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SkywaveReview | Sound International, Nov 1978KeyboardsDave Crombie tinkles the gleaming white keys of the J. Lord machine. Luxury you can afford? Find out on page 65. |
Emotional FoundationsInterview | Music Technology, Mar 1989The originator of acid house claims the secrets of good music are feel and emotion rather than a Roland Bassline and an Akai sampler. Simon Trask gets in the mood. |
Roland S750 SamplerReview | Sound On Sound, Oct 1991Digital Quality — Analogue FeelRoland's acclaimed S770 sampler has been quietly growing in popularity, and the release of version 2.0 software and the floppy drive-only S750 should ensure that Roland samplers become still more popular. Wilf Smarties explains why. |
Interconnect - Jackfile - Part 2Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Jan 1984Jackfile 2: a step-by-step guide to wiring jack plugs. |
Kurzweil K1200 & PRO 76Review | Sound On Sound, Nov 1991The Innovator ReturnsKurzweil may have invented the ROM sample player as we know it, but others seem to have reaped the benefits. Four years on from the 1000 series, the K1200 and Pro 76 keyboards, and Pro 1 module, offer improved sounds and facilities. David Etheridge dives in at the deep end. |
Anvil Percussion SynthesiserReview | Electronics & Music Maker, Jun 1985An all-British sound-sampling and drum-synthesising MIDI percussion machine with built-in sequencer gets an exclusive preview courtesy of David Ellis - there's even comment from the designers. |
PatchworkFeature | Music Technology, Jun 1990PA DECODER D50 ROM Vol IIIIf you're looking to expand your sampler's vocabulary of drum sounds or your D50 library, Patchworks' Drumtrax sample tape and PA Decoder's D50 Rom Volume III should be worth checking out - start here. |
Home TapingGroup: Recording WorldThe column that makes recording rewarding. Chris Maillard's got it taped |
Man Made MusicInterview | International Musician & Recording World, Sep 1986Pete Gleadall runs up a transatlantic phone bill waiting for hip-hop whizzkid Mantronik to finish his hamburger and explain why the TR808 is still his favourite drum machine. |
Breaking The MoldInterview | Music Technology, Apr 1989An Australian composer accepts a brief to provide music for an exhibition of pottery - the catch is that all the sounds should be sampled from the exhibits. Sandra McLean talks to the man who makes pottery sing. |
Finger on the TriggerReview | Home & Studio Recording, Sep 1986 |
Lip-sync logicGroup: Control RoomEmagic Logic AudioDirect-to-disk software for Mac |
EMT-10Review | Micro Music, Aug/Sep 1989Jez Ford raps his bits round this excellent budget price sound expander from Yamaha |
Synclavier II - Part 1Review Series | Electronics & Music Maker, Feb 1983 |
Manson Falcon Six String & Manson Kestrel BassReview | International Musician & Recording World, Jan 1985Guitarcheck, BasscheckThe latest offering from the Manson family, and a beautiful instrument from the country's classiest axe-builders |
Power PlayersReview | Sound On Sound, Apr 1992Peavey DPM2 & DPM3SE PlusPeavey's DPM3 synth now has a little brother in the DPM2, and the DPM3 itself has been upgraded with new features that increase its powers dramatically. Martin Russ looks at a dynamic duo. |
Home Recording TechniquesFeature | Topic: Home Studio, Recording | Sound On Sound, Jan 1989With a little thought and a few 'tricks of the trade', it is possible to produce top quality recordings at home. David Mellor explains how. |
Fast ForwardNews | The Mix, Jan 1995No hype, no waffle — just tomorrow's products todayTomorrow’s hot products previewed |
Diamond LifeReview | Sound On Sound, Aug 1992Gem S2 Music ProcessorGEM's newest synth, with its polished sound and presentation, could be set to dispel the company's homely image. Martin Russ discovers the multi-faceted GEM S2. |
Age Of ConsentInterview | Music Technology, Oct 1988Through a career that has encompassed the controversy of the Bollock Brothers and the serenity of new age, Phil Thornton has drawn the best from technology. David Bradwell listens in. |
Meet the BeatInterview | Music Technology, Jan 1991Why limit music to the sounds you hear or the run-of-the-mill images that litter video and concert appearances? Steve Cogan discovers that there's no reason at all - for Meat Beat Manifesto. |
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