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Roland MT-32Review | Sound On Sound, Sep 1987Multi-Timbral ExpanderHot foot from the BMF, hard-working Martin Russ brings us his review of this innocent-looking multitimbral LA expander which packs many of the features of Roland's D-50 synthesizer, including onboard digital reverb, but with the added bonus of 28 sampled drum sounds! |
Macromusic - Part 4Group: Computer MusicianBeyond the Groove |
Floored Genius?Review | Recording Musician, May 1993Digitech RP1 Guitar Multi-EffectsOur man from the valleys discovers how RP1 owners do it on the floor... |
Ratman ReturnsInterview | Recording Musician, Jan 1993JJ Jeczalik And The Art Of ToysBest known for his pioneering sampling work and his role in The Art of Noise, JJ holds strong views on the creative use and abuse of studio equipment. |
The Next DimensionFeature | Topic: Effects Processing, Mixing | Music Technology, Jan 1992Roland RSS SystemThree-D sound placement from two speakers - that's the secret of Roland's revolutionary Sound Space system. Vic Lennard looks at the technology and the theory. |
Recording Techniques - Part 17Feature Series | Topic: Mixing, Recording | Sound On Sound, Apr 1991The Mix (3)Part 17: The mix (3). There's so much to know about mixing and most of it can only be learned by experience. But a little knowledge can go a long way. David Mellor offers even more insights. |
Powertran MCS1 - Part 1Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Oct 1984Playing with TimeMCS stands for MIDI Controlled Sampler, E&MM's most exciting build-it-yourself project yet. Tim Orr gets the ball rolling with a discussion of the effects this Powertran unit can be used to produce. |
Four PlayReview | Sound On Sound, Oct 1992Ensoniq DP/4 Parallel Effects ProcessorIt's flexible, it's powerful, and it comes with a pretty hefty price tag. Paul White finds out whether Ensoniq's first foray into the world of stand-alone effects delivers enough bang for the buck. Additional research by Derek Johnson. |
How It Works: the Noise Gate - Part 10Feature Series | Topic: Effects Processing, MIDI, Sound Fundamentals | Sound On Sound, Oct 1988What is a Noise Gate? What on earth is a MIDI Noise Gate? David Mellor supplies the answers and explains some standard and not so standard gating techniques, with special reference to the BSS Audio DPR 502 MIDI Noise Gate. |
Sounds Natural - Part 2Feature Series | Topic: Sampling, Synthesis & Sound Design | Music Technology, Sep 1987The ClarinetThe second instalment of our series on programming and sampling the sounds of acoustic instruments. This month Howard Massey turns his attention to Acker Bilk's favourite: the clarinet. |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Oct 1992Putting It TogetherThe nitty gritty of choosing appropriate recording and sequencing equipment for use in a school environment. |
Tape ManipulationFeature | Topic: Tape, Vinyl, CD, DAT | Sound On Sound, Sep 1989David Mellor unlocks the creative power of the reel-to-reel tape recorder. |
Zoom 9030 Instrument Effects ProcessorReview | Sound On Sound, Sep 1991David Mellor straps on his vintage Stratocaster and plugs into the effects unit of the future. |
Virtual RealityReview | Recording Musician, Nov 1992RSP Intelliverb VIrtual Room ProcessorBy putting quality before quantity, Rocktron have come up with a professional-quality digital reverb at a mid-market price. |
Lexicon MRCReview | Sound On Sound, Mar 1989MIDI Remote ControllerLexicon's MRC unit is much more than a fancy remote controller for their PCM70 and LXP1 signal processors - it also provides analogue-like controls for easy editing of DX synth parameters and manipulation of virtually any MIDI controller data. Martin Russ checks out the power behind the buttons. |
Eventide H3000 Ultra HarmonizerReview | Sound On Sound, Nov 1988From the shrill squeak of the soprano to the sepulchral tones of the basso profundo, the Eventide H3000 can create the full spectrum of human vocalisation out of the merest baritono ordinario. David Mellor gives it an aural test. |
StudiofileFeature | Topic: Recording Studios | Sound International, May 1978Riverside RecordingsRiverside Recordings — from bedroom Revoxes to 16-track slickness. |
Personal EffectsFeature | Topic: Effects Processing | Electronic Soundmaker & Computer Music, Nov 1983A survey of electronic treatments |
Sansui WSX1Review | Music Technology, Feb 1990Multitrack RecorderAlready established in hi-fi, Sansui have made their musical debut in the form of a number of multitrack cassette machines, among them the WSX1. Nigel Lord reckons the "studio in a box" is finally here. |
Lexicon Of LoveReview | Recording Musician, May 1993Lexicon Alex Digital EffectsHow much did you say that new Lexicon will set me back? Unprecedented low price for a most excellent name! |
Steal The Feel - Part 1Feature Series | Topic: Drum Programming, Mixing | Recording Musician, Jul 1992A straightforward guide to producing Dance Mixes using budget equipment. |
Studio FocusGroup: Computer MusicianDurham University Electronic Music Studio |
The Matinee Organ - Part 3Feature Series | Topic: Electronics / Build | Electronics & Music Maker, May 1981 |
Shape of Things to ComeNews | Sound On Sound, Jan 1989Three jampacked pages of new product information. |