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Time & Space Zero-G Datafile 1 & 2 Sample CDsReview | Recording Musician, Jul 1992 |
Mark of the Unicorn Professional ComposerReview | Sound On Sound, Nov 1986Software for Apple MacintoshOur resident Mac user Martin Russ steps his way enthusiastically through two of the best written software packages for the Apple Macintosh computer [in this part] - 'Professional Composer', a music transcription program. |
Washburn G-40VReview | International Musician & Recording World, Nov 1986GuitarCheckDave Burrluck finds there's still a streak of originality to be found in the world of Strat copies |
VirtuosoReview | Sound On Sound, Sep 1989Designed by musicians for musicians, The Digital Muse’s long-awaited MIDI sequencer for the Atari ST offers 99 tracks, real-time multitasking operation, ultra-fast screen redraws, and a host of comprehensive features with which to make music. So does it live up to expectation? David Hughes finds out... |
CAMI - Part 2Group: Computer MusicianReview of various educational music programs from America |
Gibson Grabber BassGroup: GuitarCheck |
Boss DR550 MkIIReview | Sound On Sound, Aug 1992Drum MachineTwo years after the launch of the original Boss DR550 drum machine, a mere £26 extra buys you a DR550 MKII with almost twice the number of sounds. Derek Johnson approves. |
SmokeNews | Making Music, Nov 1986The sort of thing you'll turn to first: lies, gossip, tittle-tattle, rumours, humous... |
Russ DX7 AI EditorReview | Sound On Sound, Apr 1988This low-cost program for the Atari ST uses Artificial Intelligence techniques to take all the hard work out of programming FM synths and allows you to create new ‘musical’ voices quickly and easily. David Hughes enters the edit zone... |
Time To Get In-SyncReview | Sound On Sound, May 1986Fostex Synchroniser & Sync ControllerHaving familiarised you hopefully with the jargon and workings of synchronisers through his 'Using Timecodes' series, Francis Rumsey now turns his critical eye to the most affordable synchroniser/controller set-up available: the Model 4030/4035 from Fostex. |
Wave HelloReview | Sound On Sound, Nov 1991Waldorf Sound Cards 1-3The first three cards in the Waldorf Microwave sound library, reviewed by Paul Ireson. |
Shergold Modulator 12-StringReview | Electronics & Music Maker, Aug 1982 |
Gibson Les Paul De-LuxeGroup: GuitarCheck |
Music Composition Languages - Part 1Group: Computer Musician |
A message from Planet OrbGroup: Mixing It! |
Roland CM ModulesReview | Music Technology, Jan 1990ROLAND CM32L, CM32P, CM64 & LAPC1 Sound ModulesRoland's CM32L, CM32P, CM64 and LAPC1 modules are a selection of their more familiar expanders re-configured and re-packaged with the computer synthesist in mind. Modulating with Ian Waugh. |
E-MU SYSTEMS PROFORMANCE/1+Review | Music Technology, Nov 1990Piano ModuleE-mu Systems' latest expanders are dedicated to the sounds of the piano - drawing on samples from the popular Proteus, how can they fail? Simon Trask tinkles the ivories. |
Yamaha REV-7 Digital ReverberatorReview | Sound On Sound, Nov 1985Yet Another MilestoneLow cost digital reverb comes of age according to Producer Robin Lumley. |
P&R Audio PB40MReview | Music Technology, Aug 1991Combining the flexibility of audio and MIDI patching, P&R's PB40 patchbay makes a space- and cost-effective addition to any studio. Tim Goodyer jacks in. |
EMR MIDItrack PerformerGroup: Computer MusicianSoftware for Sinclair SpectrumJohn Harris and Shirley Gray dissect Electromusic Research's latest software package for the Sinclair Spectrum. |