Lines - Chris PorterOpinion | Recording Musician, May 1993Some words of undeniable wisdom from producer Chris Porter play you gently out of the mag this month. |
What's In The Bokse?Review | Sound On Sound, Aug 1986Bokse SM-9 Timecode Event ControllerHow do they manage to pack so many wonderful facilities into a 19" box? Paul Gilby sets the tempo, stripes the tape and explains why this MIDI/SMPTE synchroniser is a godsend to any studio. |
Klaus Schulze on ComposingInterview | Electronics & Music Maker, Mar 1983Rated as the world's top solo synth performer, Klaus explains how he composes on stage and in the studio |
Stratospheric!Review | Sound On Sound, Dec 1990Zoom 9002 Advanced Guitar Effects ProcessorSix digital effects at once from a Walkman-sized box? Ian Gilby gets turned on by technological progress. |