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ARP AvatarGroup: Guitar Synthesisers |
Professional ExcellenceReview | Sound On Sound, Jun 1992Korg 01/W Pro and Pro X WorkstationsThe latest keyboards in the Korg dynasty offer a little more than remade and remodelled technology. Julian Colbeck experiences Korg's sonic edge. |
Drum RoleGroup: Roland Newslink - Spring 86An application guide to Roland electronic percussionElectronic Percussion set-ups |
Sampling Sixties styleRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Apr 1989The MellotronOnce considered an instrument no keyboard player should be without, more recently regarded as a mechanical monstrosity, the Mellotron was definitely an early sampler, but was it the first? Dave "Crumbly" Crombie reminisces. |
Mixing it! USAGroup: Mixing it!News from America compiled by Simon Braund |
Ashbory BassGroup: News and Reviews |
Dial 0274 For BassInterview | Music Technology, Feb 1991Having helped to create Britain's Northern techno scene, Unique 3 claim it doesn't actually exist. Simon Trask listens to this and other enigmas from one of the country's most creative dance outfits. |
Waxing LyricalInterview | Music Technology, Sep 1991When you come across a hi-tech band who won't even use commercial synths for fear of being imitated, they must have something special to protect. Simon Trask pays a visit to Leeds to check out the mysterious Nightmares on Wax. |
Yamaha SE200 and SE300Review | International Musician & Recording World, Mar 1985GuitarcheckDo we really need more Strat copies? Dave Burrluck ponders the question |
Track Record: SinfulGroup: Recording WorldWell-known Brookside character Pete Wylie's latest outpouring, 'Sinful' is dissected by Tony Reed. |
2600 Paths to HappinessRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Apr 1988Another old synth makes its comeback. This time it's Steve Howell's much-prized ARP 2600 with its graphic panel layout, modular construction and built-in amplification. |
ILP 80 Lead ComboReview | In Tune, Feb 1986 |
Korg M3R & RE1Review | Music Technology, Sep 1989Korg AI Synthesis module & remote editorKorg's M1 workstation has already become an industry standard; now the same AI synthesis system is available in the cheaper M3R. Simon Trask checks out 19" of pure pleasure. |
The WizardInterview | Music Technology, Nov 1986The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology. |
Hubert BognermayrInterview | Electronics & Music Maker, Aug 1983Founder of Ars Electronica, this Austrian composer talks about his work on 'Erdenklang' and his own approach to the Fairlight CMI |
Acoustic algebraGroup: Control RoomDigitech TSR-12Multi-effects, sampler and more! |
Reset For SuccessInterview | Electronic Soundmaker & Computer Music, Mar 1984Clarke, Radcliffe & Marlow |
Alesis QuadraSynthGroup: Quality ControlsynthesiserThere's a new synth in town, it's gunning for the competition and it aims to please. |
The Moog SourceInterview | Electronic Soundmaker & Computer Music, Jun 1985The father of modern synthesis talks exclusively to us about the new generation of sound creating instruments. |
Emu Proteus Master Performance SystemReview | Sound On Sound, Jan 1992Style In ControlEmu's eagerly awaited new keyboard has arrived! Martin Russ examines the Proteus Master Performance System and discovers that the good design extends far beyond the exterior... |
Soft WarsEditorial | Music Technology, Apr 1990Technolust or techno paranoia - when does the love of technical development turn into fear of your gear becoming outdated? Tim Goodyer takes a short course in techno-psychotherapy. |