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PPG Wave 2 SynthesiserReview Audio | Electronics & Music Maker, Jul 19818-Voice Polyphonic Digital Synthesiser with 8-Track Digital Sequencer |
Roland SPD8Review | Music Technology, Dec 1990Total Percussion PadOn the trail of Roland's successful Octapads comes the SPD8 - a MIDI percussion controller with a neat line in onboard sounds. Simon Trask says beat it. |
Press To PlayInterview | Sound On Sound, Oct 1986Whether you like his music or not, nobody can knock Paul McCartney's achievements as the world's most successful songwriter. In a rare interview he talks to Patrick Humphries about the music, recordings and personalities that combined to produce his first solo album for three years - 'Press To Play'. |
Call Of The WildInterview | Music Technology, Mar 1989After carving a career for themselves with their unique brand of anarchic funk, Shriekback have decided the time has come for a change. Barry Andrews tells David Bradwell about the importance of loving musical equipment. |
Korg Trident PolyphonicReview Audio | Electronics & Music Maker, Feb 1982 |
Shriek Back In AngerInterview | Electronics & Music Maker, Oct 1985Tim Goodyer talks to Carl Marsh, guitarist with E&MM's idiosyncratic cover artists, about Oil and Gold, rock and roll, and the Jupiter 8 versus the DX7. |
Oberheim Matrix 1000Review | Music Technology, Aug 1988Synth ExpanderThe latest addition to Oberheim's classic Matrix range offers 1000 analogue-style synth sounds for under £500. Simon Trask investigates the attraction of analogue in '88. |
Concert Touring NewsGroup: Access All Areas |
Emu Systems ProteusReview | Sound On Sound, Nov 1989The prospect of a high-spec sample player bearing the Emu name, but costing 'under £1000', had musician's waiting with baited breath for its appearance. Now Proteus is here, and Paul Ireson breathes a sigh of relief as he finds that it was worth the wait. |
African Music - Part 1Feature Series | Topic: Home Studio | Sound On Sound, Oct 1987Sound On Sound reader Kofi Busia recently released his own independent LP called 'Oh Africa', funded entirely by himself. To encourage others to follow his example, we asked Kofi to write about his experiences. In this the first of three parts, he presents a frank and revealing account of why the record came about, how he came to grips with using modern technology for African music, and why he chose the equipment he used. |
Just 17Interview | Electronic Soundmaker & Computer Music, Apr 1985Hitmakers Heaven 17 reveal how they've harnessed the hardware on How Men Are. |
Music For Piano And VoiceInterview | Electronics & Music Maker, May 1986Upcoming systems music composer chats to Simon Trask about modern technology, Renaissance music and Belgian pop. |
Music in EducationFeature | Topic: Education | Recording Musician, Jan 1993Audio Training CoursesRecording courses: what are they, where are they and do they increase your chances of getting the job of your dreams? |
Rhythms of the worldGroup: Control RoomKorg WavedrumInnovative electronic percussion |
The Song Remains the SameFeature | Music Technology, Mar 1989Take four musicians with a love of acoustic instruments, a fascination for high technology and some considerable talent, and you've got Frazier Chorus. Louise Swann and Stephen Hillier listen to songs from the English coast. |
Disco TechReview | Sound On Sound, Aug 1992Roland DJ70 Sampling KeyboardRoland's DJ70 repackages the guts of an S750 as a DJ-oriented sampling keyboard with a glut of time-saving features. Wilf Smarties welcomes the unit that redefines user friendly sampling. |
Fast ForwardNews | Home & Studio Recording, Apr 1986All the Fun of the FairWhat's new in the way of equipment including the latest from the Frankfurt show. |
PatchworkFeature | Music Technology, Dec 1991A collection of CDs which should be the sampler's delight are the stars of this month's Patchwork. If your music needs a boost from Ed Stratton, Coldcut or Pascal Gabriel, check out these disks. |