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Kawai K5Review | Sound On Sound, Dec 1987The Additive synthesizerOnce upon a time, 'additive synthesis' was an expensive and little used option on expensive computer music systems. Now, thanks to Kawai's latest keyboard, there is an instrument dedicated to this type of synthesis. Paul Wiffen, long-time advocate of creating your own waveforms, investigates. |
Ensoniq VFXReview | Sound On Sound, Jul 1989Following on from last month’s praise-filled preview. Paul Ireson takes a longer, harder look at Ensoniq's new VFX synthesizer, and finds that the beauty of this machine is far more than skin-deep. Is this the synth of 1989? Read the review to find out... |
Wind SynthesizersReview | Sound On Sound, Dec 1987Having explored the history and development of wind synthesizers in our September issue, record producer and wind player extraordinaire John L. Walters compares and contrasts the Akai EWI and Yamaha WX7. Are they the instruments that wind players have been longing for? Find out inside. |
ToolboxNews Audio | The Mix, Dec 1994Sounds, samples, & software upgrades for the modern studioDisks, gadgets, samples and bits for the computing musician |
ToolboxNews Audio | The Mix, Feb 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Radical RecordingFeature | Topic: Recording | Sound On Sound, May 1992You may be a whizz with the little black boxes, but how are you at recording real sounds and real performances? Wilf Smarties serves up a selection of tasty studio tricks. |
Sting & Hugh PadghamInterview | Recording Musician, May 1993Recording 'If I Ever Lose My Faith In You'Throw a bunch of talented musicians and a world-class producer into a 16th century mansion, add some juicy gear, shake 'em about and what do you get? Ten Summoner's Tales, if you're lucky. |
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