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Philips DCC900Review | Sound On Sound, Oct 1992Digital Compact Cassette RecorderPhilips hope that their new cassette-based DCC format will succeed where DAT failed — becoming the new consumer digital recording medium. Derek Johnson evaluates the world's first first DCC recorder. |
Steinberg TwelveReview | Music Technology, Feb 1989Software for the Atari STIf your music's been demanding a Steinberg sequencer but your pocket's been denying you Pro24, this new budget package could be your salvation. Baby talk: Vic Leonard. |
Linn 9000Review | International Musician & Recording World, Apr 1985RhythmcheckLinn take a massive leap into the future and come up with the ultimate drum machine. Bob Henrit is astounded |
Using Timecodes - Part 4Feature Series | Topic: Syncronisation | Sound On Sound, May 1986Tying It All TogetherPart 4: Francis Rumsey ties up the loose ends of his series on the synchronisation of audio tracks to video, with a rundown of what to look for when buying a synchroniser system. |
Home Recording - Part 3Feature Series | Topic: Home Studio, Recording | Music UK, Jul 1983Part 3 of the 8-track At Home review by Nobby Line |
Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Nov 1986From SOS to 8-trackAnother chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back. |
Music Maker Equipment SceneNews | Electronics & Music Maker, Feb 1983New Casio keyboards, video and instruments |
Looping the TapeFeature | Topic: Effects Processing, Tape, Vinyl, CD, DAT | Home & Studio Recording, May 1987Simon Croft gets into tape loops and comes up with some interesting conclusions. |
Time ExposureFeature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them. |
Anatek Pocket SequencerReview | Music Technology, Apr 1991When inspiration strikes and you're out of reach of a sequencer, Anatek's latest Pocket unit can save your soul, if not your life. Vic Lennard picks a pocket. |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Nov 1986Of Mice And MicrosTony Mills, micros which start with the letter 'A', and a lot of software |
Nomad SMCReview | Music Technology, Aug 1987MIDI-SMPTE ConverterAs the price of SMPTE synchronising devices continues to fall, more and more home studios will be availed of their sophistication. Simon Trask checks out the latest breakthrough to find out it's not only cheap but British. |
NewsNews | International Musician & Recording World, Nov 1986What's hot, what's not, and all that rot |
Tascam Porta One MinistudioReview | Home & Studio Recording, Dec 1984 |
Macworld '89Show Report | Music Technology, Feb 1990The Atari ST may currently be the most popular music computer, but a lot of music software is still being pioneered on the Apple Mac. Mike Collins visited MacWorld '89 for the latest musical developments. |
The Beating HeartReview | Electronic Soundmaker & Computer Music, May 1985Linn 9000Linn's new 9000 combines drum machine and MIDI recorder-making it the heart of your set up. |
A format too far?Group: Control RoomDCC vs. MiniDiscIs either format any good? |
XR300 SMPTE SynchroniserReview | Sound On Sound, Sep 1988XRI SystemsThis low-cost unit from XRI brings the power of true timecode synchronisation to the masses. Paul Ireson checks it out. |
Tascam MSR16Review | Sound On Sound, Dec 1988The AlternativeSo far, affordable 16-track has been a one horse race and all the money has been on Fostex. But now the odds are getting more interesting as a lively young thoroughbred from the Tascam stable enters the starting stalls. David Mellor assesses the form. |
Vesta's Hot MultitrackerReview | Home & Studio Recording, Mar 1986This budget cassette multitracker should give the competition a run for its money. |
Steinberg TopazReview | Music Technology, Feb 1990Computer Controlled RecorderOne of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio. |
C-Lab Creator/Notator 3.1Review | Music Technology, Jan 1992Atari ST SoftwareAnother recently updated package is C-Lab's Atari sequencer/notator. Ian Waugh experiences the delights of an excursion on the version. |
C-Lab Creator And NotatorReview | Music Technology, Feb 1989Software for the Atari STFollowing the success of C-Lab's Creator sequencing software for the Atari ST, the company have updated it and added a sophisticated scorewriting program. Simon Trask takes note. |