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Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Oct 1991Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, Coda, and Dr. T. |
Electronic Music - A Philosophical DefenceOpinion | Electronics & Music Maker, Oct 1982Standing at one of the most exciting crossroads in musical history we look at the pros and cons of electronic music. |
Passport Master Tracks Pro 4.5.3Review | Sound On Sound, Oct 1991Passports Master Tracks Pro has a longer track record than most sequencers. Mike Collins looks at the latest version for the Mac. |
No Drumkit RequiredGroup: Roland Newslink - Summer 86Phil Collins explores the Octapads. |
Kenton Electronics Pro 2Review | Sound On Sound, Aug 1992MIDI-To-CV ConvertorKenton Electronics are well-known for their quality internal MIDI retrofits for analogue synths. Paul Ireson gets converted to their new stand-alone MIDI-to-CV interface. |
The Electronic Music of Barton and Priscilla McLeanFeature | Topic: Composing / Art | Polyphony, Nov/Dec 1978Composer Profiles |
In Triplet TimeReview | Electronic Soundmaker & Computer Music, Jan 1985Korg DrumsProlonging the percussive theme, a look at three very interesting products from Korg: Their value-for-money digital Super Percussion and Super Drums rhythm machines, plus the KMS-30 MIDI Synchronizer. |
Light FantasticReview | Sound On Sound, Oct 1990XRI Systems XRL8 MIDILiteBest known for their SMPTE synchronisers and MIDI patch bays, XRI Systems have entered the growing field of MIDI controlled lighting with the compact XRL8 MIDILite. Kendall Wrightson seeks illumination. |
Keyboards With Dire StraitsInterview | Sound On Sound, Sep 1986Although still very young, keyboard player Guy Fletcher has a long list of album/single credits already under his belt for such artists as Bryan Ferry, Roxy Music, Tina Turner, Mick Jagger and Dire Straits. Paul Gilby finds out how Guy landed such plum roles and learns more about the way Dire Straits make use of music technology in their recording. |
Computer newsGroup: Frankfurt |
Dig ItReview | Electronic Soundmaker & Computer Music, Sep 1985Vesta DIG-420Vesta's new sampler delay |
Hollis Research TrackmanReview | Music Technology, Mar 1989Software for the Atari STA new sequencer program for the Atari ST from British company Hollis Research sets out to be powerful and friendly without breaking the bank. Ian Waugh reckons it's on the right track (man). |
Using MIDI ControllersFeature | Topic: MIDI | Music Technology, Oct 1989MIDI controller data can have many uses such as adding "feel" to music after it's been recorded into a sequencer. Vic "Megalomaniac" Lennard explores this and many other applications. |
Roland R-8 MKIIReview | Music Technology, Jul 1993Human Rhythm ComposerNicholas Rowland examines the successor to Roland’s classic R-8 drum machine and asks: is there life in the old beatbox yet? |
Aleph Time TalkGroup: Quality Controldigital time-conversion software for the STFor easy-to-digest samples and delays that repeat on you at just the right moment. |
But What Does A Producer Do Exactly?Feature | Making Music, Dec 1986Very fair question. A few of the many answers are printed in clear type on page 18. Get down. |
The Final CutReview | Sound On Sound, Jul 1989Entry-Level Sequencing For The STPaul Ireson takes a look at The Final Cut, a budget sequencing program for the Atari ST that offers the beginner more than the average entry-level program. |
Adventures In MIDILand - Part 4Feature Series | Topic: MIDI | Sound On Sound, Nov 1990Part 4: Martin Russ looks at how mapping can help in traversing the MIDI jungle. |
Leader Of The Pack?Review | Sound On Sound, Jul 1990Dr.T's Keyboard Controlled Sequencer - Level II V3.0 for the AmigaOne music software house that showed greater awareness and belief in the Commodore Amiga from the outset was Dr.T. David Ellis checks out version 3.0 of their top-of-the-range sequencer to see how it rates against the growing competition. |
Zyklus MIDI Performance SystemReview | Sound On Sound, Feb 1988What the hell's a MIDI Performance System? David Mellor does his level best to explain. |
Sync ExplainedFeature | Topic: Syncronisation | Home & Studio Recording, Mar 1989The title says it all... |
Vince ClarkeInterview | Sound On Sound, Dec 1991Sold on the 3-Minute SongErasure's fifth album sees the duo of Vince Clarke and Andy Bell going from strength to strength, delivering electro-pop at its finest. But the doyens of synthesizer pop recorded Chorus with almost no MIDI instruments at all. Vince Clarke tells Paul Ireson how he made a hit album with 10-year old technology. |