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Bass á la modeGroup: Sound AdviceBass modesPerfecting the acoustics of your studio |
Sheer QualityReview | Sound On Sound, Oct 1988Lexicon LXP1There can be few effects devices around as prestigious and as desirable as those made by Lexicon. Now, with the release of the LXP1 16-bit processor, the classic Lexicon sound becomes truly affordable. David Hughes tastes the quality... |
New MusicFeature | Sound International, Feb 1979The newest of the new percussive sounds emerge as our Eddie chats to cosmic Frank Perry, who applies lateral thinking to work out what to turn into an instrument next. |
Real Time MIDIFeature | Topic: MIDI | Music Technology, May 1989MIDI is more than a means of sending note data to a couple of synths and changing settings on a reverb unit. Ernie Tello looks into the real-time applications of MIDI. |
Irmin Schmidt on his Toy PlanetInterview Audio | Electronics & Music Maker, Aug 1981 |
Muted ResponseFeature | Electronics & Music Maker, Feb 1984Daniel Miller, head of Mute records, has taken the label to a very successful conclusion with some massive UK hits. He tells of the joys and despair of the British record industry, and his work with electronic music. |
Postcard from WindermereShow Report | Sound On Sound, Feb 1987Music technology consultant Martin Russ reports on the recent Conference On Reproduced Sound held by the Institute of Acoustics. |
Roland RSP550Review | Sound On Sound, Jul 1991Yet another sleek, black, 16-bit multi effects unit? Or does the new Roland RSP550 have something more to offer? Kendall Wrightson has the answer. |
Using MicrophonesFeature | Topic: Microphones | Home & Studio Recording, Mar 1985Avoiding ProblemsThe last instalment in the current series wraps up with tips on avoiding problems and the use of Pressure Zone Microphones. |
Home Recording TechniquesFeature | Topic: Home Studio, Recording | Sound On Sound, Jan 1989With a little thought and a few 'tricks of the trade', it is possible to produce top quality recordings at home. David Mellor explains how. |
Sonic Images Sample CDsReview | Sound On Sound, May 1990There may be few instruments in the world that have not yet been sampled, but there is still an infinite number of ways it can be done. David Mellor auditions the Sonic Images sample library volumes 2 and 3. |
Custom 700B Twin Reverb AmpGroup: SoundCheck |
Delay TechnologyFeature | Topic: Effects Processing | Home & Studio Recording, Aug 1984Flanging, phasing, echo and reverb etc. all described in full. |
Duncan Mackay: Going SoloInterview Audio | Electronics & Music Maker, Jul 1981 |
Evans SE-810 and MX-99Group: Echo Unit Supplement |
Out of the BlueInterview | Home & Studio Recording, Jun 1986Blue Weaver, former Bee-Gee and session musician takes Janet Angus round his new studio. |
Studio Of The MonthGroup: Recording WorldThe Music WorksPatrick Hunt gives Music Works the once over |
How to Choose A StudioFeature | Topic: Recording Studios | Home & Studio Recording, Aug 1984Advice on what to look for in a commercial studio when considering your first recording venture. |
A Desirable DelayReview | Electronic Soundmaker & Computer Music, Aug/Sep 1984MXR 1500 Digital DelayThe MXR 1500 |
The Sensuous Envelope FollowerFeature | Topic: Synthesis & Sound Design | Polyphony, Nov 1977 |
Using MicrophonesFeature | Topic: Microphones | Home & Studio Recording, Jun 1984Directional CharacteristicsAn explanation of the 'directional characteristics' of microphones. |
Wide Open SpacesReview | Electronics & Music Maker, Sep 1985A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story. |