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Fostex R8 - The 8-Track Take-Away

Review | Sound On Sound, Jan 1989

In these space-conscious times, Fostex have developed a diminutive new 8-track tape recorder you can store out of sight and control fully from its detachable front panel remote control/autolocator. David Mellor takes it for a spin...

Tascam TSR8 vs Fostex E8

Review | Sound On Sound, Jul 1989
The 8-Track Challenge

The 8-track challenge: with the release of a new Tascam machine and the recent price cut on the Fostex E8, we thought it opportune to compare the two models. David Mellor adjudicates in the battle of the budget 8-tracks.

Digidesign Audiomedia LC

Review | Sound On Sound, Sep 1993
Digital Audio Board For The Mac LC

Reviews

Group: PortaStudioMania

Feature | Topic: Buyer's Guide | International Musician & Recording World, Dec 1986

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Dec 1988
Hints, Tips & News From The World Of Music Software

Hints, tips and news about your favourite music software.

Using The Fostex 4050 Autolocator

Review | Sound On Sound, Apr 1988

Fostex’s SMPTE reading/writing, MIDI syncing, auto-locating, remote transport control unit recently underwent a serious internal re-examination. Ed Jones assesses the newly implemented features and describes their practical application.

When The Tape Runs Out

Interview | Sound On Sound, Jul 1986

Intrepid reporter/cameraman Ralph Denyer ventures into the wild suburban jungle of East London to capture the rarely heard thoughts of this lesser-spotted songbird and re-mix producer who has recently taken delivery of his very own Synclavier system.

Pipe Dreams

Review | Sound On Sound, Jun 1993
Bars & Pipes Professional 2 Amiga Sequencing Software

Revox C278

Review | Sound On Sound, Aug 1989
For A Few Dollars More...

What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra.

Willow

Feature | Topic: Recording, Video / Film / Picture | Sound On Sound, Sep 1988
The Recording of a Film Soundtrack Music

Ed Jones sits in on a major film music session in Abbey Road Studios, London, and reports on how the London Symphony Orchestra and a host of extra musicians recorded the music soundtrack to George Lucas' forthcoming prequel to 'Star Wars' - 'Willow'.

Iconix Software

Review | Music Technology, Aug 1987
Software for the Atari ST

The first release from a British company called System Exclusive is a 128-track sequencer for the Atari ST. Simon 'ST Trask (and his assistant, 'Mouse') find it both powerful and flexible.

The Compleat Sound Effects Recordist

Feature | Topic: Location Sound, Recording | Sound International, Jan 1979

I used to work with this prat once who thought that I'd mis-spelt compleat when I used it in an article - sometimes you just can't win, can you? Dave Hastilow, however, is well sussed and brings you sound at a stroke.

20/20 Vision

Review | Sound On Sound, Jan 1993
Opcode Vision 1.4

Roland R70

Review | Sound On Sound, Jun 1992
Human Rhythm Composer

Roland's R70, their new top-of-the-range beat box, is the first drum machine to feature on-board digital effects. Ian Steele sits in judgement.

Opcode Vision

Review | Sound On Sound, Oct 1989

Does Opcode's new Macintosh sequencer have what it takes to oust 'Performer' from the sequencer king's throne? Mike Collins enjoys finding out...

Cassette Multitrackers - Buyer's Guide

Feature | Recording Musician, Jul 1992
Every Current Model Reviewed

All you need to know about choosing a cassette multitrack, plus concise reviews of every current model on the market.

Casio CZ5000

Review | Electronics & Music Maker, Jun 1985
Programmable Phase Distortion Polysynth with Sequencer

Continuing their fight for pro keyboard acceptance, Casio double the CZ1000's voices and throw in a multitrack sequencer for good measure. Simon Trask casts a critical eye over the results.

Gem S2

Review | Music Technology, Oct 1992
Workstation Synthesiser

Did Gem fix it?

Aiwa AD6800 Cassette Deck

Review | Sound International, Oct 1978

Watch emotion flower as Pete Carbines spends a honeymoon with Aiwa (AD6800) and contemplates settling down to a deepening relationship. Makes Love Story look like Camp On Blood Island.

Microillusions Music-X

Review | Music Technology, Oct 1989

Commodore's Amiga computer is the beneficiary of this impressive - and colourful - sequencing package. Ian Waugh welcomes the illusion.

MIDI - The Absolute Basics - Part 2

Feature Series | Topic: MIDI, Sequencing | Recording Musician, Oct 1992
Sequencing

The theory and practice of MIDI sequencers, explained in simple terms.

When Things Go Wrong

Feature | Topic: Design, Development & Manufacture, Maintenance / Repair / Modification | Sound On Sound, Nov 1991

Day-to-day use takes its toll on recording equipment, so proper maintenance and servicing is essential to get the best from your studio toys. David Mellor takes a look behind the scenes of Fostex's service department.

The Collector

Interview | Music Technology, Jul 1987

There can be few musicians who've amassed such a huge collection of synthesisers as the ex-Buggles keyboardist. Paul Wiffen talks to him about his machines, and finds he still finds a use for most of them.

Tascam 488

Review | Sound On Sound, Mar 1991

Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio.

Fostex G16

Review | Sound On Sound, Sep 1990

David Mellor looks at a 16-track machine which brings a new level of sophistication to the world of 'personal' multitrack.

 

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