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The Trackman ComethReview | Micro Music, Aug/Sep 1989Dave Reed finds happiness in the Channel Islands thanks to the Trackman sequencer for the ST |
Yamaha RX-15Review | In Tune, Dec 1984 |
Yamaha RX5Review | Sound On Sound, Apr 1987To Call It A Drum Machine Would Be An Insult!The pace of change never slackens at the Nippon Gakki factory. The piano makers turned motorbike manufacturers roar in with a new digital rhythm machine, the RX5. Review by David Mellor |
Fender American Vintage SeriesReview | Electronics & Music Maker, Oct 1982 |
Vox Custom Bass, Custom 25Group: Guitar Special |
FM 4-Operator EditorsReview | Music Technology, Jul 1988Two software packages that offer a generic approach to sound creation on Yamaha's four-operator FM synths. Ian Waugh boots up Dr T's 4-Op Deluxe and the Soundbits 4X4. |
Rhythm SectionFeature | Topic: Drum Programming | Micro Music, Jan 1990Bill Collins has bought a CD player and has already put it to Rhythmic use is Volume two in the Sonic Images series |
From Russia with love...Group: Control RoomOktava MK012Three-capsule Russian condenser mic |
Spitting ImageInterview | International Musician & Recording World, Aug 1986The Spit's musical director and composer of the cretinous Chicken Song, Phil Pope, coughs it all up for Jim Betteridge |
Trackman SequencerReview | Sound On Sound, Nov 1988Paul Ireson previews this new British 32-track MIDI sequencer for the Atari ST. |
Bible! RevelationsFeature | Making Music, Mar 1987 |
Roland Digital Piano SystemsReview | In Tune, Jun 1986RD1000 (Keyboard Version) & MKS20 (Racked Module Version)Roland's piano power — RD1000 & MKS20 on test |
Roland TR707Review | Electronics & Music Maker, Dec 1984Digital Rhythm ComposerWhat the world has been waiting for - Roland's first-ever digital drum machine. Exclusive review by Dan Goldstein. |
Cheetah MD8 Digital Drum MachineReview | Sound On Sound, Apr 1988With features like stereo, mono and separate outputs for external processing, real-time and step-time programming, MIDI compatibility, and interchangeable drum sounds, the budget-priced MD8 should theoretically cost a lot more than it does. Tony Wride sees if it lives up to expectations. |
Rickenbacker TR75GT AmplifierReview | Electronics & Music Maker, Sep 1983 |
JBL 4401 MonitorsReview | Home & Studio Recording, May 1984 |
Beyer M400 and M69 MicrophonesReview | Home & Studio Recording, Sep 1984 |
Akai AX80Review | Electronics & Music Maker, Dec 1984Programmable PolysynthPaul White looks at the first musical instrument product from a Japanese giant. Has Akai's poly got the sounds and the facilities necessary for it to make an impact on today's synth world? |
Premier Dual-Lock StandsReview | International Musician & Recording World, Apr 1985AccessorycheckPremier make their stand. Bob Henrit pens his review |
D/A converterGroup: Mixing It! |
Pandora's BoxReview | Micro Music, Oct/Nov 1989Phil Brammer unleashes the full potential of his M-1 and his DX with two great patch editors |