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On The Beat - Part 3Group: Sound Advicethe next generationPart three of our guide to grooves |
The Art of Looping - Part 3Feature Series | Topic: Sampling | Music Technology, Feb 1988The final part of this series on creating good sample loops. This month it's yesterday's synthesisers that submit their sounds to the digital manipulation of Chris Meyer. |
MTeaseFeature | Music Technology, Mar 1994If you'd just like to fill this in, the Doctor will see you in a moment. Thank you, Dream Frequency's Ian Bland. |
Random NoiseFeedback | Polyphony, Feb 1976 |
Music For The MassesReview | Sound On Sound, Sep 1991Hitsound Sampling CDsPaul Ireson checks out the first three volumes in the Hitsound Sampling CD library: Pure Gold Synth; Old Gold Synth; and Guitar. |
Washburn D-24 AcousticReview | In Tune, Dec 1984 |
Patchbay TipsFeature | Home & Studio Recording, Sep 1984Studio Sound TechniquesTips on how to make good use of a patchbay. |
EditorialEditorial | International Musician & Recording World, Feb 1986 |
Drum FunFeature | Topic: Sampling | Sound On Sound, Jun 1991Even the biggest sample library never seems to have quite enough drum sounds. The solution? Roll your own. Craig Anderton passes on some hot hints and tips on how to get the best possible drum sounds out of your sampler. |
Re:MixIndex Audio | The Mix, Aug 1994On this month’s RE:MIX mixed-mode CD...The words behind the sounds on this month’s CD |
Multicoloured SoundInterview | Music Technology, Aug 1989Currently proving to the world that there can be more to metal than breakneck guitar riffs and sexist lyrics, Living Colour's Vernon Reid talks samples and technology with Lars Lofas and Nick Armington. |
Re:MixIndex Audio | The Mix, Oct 1994On this month's RE:MIX mixed-mode CD...The words behind the sounds on this month’s CD and CD-ROM |
Art of GlassFeature | Topic: Sampling | Music Technology, Oct 1988If you're short of a new source of samples you could do worse than to turn to the glass (not the bottle). Tom McLaughlin explains how a wine glass can provide a wide variety of unusual tone colours. |
Slap 'n' TickleReview | Sound On Sound, Apr 1986High quality sampled bass sounds that you can play from any MIDI keyboard, sequencer or drum machine are offered by the 360 Systems MIDI BASS. Tony Hastings assesses its performance. |
Microsound Digital Music SystemGroup: Computer MusicianMIDI Sampling Hardware and Software for Commodore 64In which a long-awaited, British-built sampling hardware/software package for the CBM64 catches MIDI and makes it to the review stage. Simon Trask reports. |
Korg SDD-2000 Echo/SamplerReview | One Two Testing, Sep 1985 |
Sampling Confidential: Anything To Declare? - Part 1Feature Series | Topic: Music Business, Sampling | Music Technology, Apr 1993The first of our new series on the very live issue of sampling, taking all the technicalities into account. Dom Foulsham begins with an examination of the law as it currently effects all involved. An indispensable guide, if you're concerned about clearance and want to avoid that nasty little rubber glove |
Orang, m'lady?Group: Mixing It! |
Guide To Electro-Music TechniquesFeature | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, May 1982Patchwork |
When Is A Computer? - Part 8Feature Series | Topic: Computing, Sampling | One Two Testing, Jun 1984sampling secrets |
Hybrid Arts ADAP SoundrackReview | Music Technology, Oct 1987The eagerly-awaited 16-bit digital stereo audio processing system for the Atari ST has arrived. Scott Gershin checks it out and acquires a new outlook on sound sampling. |