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RSF SD140Review | Music Technology, Oct 1987Sampling Drum Machine"Affordable" sampling drum machines are few and far between. Dan Goldstein checks up on this contender for a vacant throne from the French. |
Sequential MultiTrakReview | Electronics & Music Maker, May 1985Programmable Polysynth with SequencerThe Californians introduce a followup to the inventive but mixed-bag SixTrak. Simon Trask checks it out. |
Cellular reproductionGroup: Control RoomDigidesign SampleCell IIMac-driven sampling re-defined |
Mac NotesFeature | Topic: Computing | Sound On Sound, May 1992...while Kendall Wrightson tackles the Mac... |
Hammer Strikes Out!Interview | Electronics & Music Maker, Feb 1986In an exclusive interview, this longstanding keyboard hero and Miami Vice music maestro discusses keyboard technique, and what it’s like to achieve mass recognition after years of obscurity. Annabel Scott takes note. |
Paris Music FairShow Report | Sound On Sound, Nov 1986Our roving reporter Mark Jenkins takes a look off the beaten track at some of the more interesting French equipment shown at last month's Paris Music Fair. |
Drum Modules & AccessoriesGroup: Drum Machine Supplement |
Dr.T's Software PageFeature | Topic: Computing, Sequencing | Sound On Sound, Jul 1988In response to reader demand, this month we introduce a regular page of hints and tips for Dr.T's music programs, written and compiled exclusively for SOS by Dr.T themselves. |
Sequential Circuits DrumtraksReview | Electronics & Music Maker, Mar 1984 |
Transatlantic Trends - Mr MisterInterview | Electronics & Music Maker, May 1986Tim Goodyer talks to pin-up keyboardsman Steve George about life at the top of the charts on both sides of the Atlantic... |
RealTime Intelligent SequencerReview | Sound On Sound, Aug 1989Offering 256 tracks, direct screen manipulation of events, and the facility to alter any type of data whilst your sequence keeps playing, RealTime looks set to make a big name for itself very quickly. Martin Russ took a real shine to it - will you? |
Dr.T's Software PageFeature | Topic: Computing | Sound On Sound, Aug 1988Another useful page of hints and tips for Dr.T's music programs, written and compiled exclusively for SOS by Dr.T themselves. |
Keeping TrackReview | Sound On Sound, Feb 1992Opcode Track ChartNeed to keep track of your tracks in the studio? Opcode's Track Chart offers a package of handy utilities for engineers; Mike Collins tries it out. |
In and Out of OrderInterview | International Musician & Recording World, Oct 1985Peter Hook gives a breakdown on broken down gear and the lowdown on Lowlife. |
Bernard Xolotl on Synclavier II and MusicInterview | Electronics & Music Maker, Mar 1983This French-born synthesist describes his experiences with the Synclavier and other digital instruments |
Computer WorldFeature | Topic: Buyer's Guide, Computing | Music Technology, Jan 1994Want to get into computing and multimedia but unsure where to start? Ian Waugh guides you through the maze of computers and jargon |
Master or ServantReview | Micro Music, Apr/May 1989Phil Brammer & Co test drive Master Tracks Pro for the ST |
Sound AdviceFeedback | Sound On Sound, Dec 1987Our regular column devoted to readers' hints and tips about their instruments, equipment, software, recording and playing techniques. |
Birth of a StudioFeature | Topic: Recording Studios | Electronics & Music Maker, Dec 1985CTS Studio 4Simon Trask spends a day in the shadow of Wembley Stadium, visiting a new dedicated keyboard studio successfully functioning within the confines of an established studio complex. |
Soundcraft Spirit AutoReview | Music Technology, Feb 1993Mixing ConsoleMix your Spirit - and stay in control |
Roland P-55Group: Quality Controlpiano moduleA piano for every occasion - and a few more besides |
When Is A ComputerGroup: One Two Trainingare today's micros really helping |
Patrick LeonardInterview | Sound On Sound, Aug 1991Patrick Leonard has a surprisingly low profile for the producer and cowriter of many of Madonna's biggest hits, but his production work and nascent solo career suggest that wider recognition is on the way. Paul Tingen meets a man of many talents and strong views. |
Studio VisionReview | Sound On Sound, Feb 1991The Freedom FactorOpcode's ground-breaking sequencer, Studio Vision, lets you manipulate audio data as easily as MIDI events. All you need is a hard disk recording system like Digidesign's Sound Tools, a fast Macintosh computer with plenty of storage capacity, and some creative ideas. Paul D. Lehrman reports. |