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Alesis MMT8 SequencerReview | Music Technology, Feb 1988The hardware sequencer to beat them all? After an overlong wait, Simon Trask gets to grips with the latest development in the Alesis World Domination plan. |
Sonus MasterPieceReview | Music Technology, Nov 1987Software for the Atari STThe software catalogue for the Atari ST continues to grow. Ian Waugh checks out a sequencer package that may give Steinberg and Hybrid Arts serious competition. |
BBC NewsReview | Electronic Soundmaker & Computer Music, Jan 1985Organ Master/Island LogicAn add-on sound board, and a comprehensive disc-based music system for the Beeb micro. |
Miditemp MP44 MIDI PlayerReview | Music Technology, Dec 1990MIDI Data RecorderLatest in the emerging trend of MIDI data recorders is MIDItemp's MIDI Player - a composite 64-track sequencer, MIDI processor and patching matrix. Vic Lennard takes on a temp. |
Steinberg CubeatReview | Music Technology, May 1991Atari Sequencing SoftwareSon of Cubase: this stripped-down version of Steinberg's powerful sequencer retains many of its best functions. Nigel Lord and ST, and Cubase makes three. |
Tascam MTS1000 MIDIizerReview | Sound On Sound, Oct 1990As the prices of 8 and 16-track tape recorders have come within the reach of more users, synchronisers are becoming familiar, even essential, to an increasing number of people. David Mellor chases Tascam's new machine and midi synchroniser. |
Fostex B16 Tape RecorderReview | Home & Studio Recording, Jan 1984 |
Tascam 464 PortastudioReview | Sound On Sound, Jun 1992Dave Lockwood takes a shine to Tascam's new top-of-the-range Portastudio, the 464. |
Roland SD-35 MIDI PlayerGroup: Quality ControlGet creative with Brush and Canvas. |
Using Timecodes - Part 1Feature Series | Topic: Syncronisation | Sound On Sound, Feb 1986An Introduction To Timecode SynchronisationThe release of the new Fostex synchronisers reinforces the importance of timecode in today's recording process. So, to help you familiarise yourself with their applications, Francis Rumsey begins a new series that should tell you all you need to know about timecodes. |
That Syncing Feeling - Part 2Feature Series | Topic: Syncronisation | Micro Music, Aug/Sep 1989Chris Smith continues his series on synchronisation |
The Shape of Things to ComeNews | Sound On Sound, Oct 1987Your chance to find out what new goodies will be appearing in your local music store over the coming months. |
Edit TrackReview | Micro Music, Jun/Jul 1989Hybrid Arts budget package that thinks big as John Renwick discovers |
NewsNews | Sound International, Sep 1978Studios and RecordingPages to the power of three, taking in Stevie's Peavey, CB, guitar gallery, and more. |
Reprieved by ROMGroup: Control RoomSystem Solutions CD-ROM DriveCD-ROM drive for Atari |
The ProcessFeature | Topic: Arranging / Songwriting | In Tune, Apr 1985Robert Calvert on Songwriting tips. |
The Big OneReview | Sound On Sound, Jan 1990Tascam MSR24 24-track 1" Tape RecorderEver since the dark ages, prophets and soothsayers have been forecasting the Big One. Well here it is - Tascam's 24-track on one inch tape recorder. David Mellor investigates. |
Time To Get In-SyncReview | Sound On Sound, May 1986Fostex Synchroniser & Sync ControllerHaving familiarised you hopefully with the jargon and workings of synchronisers through his 'Using Timecodes' series, Francis Rumsey now turns his critical eye to the most affordable synchroniser/controller set-up available: the Model 4030/4035 from Fostex. |
Denon DR-M33 Cassette DeckReview | Home & Studio Recording, Dec 1985Ben Duncan looks at this cassette recorder to see if it can cope with life in the studio. |
Master or ServantReview | Micro Music, Apr/May 1989Phil Brammer & Co test drive Master Tracks Pro for the ST |
Using Timecodes - Part 2Feature Series | Topic: Syncronisation | Sound On Sound, Mar 1986Timecode Synchronisation With VideoPart 2 of our series finds Francis Rumsey exploring timecode standards and the use of timecode with video. |
Sony D-55T DiscmanReview | Sound On Sound, Oct 1986Compact discs represent a superb source of high quality sounds for the samplist too lazy to sample their own. What's more, products like this D-55T CD player make the task even easier with their programmable auto-loop function. Paul Gilby explains... |