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Philips DCC900

Review | Sound On Sound, Oct 1992
Digital Compact Cassette Recorder

Philips hope that their new cassette-based DCC format will succeed where DAT failed — becoming the new consumer digital recording medium. Derek Johnson evaluates the world's first first DCC recorder.

Steinberg Twelve

Review | Music Technology, Feb 1989
Software for the Atari ST

If your music's been demanding a Steinberg sequencer but your pocket's been denying you Pro24, this new budget package could be your salvation. Baby talk: Vic Leonard.

Uher CR160

Review | Home & Studio Recording, Jul 1984
Portable Stereo Cassette Recorder

A Powerful Combination?

Review | Home & Studio Recording, Apr 1985
Yamaha MT44D Recording System

Linn 9000

Review | International Musician & Recording World, Apr 1985
Rhythmcheck

Linn take a massive leap into the future and come up with the ultimate drum machine. Bob Henrit is astounded

Using Timecodes - Part 4

Feature Series | Topic: Syncronisation | Sound On Sound, May 1986
Tying It All Together

Part 4: Francis Rumsey ties up the loose ends of his series on the synchronisation of audio tracks to video, with a rundown of what to look for when buying a synchroniser system.

Home Recording - Part 3

Feature Series | Topic: Home Studio, Recording | Music UK, Jul 1983

Part 3 of the 8-track At Home review by Nobby Line

Readers' Systems

Feature | Topic: Home Studio | Home & Studio Recording, Nov 1986
From SOS to 8-track

Another chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back.

Music Maker Equipment Scene

News | Electronics & Music Maker, Feb 1983

New Casio keyboards, video and instruments

Looping the Tape

Feature | Topic: Effects Processing, Tape, Vinyl, CD, DAT | Home & Studio Recording, May 1987

Simon Croft gets into tape loops and comes up with some interesting conclusions.

Time Exposure

Feature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989

Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them.

Anatek Pocket Sequencer

Review | Music Technology, Apr 1991

When inspiration strikes and you're out of reach of a sequencer, Anatek's latest Pocket unit can save your soul, if not your life. Vic Lennard picks a pocket.

The Musical Micro

Feature | Topic: Computing | International Musician & Recording World, Nov 1986
Of Mice And Micros

Tony Mills, micros which start with the letter 'A', and a lot of software

Nomad SMC

Review | Music Technology, Aug 1987
MIDI-SMPTE Converter

As the price of SMPTE synchronising devices continues to fall, more and more home studios will be availed of their sophistication. Simon Trask checks out the latest breakthrough to find out it's not only cheap but British.

News

News | International Musician & Recording World, Nov 1986

What's hot, what's not, and all that rot

Tascam Porta One Ministudio

Review | Home & Studio Recording, Dec 1984

Macworld '89

Show Report | Music Technology, Feb 1990

The Atari ST may currently be the most popular music computer, but a lot of music software is still being pioneered on the Apple Mac. Mike Collins visited MacWorld '89 for the latest musical developments.

The Beating Heart

Review | Electronic Soundmaker & Computer Music, May 1985
Linn 9000

Linn's new 9000 combines drum machine and MIDI recorder-making it the heart of your set up.

A format too far?

Group: Control Room

Review | The Mix, Jan 1995
DCC vs. MiniDisc

Is either format any good?

XR300 SMPTE Synchroniser

Review | Sound On Sound, Sep 1988
XRI Systems

This low-cost unit from XRI brings the power of true timecode synchronisation to the masses. Paul Ireson checks it out.

Tascam MSR16

Review | Sound On Sound, Dec 1988
The Alternative

So far, affordable 16-track has been a one horse race and all the money has been on Fostex. But now the odds are getting more interesting as a lively young thoroughbred from the Tascam stable enters the starting stalls. David Mellor assesses the form.

Vesta's Hot Multitracker

Review | Home & Studio Recording, Mar 1986

This budget cassette multitracker should give the competition a run for its money.

Steinberg Topaz

Review | Music Technology, Feb 1990
Computer Controlled Recorder

One of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio.

C-Lab Creator/Notator 3.1

Review | Music Technology, Jan 1992
Atari ST Software

Another recently updated package is C-Lab's Atari sequencer/notator. Ian Waugh experiences the delights of an excursion on the version.

C-Lab Creator And Notator

Review | Music Technology, Feb 1989
Software for the Atari ST

Following the success of C-Lab's Creator sequencing software for the Atari ST, the company have updated it and added a sophisticated scorewriting program. Simon Trask takes note.

 

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