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Oberheim DPX1Review | Music Technology, Feb 1987Sample Replay UnitIn a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that. |
Roni Music Sweet 16Group: Quality Controlsequencer for the Atari ST, TT and FalconA 16-track package from weden for the ST, TT or Falcon. Any resemblance to Creator is not coincidental |
Doctors OrdersReview | Micro Music, Apr/May 1989Clive Grace reviews KCS - One of the most transported sequencer packages around. |
Killing TimeInterview | International Musician & Recording World, May 1985The young chart hopefuls share a few giggles with Jonathan James |
C-Lab Notator LogicReview | Music Technology, Apr 1993Software for the Apple MacintoshA logical development for Notator users? Maybe, but as Ian Waugh discovers, someone still has to cross the T's and dot the I's on this latest software sequencer from C-Lab. |
Low Tech - High EmotionInterview | Electronic Soundmaker & Computer Music, Feb 1985On the brink with Kissing The Pink, a low-tech group with high-tech appeal. |
The A-Z of Analogue - Part 8Feature Series | Topic: Vintage Instruments | Music Technology, Mar 1994Part 8 - GEM to Groove Electronics. |
Tascam Porta 07Group: Quality ControlMinistudioIs there still room for a little old style analogue technology? Tascam offer evidence for the defence |
Book ReviewsReview | Electronics & Music Maker, Nov 1982 |
EMR Studio 24+Review | Music Technology, Oct 1989Still suffering from a dearth of software, the powerful Acorn Archimedes computer has yet to gain acceptance in music circles - will this sequencer help it on its way? Ian Waugh checks it out. |
The Help FileFeedback | The Mix, Dec 1994Where everything clicksIf it doesn’t work, it’s in the help file |
New Gold DreamInterview | Electronics & Music Maker, May 1986The world's best-known electronic music band have reached a crossroads, with a line-up change, a lengthy concert tour and an uncertain recording future. Annabel Scott talks to them. |
Zyklus MIDI Performance SystemReview | Music Technology, Sep 1987Is it a bird? Is it a plane? No it's a MIDI Performance System. Simon Trask investigates the truth behind the intriguing advertising campaign. |
Modular Synthesis - Part 11Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Nov 1984Click-tracks ContinuedMore on click-tracks and how to use them, by E&MM's resident literary module, Steve Howell. |
Labyrinth Video ManualsGroup: Quality Controlfor Cubase, Notator and BreakthruGrab a pizza, shove in a video and learn about Cubase, Rotator or Breakthm with these new manuals for the TV age. |
Everything Under ControlReview | Sound On Sound, Oct 1990Groove M4CV MIDI-to-CV ConvertorOld analogue synths never die — they just gather dust until you can find a reason to kick them into life again. As Chris Ankin discovers, the Groove M4CV MIDI-to-CV convertor could be just such a reason. |
Innovators - NeuroniumInterview | Electronic Soundmaker & Computer Music, Feb 1984Neuronium — Michel Huygen |
Bars & Pipes ProfessionalGroup: Quality Controlv.2 sequencing software for the AmigaAmiga owners in new software sequencer shock! |
Passport Master Tracks Pro 4Review | Sound On Sound, Oct 1992Sequencer For WindowsPassport's proven Master Tracks Pro sequencer now runs under Windows on the PC. Brian Heywood puts the latest version through its paces. |
Studio Construction SetFeature | Topic: Buyer's Guide, Home Studio | Sound On Sound, Dec 1992Which Gear is Right for You? |
Slim LinesReview | Home & Studio Recording, Nov 1986The MTR SLM82 Line MixerIf you've run out of channels, you might find this little mixer a profitable way to fill up your rack space. |
PROMIDIReview | Sound On Sound, Nov 1988Direct-to-Disk Studio SystemHere's a computer-based sequencer with a difference - PROMIDI records direct-to-disk, lets you structure your music any way you please, and runs on low-cost PC compatible computers. Ian Gilby investigates... |