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Roland MT-32

Review | Sound On Sound, Sep 1987
Multi-Timbral Expander

Hot foot from the BMF, hard-working Martin Russ brings us his review of this innocent-looking multitimbral LA expander which packs many of the features of Roland's D-50 synthesizer, including onboard digital reverb, but with the added bonus of 28 sampled drum sounds!

Macromusic - Part 4

Group: Computer Musician

Feature Series | Topic: Computing | Electronics & Music Maker, Sep 1983
Beyond the Groove

Floored Genius?

Review | Recording Musician, May 1993
Digitech RP1 Guitar Multi-Effects

Our man from the valleys discovers how RP1 owners do it on the floor...

Ratman Returns

Interview | Recording Musician, Jan 1993
JJ Jeczalik And The Art Of Toys

Best known for his pioneering sampling work and his role in The Art of Noise, JJ holds strong views on the creative use and abuse of studio equipment.

The Next Dimension

Feature | Topic: Effects Processing, Mixing | Music Technology, Jan 1992
Roland RSS System

Three-D sound placement from two speakers - that's the secret of Roland's revolutionary Sound Space system. Vic Lennard looks at the technology and the theory.

Recording Techniques - Part 17

Feature Series | Topic: Mixing, Recording | Sound On Sound, Apr 1991
The Mix (3)

Part 17: The mix (3). There's so much to know about mixing and most of it can only be learned by experience. But a little knowledge can go a long way. David Mellor offers even more insights.

Powertran MCS1 - Part 1

Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Oct 1984
Playing with Time

MCS stands for MIDI Controlled Sampler, E&MM's most exciting build-it-yourself project yet. Tim Orr gets the ball rolling with a discussion of the effects this Powertran unit can be used to produce.

Four Play

Review | Sound On Sound, Oct 1992
Ensoniq DP/4 Parallel Effects Processor

It's flexible, it's powerful, and it comes with a pretty hefty price tag. Paul White finds out whether Ensoniq's first foray into the world of stand-alone effects delivers enough bang for the buck. Additional research by Derek Johnson.

How It Works: the Noise Gate - Part 10

Feature Series | Topic: Effects Processing, MIDI, Sound Fundamentals | Sound On Sound, Oct 1988

What is a Noise Gate? What on earth is a MIDI Noise Gate? David Mellor supplies the answers and explains some standard and not so standard gating techniques, with special reference to the BSS Audio DPR 502 MIDI Noise Gate.

Sounds Natural - Part 2

Feature Series | Topic: Sampling, Synthesis & Sound Design | Music Technology, Sep 1987
The Clarinet

The second instalment of our series on programming and sampling the sounds of acoustic instruments. This month Howard Massey turns his attention to Acker Bilk's favourite: the clarinet.

Music In Our Schools

Feature | Topic: Education | Recording Musician, Oct 1992
Putting It Together

The nitty gritty of choosing appropriate recording and sequencing equipment for use in a school environment.

Tape Manipulation

Feature | Topic: Tape, Vinyl, CD, DAT | Sound On Sound, Sep 1989

David Mellor unlocks the creative power of the reel-to-reel tape recorder.

Zoom 9030 Instrument Effects Processor

Review | Sound On Sound, Sep 1991

David Mellor straps on his vintage Stratocaster and plugs into the effects unit of the future.

Accessit

Review | Sound International, May 1979
Equipment

Virtual Reality

Review | Recording Musician, Nov 1992
RSP Intelliverb VIrtual Room Processor

By putting quality before quantity, Rocktron have come up with a professional-quality digital reverb at a mid-market price.

Lexicon MRC

Review | Sound On Sound, Mar 1989
MIDI Remote Controller

Lexicon's MRC unit is much more than a fancy remote controller for their PCM70 and LXP1 signal processors - it also provides analogue-like controls for easy editing of DX synth parameters and manipulation of virtually any MIDI controller data. Martin Russ checks out the power behind the buttons.

Eventide H3000 Ultra Harmonizer

Review | Sound On Sound, Nov 1988

From the shrill squeak of the soprano to the sepulchral tones of the basso profundo, the Eventide H3000 can create the full spectrum of human vocalisation out of the merest baritono ordinario. David Mellor gives it an aural test.

Studiofile

Feature | Topic: Recording Studios | Sound International, May 1978
Riverside Recordings

Riverside Recordings — from bedroom Revoxes to 16-track slickness.

Personal Effects

Feature | Topic: Effects Processing | Electronic Soundmaker & Computer Music, Nov 1983

A survey of electronic treatments

Sansui WSX1

Review | Music Technology, Feb 1990
Multitrack Recorder

Already established in hi-fi, Sansui have made their musical debut in the form of a number of multitrack cassette machines, among them the WSX1. Nigel Lord reckons the "studio in a box" is finally here.

Lexicon Of Love

Review | Recording Musician, May 1993
Lexicon Alex Digital Effects

How much did you say that new Lexicon will set me back? Unprecedented low price for a most excellent name!

Steal The Feel - Part 1

Feature Series | Topic: Drum Programming, Mixing | Recording Musician, Jul 1992

A straightforward guide to producing Dance Mixes using budget equipment.

Studio Focus

Group: Computer Musician

Feature | Topic: Computing, Education, Recording Studios | Electronics & Music Maker, Dec 1983
Durham University Electronic Music Studio

The Matinee Organ - Part 3

Feature Series | Topic: Electronics / Build | Electronics & Music Maker, May 1981

Shape of Things to Come

News | Sound On Sound, Jan 1989

Three jampacked pages of new product information.

 

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