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Six AppealReview | Recording Musician, Mar 1993Vestax MR66 6-Track Recorder and RMC88 Studio MixerPut these two together and you have a flexible recording and mixing system. |
Retro RockerReview | Sound On Sound, Aug 1993Marantz PMD740 Cassette 4-TrackCan this stylish-looking cassette multitracker find a niche in an already crowded market? Check out our review... |
8-track Without TearsReview | Home & Studio Recording, Dec 1985It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388. |
Roland W30 WorkstationReview | Sound On Sound, Jun 1989Is Roland's new W30 just another sampling workstation? Paul Ireson checks it out and finds features that allow it to excel both as a stand-alone system and as the heart of a more extensive MIDI setup. |
Fostex 250 MultitrackerUser Report | Home & Studio Recording, May 1984 |
That Syncing Feeling - Part 3Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989Chris Smith enlightens us on the subject of locking music to video |
Hard & Fast!Review | Sound On Sound, Aug 1993Akai DR4d Hard Disk RecorderOffering 4 tracks of instantaneous cut-and-paste, Akai's £1600 digital recorder looks like being a real winner. |
The Myths Of MIDIFeature | Topic: MIDI | Sound On Sound, Oct 1991MIDI has been with us for almost a decade, yet most users still labour under Misconceptions about what it actually can and cannot do. Paul D. Lehrman explodes some of the more common myths about MIDI. |
Digidesign DeckReview | Sound On Sound, Nov 1990Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates. |
Dr T's Keyboard Controlled SequencerReview | Sound On Sound, Jul 1987Mark Badger explores the programming environment of Dr T's 48-track keyboard controlled MIDI sequencing software for the Atari ST range of computers and draws some interesting conclusions... |
Leader Of The Pack?Review | Sound On Sound, Jul 1990Dr.T's Keyboard Controlled Sequencer - Level II V3.0 for the AmigaOne music software house that showed greater awareness and belief in the Commodore Amiga from the outset was Dr.T. David Ellis checks out version 3.0 of their top-of-the-range sequencer to see how it rates against the growing competition. |
Shape Of Things To ComeNews | Sound On Sound, Dec 1990This month's overview of all the new products worth adding to your Christmas list! |
Soul Sonic ForceInterview | Music Technology, Feb 1990Prince PaulAlready an established musical force from his work with Stetsasonic, Prince Paul has gone on to produce De La Soul's brilliant debut LP. Steven Daly talks technology and sampling ethics with a Prince. |
Tascam DA30Review | Sound On Sound, Sep 1990DAT RecorderTascam's latest machine has all the features we have come to expect of a professional DAT recorder. Dave Lockwood assesses its performance. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Apr 1990Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
Cheetah MQ8Review | Music Technology, Feb 1990SequencerLatest in their line of cost-effective gear is Cheetah's MQ8 sequencer. Simon Trask investigates a budget sequencer that incorporates some of the features of the Zyklus MIDI Performance System. |
Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
History of the FutureInterview | Electronics & Music Maker, Sep 1986Kaleidophon StudiosSimon Trask travels to North London to visit one of Britain's longest-established synth studios, and to talk to its creator, electronic composer David Vorhaus. |
RealTime Intelligent SequencerReview | Sound On Sound, Aug 1989Offering 256 tracks, direct screen manipulation of events, and the facility to alter any type of data whilst your sequence keeps playing, RealTime looks set to make a big name for itself very quickly. Martin Russ took a real shine to it - will you? |
Akai MPC60Review | Music Technology, Apr 1988From the ashes of the ill-fated Linn 9000, Roger Linn and Akai have brought forth the MPC60. Simon Trask takes a look at this powerful drum machine and sequencer. |
My Life With MIDI Time CodeFeature | Topic: MIDI, Syncronisation | Sound On Sound, Jan 1990Just as MIDI itself has gone far beyond what its developers imagined, so MIDI Time Code has the potential to take MIDI technology into areas quite removed from the synthesis and sequencing worlds in which it has become so familiar. MTC user Paul D. Lehrman explains how. |
E-mu SP1200Review | Sound On Sound, Oct 1987Sampling Percussion SystemNot just a sampling drum machine, more a solid state tape recorder! As things start to heat up at the top end of the drum machine market, David Mellor gives E-mu's successor to their popular SP-12 a thorough pounding. |
I Sync Therefore I AmReview | Sound On Sound, May 1992Micon Audio LMTC SynchroniserMicon Audio's LMTC Processor Controller Synchroniser does for owners of Tascam multitracks what the MTC1 did for Fostex users: integrates multitrack recorder control into the sequencer environment. Dave Lockwood gets that syncing feeling once more. |