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Partners In RhymeInterview | Music Technology, Feb 1992Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man. |
Delaying TacticsFeature | Topic: Effects Processing | Electronic Soundmaker & Computer Music, Nov 1984Having fun with digital delays. |
EditorialEditorial | Polyphony, Feb 1976 |
Graham GouldmanInterview | Home & Studio Recording, Apr 1986Graham hasn't been idle since his 10CC days. Paul White talks to him about his new musical venture... Wax. |
Modern classicGroup: Control RoomE-MU Classic KeysAnalog Keyboard expander |
Cheetah MD16Review | Music Technology, Mar 1991Drum MachinePossibly the most requested review in recent years, Cheetah's MD16 drum machine is finally here and ready for inspection. Simon Trask gives it a good beating. |
Black MagicInterview | Music Technology, Oct 1987The beat doesn't come much harder than from this respected London funk outfit. In the wake of their debut LP Tim Goodyer gets the hard facts about rhythm from a box. |
Sounding OffOpinion | Sound On Sound, Dec 1988Use your Ears!Regular contributor Martin Russ climbs onto the soapbox this month with a plea to use our ears! |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
Chip Parade - Part 5Feature Series | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Jan 1984More on CEM |
Sequential Studio 440Review | Music Technology, Feb 1987Sampling Drum Machine/SequencerAfter last month's In Brief preview, Paul Wiffen gets his hands on a first production model of Sequential's new all-in-one drum machine, sampler and sequencer. Is it the master of all trades? |
Akai S1100Review | Sound On Sound, Dec 199016-Bit Stereo SamplerAkai's S1000 is without doubt the industry standard professional sampler, so why try and improve on the best? Paul Wiffen finds that SMPTE cue listing, AES/EBU real-time output, and built-in effects are a good start (with hard disk recording to follow). |
Metal BeatInterview | Electronic Soundmaker & Computer Music, Feb 1985SPK began by hammering away at anything from the scrapyard but now generate their metal beat on the Fairlight. We investigate the method in the mayhem. |
Opcode MAXplayReview | Sound On Sound, Aug 1992MIDI Utility SoftwareMAXplay opens a window on a world of MIDI applications, including MIDI analysers, harmonisers, editor/librarians and much, much more. Kendall Wrightson investigates. |
Selected ambient wordsGroup: Mixing It! |
Track Record: The Art Of NoiseGroup: Recording WorldPeter GunnJim Betteridge plays 'Hunt the Aled Jones sample.' |
Drum Programming - Part 8Feature Series | Topic: Drum Programming | Sound On Sound, Dec 1992A Series By Warren Cann. |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jul 1986Take It From The TopTony Mills with more up and downmarket software |
AKG D330BT and D202Review | Electronics & Music Maker, Feb 1982 |
Boss DSD2Review | Electronics & Music Maker, Oct 1985A modest newcomer to the sampling arena is Boss' DSD2 pedal. Paul White finds out if it's capable of more intelligent iterations than 'hangover'. |
Showing OutEditorial | Music Technology, Feb 1987Another winter, another spate of musical instrument shows. They mean a lot for business, but what do they mean to music as a whole? |