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Akai MIDI EffectsReview | Sound On Sound, Feb 1986Digital Delay, Dynamic Control and Arpeggiation emerge from the MIDI jungle. Paul Gilby observes this rare species. |
AHB Inpulse One Drum ComputerReview | Electronics & Music Maker, Mar 1984 |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Dec 1988Hints, Tips & News From The World Of Music SoftwareHints, tips and news about your favourite music software. |
MPC Programmer 8Review | Electronics & Music Maker, Feb 1985Computer-controlled Rhythm SequencerSome drum sequencer software that's as user-friendly as it's versatile. Paul White enthuses over MPC's latest little marvel. |
Media Production ServicesFeature | Topic: Education | Sound On Sound, Nov 1989Want to be a recording engineer? Terry Holton provides an insight into the audio and video production training courses offered by London-based Media Production Services. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Dec 1989Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
Digital Music Corporation MX8Review | Music Technology, Sep 1988MIDI Patchbay ProcessorFrom America: a 1U-high black box which combines MIDI patching, merging and processing capabilities. Vic Lennard encounters a new twist in MIDI processing. |
Burgeoning BurgessInterview | Electronic Soundmaker & Computer Music, May 1985Producer, performer, catalyst. Richard Burgess has been a musical traveller most of his life - we finally catch up with him. |
School's OutReview | Micro Music, Aug/Sep 1989Phil Brammer takes the Educational version of Steinberg's Pro-24 to the top of the class |
Practically MIDI - Part 8Feature Series | Topic: MIDI | Sound On Sound, Apr 1988Martin Russ pretends he’s Dick Barton, Private Eye, for the very last time and brings his series to a close with a Guide to MIDI Troubleshooting. |
Using the Alesis HR16 as an ExpanderFeature | Topic: Drum Programming | Sound On Sound, Nov 1988Sure, it's a drum machine - but the HR16 also makes a great drum expander module if you know a few crucial tricks about applying it. Craig Anderton explains all. |
But What Does A Producer Do Exactly...???Feature | Topic: Music Business, Recording | Making Music, Jan 1987Second part in our 'what do they do?' series. This month, what you do with the job. |
Eurythmically SpeakingInterview | Electronic Soundmaker & Computer Music, Sep 1985Dave StewartEurythmics’s main man rips the lid off |
Track Record: Lean On MeGroup: Recording WorldJim Betteridge leans on producer David Motion |
Vision onGroup: Control RoomMacromedia DirectorMultimedia authoring software |
Shape of Things to ComeNews | Sound On Sound, Apr 1990Your chance to catch up on the latest releases from the world of hi-tech music and recording. |
Using The Fostex 4050 AutolocatorReview | Sound On Sound, Apr 1988Fostex’s SMPTE reading/writing, MIDI syncing, auto-locating, remote transport control unit recently underwent a serious internal re-examination. Ed Jones assesses the newly implemented features and describes their practical application. |
Defender RhodesInterview | International Musician & Recording World, May 1986Boots No 7 or Fairlight Series 3? Tony Reed trades fashion tips with the Duran and Arcadia ivory-tinkler |
Technically SpeakingFeedback | Music Technology, May 1993 |
Masters of the UniverseReview | Sound On Sound, Feb 1988Elka Master KeyboardsWith rack expanders forever dropping in price, the concept of one 'master' keyboard capable of controlling all MIDI devices in a system becomes more appealing by the minute. And with the MK88 and MK55, Tony Wride believes Elka have fulfilled the promise of MIDI and produced the ultimate master keyboards, jam-packed with features. |
Getting The Most From Mono Mode - Part 1Feature Series | Topic: MIDI | Electronics & Music Maker, Jun 1986Part 1: The Casio CZ SeriesBaffled by MIDI Mode 4 on the Casio CZ synths? Paul Wiffen plots a path through one of modern technology's minefields, and explains how to get the best from it. |
Technically SpeakingFeedback | Music Technology, Jul 1993 |
Yamaha Electronic Percussion SystemReview | International Musician & Recording World, Oct 1986DrumcheckIn the drumbooth, no-one can hear you scream... Bob Henrit discovers Yamaha's wild-styled Electronic percussion system. |
Sony DPS-D7 Digital DelayReview | Sound On Sound, Nov 1991The Return Of The Single Effects Unit?David Mellor looks at an effects processor which can't produce three dozen effects simultaneously. Is this the start of a new trend? |