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Edgeways

Interview | Making Music, Oct 1986

U2's guitarist interrupts recording of their new album for an exclusive Making Music interview.

PC Notes

Feature | Topic: Computing | Sound On Sound, Apr 1993

Alesis HR16

Review | Micro Music, Apr/May 1989

Richard Fowler passes on a few hints and tips tor Alesis HR16 owners

Shared Interests - Part 1

Feature Series | Topic: Computing | Music Technology, Mar 1994
Shareware & Public Domain software

Mountains of useful programs can be yours for nothing! Well, it's a public service, innit? declares Ian Waugh.

Feline Groovy

Review | Sound On Sound, Jun 1993
KAT dk10 Percussion Controller

Yamaha FB-01

Review | Sound On Sound, Oct 1986

Offering 240 FM sounds, with up to 8-voice polyphony, and control via MIDI mono mode, the FB-01 takes the crown as the cheapest expander on the market today. Martin Russ casts his vote.

Amdek Chorus Kit

Feature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1982

The second of a series of new style kit projects that enable musicians to build and customise effects units with the minimum of technical difficulty

Stewart Copeland

Interview | Music UK, Aug 1983

Rock-steady Rozzer on drums meets shufflin' Max Kay

Siel MIDI Expander

Review | Electronics & Music Maker, Jun 1984

Geoff Twigg takes a look at this MIDI-standard synth-without-a-keyboard.

MIDI Basics

Feature | Topic: MIDI, Syncronisation | Recording Musician, Jan 1993
MIDI-To-Tape Synchronisation

MIDI-to-tape sync: why you need it, what it does and how you use it.

Why MIDI Music Stinks

Feature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1992
(Sometimes)

Just as MIDI has made it as easier to produce great music, so it has facilitated the production of worthless garbage. Paul D. Lehrman explains the problem and how to avoid it.

Alesis Midifex

Group: Recording World

Review | International Musician & Recording World, Oct 1986
Studio Test

The MIDIverb set new standards for low-price, high quality digital reverb. Can the MIDIfex do the same for even more digital effects? Curtis Schwartz reports.

Big Band & Studio 24

Review | Sound On Sound, Jan 1989

Martin Russ orchestrates his way through two fascinating ST programs from French software house, Digigram.

Live And Direct

Interview | Music Technology, Mar 1990

By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music.

Interfaces

Feedback | Topic: Computing, MIDI | Micro Music, Jun/Jul 1989

Clive Grace assesses the best MIDI interfaces available for the PC, Amiga and Macintosh

Q-Logic Midi Metro

Review | Music Technology, Oct 1990
Digital Metronome

Heard the one about the silent metronome? Simon Trask investigates a MIDI-driven metronome that uses light instead of sound to keep you to the beat.

Roland MC202 Microcomposer

Review | One Two Testing, Dec 1983

In depth.

Showtime!

Show Report | Sound On Sound, Jan 1987
What you may have 'missed' at the Los Angeles AES and the London Hands On Shows.

Los Angeles and London were the recent locations for two very different audio get-togethers. Paul Gilby reports on the proceedings and products shown at both the AES and Hands-On shows.

America

News | Electronics & Music Maker, Jul 1982

Gregory's Goal

Interview | Music Technology, Aug 1992

Face to face with Hue - or is it Cry?

Outside Of C - Part 5

Group: One Two Training

Feature Series | Topic: Tuition / Technique, Music Theory | One Two Testing, Dec 1985
Keyboard Training

more keyboard left-hands

Vesta Fire MR-10 Multitracker

Group: Recording World

Review | International Musician & Recording World, Apr 1986
Studio Test

Richard Walmsley on another contender for the 'small is beautiful' stakes

The Meek & The Motley

Interview | International Musician & Recording World, Apr 1986

Tony Horkins meets the crue-d crowd, and gets a lesson in manners

Dr.T's Tiger

Review | Sound On Sound, Mar 1990
The Integrated Graphic EditoR

You don’t have to be a KCS owner to benefit from Tiger. If your Atari sequencer lacks graphical editing facilities but implements MIDI files, then real-time editing of sequence data is still possible. Chas Stoddard explains all.

Klaus Schulze

Interview | Sound On Sound, Aug 1987

The legendary German synthesist speaks out about technology and technique in this exclusive interview - his first in four years!

 

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