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Aries 10:4:8 Mixing ConsoleReview | Home & Studio Recording, Oct 1986A no-nonsense, standard format split recording console at a sensible price. |
Redmere Soloist AmpReview | Sound International, Jan 1979GuitarIf I were to say, 'Dave Blake isn't, in the same way as the Redmere Soloist combo is,' you'd probably wonder what on earth I was talking about. So I won't. |
Shergold Twin-neck 6/12 StringReview | Sound International, Aug 1978What about a six'n'twelve-string on it? Dave Blake considers Shergold's rights and wrongs. |
Yamaha DD11Review | Music Technology, Nov 1990Digital DrumsIntriguing cries of "hit me" from the recording studio have been traced to Yamaha's new DD11 percussion controller. Simon Trask asks, can it be beaten? |
Yamaha RGX 112 Mk2 Electric GuitarGroup: Review |
Passport TraxReview | Music Technology, Dec 1990This cost-effective sequencing package from Passport comes ready to run on all the popular music computers. Ian Waugh checks out the newest relative in the MasterTracks family. |
Gibson J-45 AcousticReview | In Tune, Dec 1985 |
Celestion SR1/SR3 Monitor SystemReview | Music Technology, Dec 1990Looking for a high-quality, lightweight live monitor system for your keyboard rig? Ian Sherwood discovers Celestion's SR series knocks out the watts. |
Take ControlReview | Music Technology, Nov 1989Music PublisherAimed at the professional scorewriter, this scorewriting program for the Atari ST goes a long way towards making complex scores easy to handle. Ian Waugh goes public. |
Spectrum FX Six StringReview | International Musician & Recording World, Aug 1985GuitarcheckDave Burrluck tests the top of the Westone range |
Toa Professional SeriesReview | International Musician & Recording World, Nov 1986MikecheckCan you hear him at the back? Phil Walsh sounds off about TOA's new VFM mikes |
JHS Spring Reverb SL5300Group: Recording WorldStudio TestCheap and effective, like our own spring chicken Jim Betteridge |
State of the IndustryShow Report | Home & Studio Recording, May 1987Yet another show. Organised by the Audio Engineering Society, this 4-day show displayed the latest advancements in recording technology. |
Expand your DXReview | Sound On Sound, Jan 1987Yamaha's DX7 may well be a classic keyboard but its MIDI implementation and small onboard memory are starting to look decidedly limited compared to newer generation keyboards. What's needed is an upgrade, and the add-on E! board from America's Grey Matter Response is certainly that! Martin Russ enthuses over its features. |
Ibanez Artist SeriesReview | Sound International, Sep 1978Positive superlatives all over the place as Dave Blake's rhetoric embraces a couple of Ibanez instruments. |
C-Lab NotatorReview | Sound On Sound, Sep 1988By combining their 64-track 'Creator' MIDI sequencer with a set of powerful new features and a scorewriter, C-Lab have produced arguably the most sophisticated music notation package to date for the Atari ST. Ian Waugh supplies the notes... |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Jul 1992...and Phil South has a hard time with his Amiga. |
Epiphone Emperor GuitarGroup: Review |
MPI Feeling PartnerReview | Sound On Sound, Apr 1992Arranging/Sequencing SoftwareMartin Russ tries adding a French accent to his music, with Feeling Partner's blend of arranging, harmonising and sequencing for the ST. |
Roland TB-303 Bass LineReview | Electronics & Music Maker, Apr 1982 |
Steinberg Cubase - Part 2Review Series | Music Technology, Sep 1989Atari ST SoftwareIn the second half of this definitive review. Nigel Lord looks into the editing and scorewriting facilities of Steinberg's latest sequencing software. |
Sony DPS-R7 Digital ReverberatorReview | Sound On Sound, Dec 1991A New Reverb StandardHot on the heels of their impressive DPS-D7 digital delay comes the latest single effects unit from Sony. As the DPS-R7 reverberates, David Mellor adjudicates. |