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EdgewaysInterview | Making Music, Oct 1986U2's guitarist interrupts recording of their new album for an exclusive Making Music interview. |
PC NotesFeature | Topic: Computing | Sound On Sound, Apr 1993 |
Alesis HR16Review | Micro Music, Apr/May 1989Richard Fowler passes on a few hints and tips tor Alesis HR16 owners |
Shared Interests - Part 1Feature Series | Topic: Computing | Music Technology, Mar 1994Shareware & Public Domain softwareMountains of useful programs can be yours for nothing! Well, it's a public service, innit? declares Ian Waugh. |
Yamaha FB-01Review | Sound On Sound, Oct 1986Offering 240 FM sounds, with up to 8-voice polyphony, and control via MIDI mono mode, the FB-01 takes the crown as the cheapest expander on the market today. Martin Russ casts his vote. |
Amdek Chorus KitFeature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1982The second of a series of new style kit projects that enable musicians to build and customise effects units with the minimum of technical difficulty |
Siel MIDI ExpanderReview | Electronics & Music Maker, Jun 1984Geoff Twigg takes a look at this MIDI-standard synth-without-a-keyboard. |
MIDI BasicsFeature | Topic: MIDI, Syncronisation | Recording Musician, Jan 1993MIDI-To-Tape SynchronisationMIDI-to-tape sync: why you need it, what it does and how you use it. |
Why MIDI Music StinksFeature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1992(Sometimes)Just as MIDI has made it as easier to produce great music, so it has facilitated the production of worthless garbage. Paul D. Lehrman explains the problem and how to avoid it. |
Alesis MidifexGroup: Recording WorldStudio TestThe MIDIverb set new standards for low-price, high quality digital reverb. Can the MIDIfex do the same for even more digital effects? Curtis Schwartz reports. |
Big Band & Studio 24Review | Sound On Sound, Jan 1989Martin Russ orchestrates his way through two fascinating ST programs from French software house, Digigram. |
Live And DirectInterview | Music Technology, Mar 1990By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music. |
InterfacesFeedback | Topic: Computing, MIDI | Micro Music, Jun/Jul 1989Clive Grace assesses the best MIDI interfaces available for the PC, Amiga and Macintosh |
Q-Logic Midi MetroReview | Music Technology, Oct 1990Digital MetronomeHeard the one about the silent metronome? Simon Trask investigates a MIDI-driven metronome that uses light instead of sound to keep you to the beat. |
Showtime!Show Report | Sound On Sound, Jan 1987What you may have 'missed' at the Los Angeles AES and the London Hands On Shows.Los Angeles and London were the recent locations for two very different audio get-togethers. Paul Gilby reports on the proceedings and products shown at both the AES and Hands-On shows. |
AmericaNews | Electronics & Music Maker, Jul 1982 |
Outside Of C - Part 5Group: One Two TrainingKeyboard Trainingmore keyboard left-hands |
Vesta Fire MR-10 MultitrackerGroup: Recording WorldStudio TestRichard Walmsley on another contender for the 'small is beautiful' stakes |
The Meek & The MotleyInterview | International Musician & Recording World, Apr 1986Tony Horkins meets the crue-d crowd, and gets a lesson in manners |
Dr.T's TigerReview | Sound On Sound, Mar 1990The Integrated Graphic EditoRYou don’t have to be a KCS owner to benefit from Tiger. If your Atari sequencer lacks graphical editing facilities but implements MIDI files, then real-time editing of sequence data is still possible. Chas Stoddard explains all. |
Klaus SchulzeInterview | Sound On Sound, Aug 1987The legendary German synthesist speaks out about technology and technique in this exclusive interview - his first in four years! |