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Fostex R8 - The 8-Track Take-AwayReview | Sound On Sound, Jan 1989In these space-conscious times, Fostex have developed a diminutive new 8-track tape recorder you can store out of sight and control fully from its detachable front panel remote control/autolocator. David Mellor takes it for a spin... |
Tascam TSR8 vs Fostex E8Review | Sound On Sound, Jul 1989The 8-Track ChallengeThe 8-track challenge: with the release of a new Tascam machine and the recent price cut on the Fostex E8, we thought it opportune to compare the two models. David Mellor adjudicates in the battle of the budget 8-tracks. |
ReviewsGroup: PortaStudioMania |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Dec 1988Hints, Tips & News From The World Of Music SoftwareHints, tips and news about your favourite music software. |
Using The Fostex 4050 AutolocatorReview | Sound On Sound, Apr 1988Fostex’s SMPTE reading/writing, MIDI syncing, auto-locating, remote transport control unit recently underwent a serious internal re-examination. Ed Jones assesses the newly implemented features and describes their practical application. |
When The Tape Runs OutInterview | Sound On Sound, Jul 1986Intrepid reporter/cameraman Ralph Denyer ventures into the wild suburban jungle of East London to capture the rarely heard thoughts of this lesser-spotted songbird and re-mix producer who has recently taken delivery of his very own Synclavier system. |
Revox C278Review | Sound On Sound, Aug 1989For A Few Dollars More...What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra. |
WillowFeature | Topic: Recording, Video / Film / Picture | Sound On Sound, Sep 1988The Recording of a Film Soundtrack MusicEd Jones sits in on a major film music session in Abbey Road Studios, London, and reports on how the London Symphony Orchestra and a host of extra musicians recorded the music soundtrack to George Lucas' forthcoming prequel to 'Star Wars' - 'Willow'. |
Iconix SoftwareReview | Music Technology, Aug 1987Software for the Atari STThe first release from a British company called System Exclusive is a 128-track sequencer for the Atari ST. Simon 'ST Trask (and his assistant, 'Mouse') find it both powerful and flexible. |
The Compleat Sound Effects RecordistFeature | Topic: Location Sound, Recording | Sound International, Jan 1979I used to work with this prat once who thought that I'd mis-spelt compleat when I used it in an article - sometimes you just can't win, can you? Dave Hastilow, however, is well sussed and brings you sound at a stroke. |
Roland R70Review | Sound On Sound, Jun 1992Human Rhythm ComposerRoland's R70, their new top-of-the-range beat box, is the first drum machine to feature on-board digital effects. Ian Steele sits in judgement. |
Opcode VisionReview | Sound On Sound, Oct 1989Does Opcode's new Macintosh sequencer have what it takes to oust 'Performer' from the sequencer king's throne? Mike Collins enjoys finding out... |
Cassette Multitrackers - Buyer's GuideFeature | Recording Musician, Jul 1992Every Current Model ReviewedAll you need to know about choosing a cassette multitrack, plus concise reviews of every current model on the market. |
Casio CZ5000Review | Electronics & Music Maker, Jun 1985Programmable Phase Distortion Polysynth with SequencerContinuing their fight for pro keyboard acceptance, Casio double the CZ1000's voices and throw in a multitrack sequencer for good measure. Simon Trask casts a critical eye over the results. |
Aiwa AD6800 Cassette DeckReview | Sound International, Oct 1978Watch emotion flower as Pete Carbines spends a honeymoon with Aiwa (AD6800) and contemplates settling down to a deepening relationship. Makes Love Story look like Camp On Blood Island. |
Microillusions Music-XReview | Music Technology, Oct 1989Commodore's Amiga computer is the beneficiary of this impressive - and colourful - sequencing package. Ian Waugh welcomes the illusion. |
MIDI - The Absolute Basics - Part 2Feature Series | Topic: MIDI, Sequencing | Recording Musician, Oct 1992SequencingThe theory and practice of MIDI sequencers, explained in simple terms. |
When Things Go WrongFeature | Topic: Design, Development & Manufacture, Maintenance / Repair / Modification | Sound On Sound, Nov 1991Day-to-day use takes its toll on recording equipment, so proper maintenance and servicing is essential to get the best from your studio toys. David Mellor takes a look behind the scenes of Fostex's service department. |
The CollectorInterview | Music Technology, Jul 1987There can be few musicians who've amassed such a huge collection of synthesisers as the ex-Buggles keyboardist. Paul Wiffen talks to him about his machines, and finds he still finds a use for most of them. |
Tascam 488Review | Sound On Sound, Mar 1991Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio. |
Fostex G16Review | Sound On Sound, Sep 1990David Mellor looks at a 16-track machine which brings a new level of sophistication to the world of 'personal' multitrack. |