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Front LineInterview | Music Technology, Jun 1989Belgian sampling innovators Front 242 have been accused of encouraging a fascist following - where does the sampling stop and the politics begin? David Bradwell brings news from the front. |
Fun in the Waves - Part 1Feature Series | Topic: Synthesis & Sound Design | Music Technology, Sep 1988The benefits of additive synthesis software as a means of imitating natural sounds, creating new ones and tidying up your sample loops. Tom McLaughlin adds it all up. |
Yamaha EMT-10Review | Home & Studio Recording, Mar 1989A set of tasty samples in a box no bigger than an FB01 comes under scrutiny. And it's not expensive. |
EMU Proteus 2Review | Sound On Sound, Nov 1990Emu's Proteus 16-bit ROM sample player was one of last year's hi-tech highlights — the new Proteus 2 offers the same concept and quality, but with a whole new set of orchestral sounds. Nigel Humberstone conducts the review. |
CommentEditorial | Music Technology, Apr 1993 |
Mac NotesFeature | Topic: Computing | Sound On Sound, Aug 1992 |
Roland TR505Review | Home & Studio Recording, Aug 1986Drum MachineTragedy strikes... the good Dr Bateson has had to find a real job. However he still finds time to check out the Roland TR505 in its role as a studio drum machine. |
Simmons SDS7Review | One Two Testing, Apr 1984 |
A Deeper WaveFeature | Topic: Synthesis & Sound Design | Music Technology, Aug 1987Wavetable SynthesisMany of today's popular digital synthesisers use variations on "wavetable synthesis". Chris Meyer explains what this mystical but powerful method is all about. |
Is it Live, or Is It Art?Feature | Topic: Live | Electronics & Music Maker, Oct 1986Leaving the comforts of the studio behind, the Art of Noise step out into the real world of live music, taking their MIDI technology with them. Chris Meyer lends an ear to see how they fare. |
Every Little BitFeature | Topic: Digital Audio, Sampling | Music Technology, Nov 1987Sound quality has long been a grey area in the world of sampling. Chris Meyer finds out it takes more than "bits" to make a sampler sound good. |
Akai XE8 Drum BoxReview | Sound On Sound, Dec 1988Remove the sequencing facilities from your drum machine and what do you get? A damned good idea for a new product that's what! Paul Ireson checks out Akai's 16-bit sampled drum box - the perfect companion for your sequencer. |
Tandy Tie-Clip MicReview | Recording Musician, Aug 1992 |
On the beat - Part 5Group: Sound AdvicePart five funks you up |
Production Lines - Steve HillageOpinion | Recording Musician, Oct 1992Guest Producer Steve Hillage argues for the breaking down of arbitrary barriers between musical styles. |
E-mu Systems EmulatorReview | Electronics & Music Maker, Jun 1982 |
Taking ControlFeature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1993Using MIDI Continuous Controllers |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Electronics & Music Maker, Sep 1986Readers' synth patches for the Bit One, Yamaha DX7 and Casio CZ series, plus a review of some new DX ROM packs from Japan. |
15 Fab Software TipsFeature | Topic: Recording, Sequencing, Syncronisation | Sound On Sound, Jul 1993 |
Hats OffReview | Electronic Soundmaker & Computer Music, Aug/Sep 1984Syco MFB Digital Drum MachineThe Syco MFB512 machine |
Loop The LoopReview | Electronic Soundmaker & Computer Music, Jun 1985Loop Create software for the Greengate DS:3.New looping software for the Greengate DS:3. |
Big GunsReview | Sound On Sound, Jun 1988Roland S550/S330 Sampling ModulesDavid Mellor looks at Roland's flagship rackmount sampler, the S550, and its newly launched escort vessel, the S330. Are they squaring up to fire a broadside at the enemy's sampling fleet? Find out inside. |