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Vigier Passion PassiveReview | International Musician & Recording World, Jun 1985BasscheckDave Burrluck passes judgement on a carbon fibre-necked original. Not a carbon copy at all. |
The Barry BoxReview | Music Technology, Mar 1987Not quite a name, not quite a musical instrument, but a useful tool for sampling and investigating sound with the help of a BBC B computer, a couple of controls, and some friendly advice from Uncle Ian Waugh. |
Alesis D4 Drum ModuleReview | Music Technology, Feb 1992Drum ExpanderYour drum machine used to dictate the sound of your music - but the variety of sounds in Alesis' drum expander gives you back your freedom. Tim Goodyer says everything starts with a D. |
Teisco SX400Group: Synth SpecialEight preset, eight memory programmable four-note poly |
Surrogate MotherReview | Electronic Soundmaker & Computer Music, Aug 1985Roland EP-50 electronic pianoRoland's new electronic piano; a surrogate mother |
Re:MixIndex Audio | The Mix, May 1995mixed-mode CD tracklistThe words behind the sounds on this month's CD and CD-ROM |
Buying On A Budget - Part 1Feature Series | Topic: Buyer's Guide | Music UK, Aug 1983Guitars For £150Begin with a Bargain — reckon a new guitar for less than £150? We show you how |
Dr T'S T-BasicReview | Music Technology, May 1990Software for the Atari STUntil now writing MIDI software has been the preserve of a few dedicated individuals, but T-Basic offers to make MIDI programming accessible to the masses. Ian Waugh gets online. |
Kawai K5 SynthesiserReview | Music Technology, Apr 1987Real-time additive synthesis at an affordable price will become a reality when the KS hits the shops later this year. Rick Davies previews Kawai's best yet. |
Stack In A Rack - Part 2Review Series | Electronics & Music Maker, Aug 1986Tanrak SystemIan Waugh concludes our appraisal of Tantek's budget modular FX system, and reveals there's plenty more to come in the near future. |
RAM Music MachineReview | Music Technology, Jan 1987For Spectrum and Amstrad ComputersThe would-be Fairlight killer comes under scrutiny at last. Ian Waugh reports on an ambitious add-on for Spectrum and Amstrad micros. |
Yamaha MT1XReview | Home & Studio Recording, Jun 1986Multitrack Cassette RecorderAffordable cassette multitrack with a few unexpectedly sophisticated features. |
Fernandez Revolver Bass And RST-50 GuitarReview | International Musician & Recording World, Sep 1986GuitarCheckDave Burrluck is pleasantly surprised by yet another pair of Japanese clones |
Acorn Music 500Group: Computer MusicianSynthesiser Hardware and Software for the BBC MicroAcorn's first venture into music synthesis boasts some good-looking synthesis hardware and a music composition language - AMPLE - that grows with the user. David Ellis has the advance details. |
Elka EK22/EK44 SynthesizersReview | Sound On Sound, Nov 1986Italian-designed keyboards have received mixed success over the years. Elka's old Rhapsody string synth was a popular instrument in the seventies but their main polysynth, the Synthex, failed to set the world alight. That may well be about to change with the release of their impressive 9-voice, multi-timbral, DX7-soundalike, the EK44, and the 6-voice analogue EK22. Or is it? Mark Jenkins offers his views. |
Sony F-PV8T MicrophoneReview | Home & Studio Recording, Oct 1984 |
Good VibrationsReview | Sound On Sound, Jul 1989Digidesign Softsynth & TurbosynthWhat can you do with a sampler when you're bored of sampling? Paul Ireson finds an answer to this question in the form of creative software from Digidesign that can turn your sampler into a powerful synthesizer. |
Keep Taking the TabloidsFeature | Topic: Marketing / Promotion | Phaze 1, Jan 1989the music papers and how to get your name into them |
NAMM ReportShow Report | Micro Music, Apr/May 1989Paul Wiffen goes stateside to find out what new products we can look forward to from the U.S of A |
Out Of the ShadowsReview | Electronics & Music Maker, Jul 1986Shadow MIDI GuitarGeoff Twigg takes a look at the latest guitar synth technology. Now you can have a Synclavier system behind the strings of your old acoustic. |