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Which Monitor?Feature | Topic: Buyer's Guide | Home & Studio Recording, Jul 1984Which Monitor? An overview of all monitor speakers reviewed thus far in HSR. |
One Over The Eight?Review | Electronic Soundmaker & Computer Music, Sep 1985Tascam 388A ‘portable’ 8 track recorder/mixer |
Manson Merlin CustomGroup: Guitar Special |
MB Electronics Jecklin DiscReview | Home & Studio Recording, Apr 1984 |
Fender 57 Strat & Fretless Jazz BassReview | In Tune, Jun 1986Fender 'Limited Edition' 57 Strat & Fretless Jazz Bass 'Special' |
Yamaha SG 175Group: GuitarCheck |
Everything but the Kitchen... - Part 1Feature Series | Topic: Syncronisation | Electronics & Music Maker, Nov 1984Having problems connecting instruments together? Our new series on syncing should solve your problems. This month, John Harris looks at syncing gear to tape. |
SmokeGroup: The Front End |
Joreth System 7 & CZ EditorReview | Sound On Sound, May 1987Software for Commodore 64Ian Waugh takes a look at this combined MIDI sequencer/librarian package, and voice editors for the CZ and DX synth ranges. |
Zlatna Panega ACS100Review | Electronics & Music Maker, Apr 1985Tucked away in one corner of the Frankfurt Music Fair was an astonishing sound-sampling device with origins in Eastern Europe. Paul White and Dan Goldstein have managed to get their hands on the first model to appear in the West. |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Music Technology, Feb 1987MT readers get their chance to see their own synth sounds in print. Instruments featured this month include the Juno 106, Poly 800 and DX21... |
Oh Danny BoyInterview | Making Music, Sep 1987 |
Chris Larkin 'Reacter' GuitarReview | In Tune, May 1986 |
Roland Alpha Juno 2 PolysynthReview | Electronics & Music Maker, Feb 1986Big brother to the Alpha Juno 1 comes equipped with a velocity-sensitive, five-octave keyboard, as Simon Trask discovers. |
Things That Go Boing In The NightReview | Home & Studio Recording, Dec 1985A reverb pedal for guitarists? Paul White discovers the truth about the Dod FX45. |
Studio Electronics MIDImoogReview | Music Technology, May 1989If you're looking for the sound of the Minimoog without the limitations of pre-MIDI gear, the MIDImoog could be for you. Tim Goodyer puts the 1989 version of Moog's classic synth through its paces. |
Sony DPS-M7Review | Sound On Sound, May 1992Digital Sonic ModulatorFollowing hot on the heels of the DPS-D7 and R7 digital delay and reverb units comes a third dedicated processor in Sony's DPS series — the DPS-M7. David Mellor wonders whether this marks the end of the line for multiple effects units. |
Crystal VoyagerEditorial | Music Technology, Dec 1989As musical equipment evolves, so does the music that is made with it. But what of the musicians - how is their evolution determined by a microchip? |
Digitech DSP 128 PlusReview | Music Technology, May 1989Digital Multi-effects ProcessorIn the multi-effects processor wars, Digitech's DSP 128 Plus distinguishes itself with comprehensive facilities and little sound colouration. Ian Waugh treats himself. |
The Route To The TopReview | Sound On Sound, Apr 1990XRI Systems XR400 MIDI MateIs your MIDI system just an accident waiting to happen? Here's an easy way of bringing order to your present tangled mess of MIDI connections. Martin Russ checks out XRI Systems' clever XR400 MIDI Mate. |
SimmonsReview | In Tune, Dec 1984 |
Korg T1Review | Music Technology, Dec 1989Music WorkstationKorg's latest line in synths is the T-series workstations - modestly designed to pick up where the successful M1 workstation left off. Simon Trask climbs aboard the flagship T1. |
DOD PDS2000 Sampling DelayReview | In Tune, Oct 1985 |