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Production Line

Interview | Music Technology, Jun 1987

The words "Stock, Aitken & Waterman" have adorned 50 hit singles in the last two years. Tim Goodyer finds there are two secrets to their success: determination and new technology.

Anatek Pocket Sequencer

Review | Music Technology, Apr 1991

When inspiration strikes and you're out of reach of a sequencer, Anatek's latest Pocket unit can save your soul, if not your life. Vic Lennard picks a pocket.

Back To The Future

Review | Sound On Sound, Nov 1988
Cheetah MS6 Multitimbral Analogue Synthesizer

Seems like everyone has been waiting to get their hands on this low-cost 6-voice, multitimbral, analogue synth expander. Martin Russ looks at the affordable face of technology.

Orchestral Manoeuvres In The 90s

Interview | Sound On Sound, Aug 1993
Andy McCluskey

Andy McCluskey reveals his dislike for synth programming and his penchant for the classics.

Master or Servant

Review | Micro Music, Apr/May 1989

Phil Brammer & Co test drive Master Tracks Pro for the ST

Berwick Street Studios

Feature | Topic: Recording Studios | Sound On Sound, Oct 1988
The Dawning Of A New Era?

The impact of new technology has brought many changes to the recording industry. It has equally brought problems. Why, for instance, are some studios failing to attract enough business to survive, whilst others seem to be flourishing? One West London studio that has foreseen the writing on the wall and implemented changes is Berwick Street Studios. So we checked them out.

Abbeydale Studios

Feature | Topic: Recording Studios | Sound On Sound, May 1988
Personal Services

It’s a tough world out there in the 16-track studio jungle, but Abbeydale’s owners have made a success out of providing a ‘personal production service’ for songwriters and bands. What's their secret? Read on...

Everything You Ever Wanted To Know About System Exclusive - Part 5

Feature Series | Topic: MIDI | Sound On Sound, Aug 1989
(But Were Too Afraid To Ask!)

PART 5: Martin Russ delves into the reasons why MIDI Controller messages are able to do what they can do and provides some practical examples.

Feels so Real

Review | Micro Music, Jun/Jul 1989

Phil Brammer finds time for RealTime for the ST

West Coast Story

Show Report | Music Technology, Mar 1987
Winter NAMM 1987

Our spectacular show coverage starts here, with masses of information - backed up by colour photographs - on the biggest Winter NAMM show there's ever been...

Using MIDI Controllers

Feature | Topic: MIDI | Music Technology, Oct 1989

MIDI controller data can have many uses such as adding "feel" to music after it's been recorded into a sequencer. Vic "Megalomaniac" Lennard explores this and many other applications.

Hollis Research Trackman

Review | Music Technology, Mar 1989
Software for the Atari ST

A new sequencer program for the Atari ST from British company Hollis Research sets out to be powerful and friendly without breaking the bank. Ian Waugh reckons it's on the right track (man).

The New Statesmen

Interview | Music Technology, Feb 1993

808 State - Absolutely Gorgeous

Everything You Ever Wanted To Know About System Exclusive - Part 2

Feature Series | Topic: MIDI | Sound On Sound, May 1989
(But Were Too Afraid To Ask!)

PART 2: Martin Russ reveals even more about the uses and applications of MIDI's most powerful function.

Music Printing

Feature | Topic: Computing | Sound On Sound, Dec 1988

Paul Gilby takes a brief look at printer technology with particular reference to the Citizen HQP45 24-pin dot-matrix printer.

Digging In The Dirt

Feature | Topic: Recording | Sound On Sound, Nov 1992
Recording Peter Gabriel's Us

Grid Reference

Interview | Sound On Sound, Nov 1992

Shape of Things to Come

News | Sound On Sound, Jun 1989

News of some products to be released at the coming APRS exhibition, Acorn's new low-cost Archimedes computer, Akai's digital multitrack, and more.

The Sound Art Of Programming

Interview | Music Technology, Sep 1987

An American synthesist and composer with a soft spot for aborigines and analogue sounds, talks to Bob O'Donnell about programming synths and sequencers old and new.

SY77 - The Power behind the Buttons! - Part 2

Review Series | Sound On Sound, Feb 1990
RCM Synthesis explained

In this second part of our in-depth review of the SY77 synthesizer, Martin Russ delves into Yamaha's ultra new synthesis method: Real-time Convolution and Modulation.

Programming Bass Sequences

Feature | Topic: Arranging / Songwriting, Sequencing | Sound On Sound, Apr 1988

Where would Madonna, Giorgio Moroder or Stock, Aitken and Waterman be without sequenced bass lines? Rudi Cazeaux provides some guidelines and practical examples to help you create better bass lines.

The Synth Is Dead: Long Live The Synth

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Oct 1992

With the predominance of the workstation synth, and the rise and rise of essentially preset instruments, what has become of the 'traditional' synthesizer? Paul Hazel turns the spotlight on Roland's JD800 and Korg's Wavestation, two recent instruments which answer the question — but in very different ways.

The Shape of Things to Come

News | Sound On Sound, Jun 1988

A chance to check out some of the forthcoming new products that might tempt you to dig deeper into your pockets later this year.

Messe Magic

Show Report | Music Technology, Mar 1987
Frankfurt Musikmesse 1987

While for those with a taste for the European, we present a similarly in-depth account of the '87 Musikmesse. If it hit the headlines in Frankfurt, you'll read about it here.

Simmons SPM8:2 Programmable MIDI Mixer

Review | Music Technology, Mar 1987

Could you squeeze an eight-channel programmable MIDI mixer into a 1U-high rack-mounting unit? Simmons could, and their endeavours could appeal to all kinds of musicians, as Rick Davies reveals.

 

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