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The Legend Lives OnReview | Sound On Sound, Mar 1987Yamaha DX7IIDThe DX7 has become both one of the best-selling synthesizers of all time and a truly 'classic' instrument. So how do you improve on that? Jay Chapman reviews Yamaha's recently launched and long awaited successor to the DX7. |
Frankfurt: Recording Equipment And Studio SamplersGroup: Recording WorldThe Frankfurt Finale, courtesy of Curtis Schwartz |
JL Cooper FadermasterReview | Music Technology, Oct 1989MIDI Control DeviceTired of digital parameter access synth editing, unimpressed by software editors? Vic Lennard looks at a system that allows you to use real sliders to edit your synths. |
Recording Without TapeReview | Electronics & Music Maker, Mar 1986Linn Sequencer JrThe sequencing half of the Linn 9000 gets a once-over from Paul Wiffen, who concludes it's far from being a replacement for the tape recorder. |
MXR OmniReview | Electronics & Music Maker, Jul 1983 |
Akai S900 SamplerReview | International Musician & Recording World, Jul 1986SamplerCheckPaul Fishman gets weird — again |
Recording Electric GuitarFeature | Topic: Recording | Recording Musician, Nov 1992Getting a professional electric guitar sound onto tape is not difficult — if you follow a few simple rules. |
Alex LifesonInterview | Music UK, Jul 1983RUSH Guitarist locked in room with Max Kay — Shock Horror! |
Oberheim Matrix 12 & XK ControllerReview | International Musician & Recording World, May 1985SynthcheckAn expansion on the Expander with a free (£1200) keyboard! Paul Fishman goes upmarket |
Jbl Control 1 Plus/SB1 Sub-Bass UnitReview | Music Technology, Oct 1990Studio MonitorsChoosing studio monitors on a tight budget can be a demoralising experience - unless you're wise to JBL's new Control 1 Plus and its bass-driving partner. Nigel Lord takes control. |
ClannadInterview | Sound On Sound, Oct 1993 |
OvertonesFeature | Topic: Marketing / Promotion | One Two Testing, May 1985workings of the press part two; dealing with music papers |
A&R MenFeature | Topic: Marketing / Promotion, Music Business | One Two Testing, Oct 1985the unsigned's guide to getting that contract |
Delay TacticsReview | Electronics & Music Maker, Oct 1985Roland SDE2500 DelayFollowing last month's excursion into the world of digital reverb, Paul 'Poodle' White puts the latest Roland DDL through its paces and assesses the results. |
E-Mu Emax SE HDReview | Music Technology, Jun 1988Sampling KeyboardE-mu enhance their popular Emax sampler with a built-in 20 Meg hard disk and two new methods of sound synthesis. But how successful is the sampler-as-synthesiser? Bob O'Donnell takes it to the max. |
Clash of the TitansReview | Micro Music, Oct/Nov 1989Two multi-tasking packages, Virtuoso and Cubase, meet in the ring. Jim Spriggs plays referee |
Tascam 112 cassetteReview | Sound On Sound, Apr 1987Gareth Stuart investigates Tascam's latest stereo cassette mastering machine and learns why pro equipment nearly always carries a pro price tag. |
MusicomReview | Music Technology, Nov 1986Music Instruction SystemOf the few computer-based music teaching systems available, Xanadu's Musicom - distributed by Roland - is one of the most versatile. David Ellis finds out if it's cheap enough to tempt fund-starved schools. |
Five for Eighty-fiveRetrospective | Electronics & Music Maker, Jan 1986A nostalgic look back at 1985 by the people who bring E&MM to you each month. Was it really that bad? |
Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Aug 1986Absolute BeginnersNeville and Val Pearson pass on their experience in equipping a home studio. Following their advice could save you from making more than one costly mistake. |
PAIA 8700 Computer/ControllerReview Audio | Electronics & Music Maker, Apr 1981 |
ChameleonReview | Sound On Sound, Feb 1990Universal Patch LibrarianTired of rummaging through RAM cards and boxes of floppy disks in search of a particular synth patch? Greg Truckell checks out a far more convenient way to store and recall patches. |
Keeping AheadReview | Home & Studio Recording, Aug 1986Ramsa WM-S1E, 2E, 5E and 10E MicsDr Simon Bateson delivers a fair and detailed report on a rather unusual range of microphones. |