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On The NetworkEditorial | Music Technology, May 1990With so many musicians using computers, what is the role of computer networking? Does it have anything to offer the musician, and if so, why isn't it more commonplace? |
The FutureGroup: Drum Machine Supplement |
CommentEditorial | Electronics & Music Maker, Oct 1985Keeping Music LiveIs there a future for live electronic music ? |
Roland Product NewsGroup: Roland Newslink |
Sequential Circuits TomReview | International Musician & Recording World, Aug 1985DrumcheckAn abundance of features and digital sounds. Bob Henrit gets down to some serious TOMfoolery |
Protocol - Part 1Feature Series | Topic: MIDI | Micro Music, Aug/Sep 1989Everything you ever wanted to know about the MIDI standard but were afraid to ask - Paul Overaa explains all |
Modifying Time ConstantsFeature | Topic: Maintenance / Repair / Modification | Polyphony, Jun 1975In Synthesizer Modules |
In the first placeEditorial | Music Technology, Mar 1994 |
Window of opportunityGroup: Control RoomSound Station SamplerInexpensive sampling for PC owners |
Transatlantic Trends - SagaInterview | Electronics & Music Maker, May 1986...while Annabel Scott listens to words of wisdom from a Transatlantic keyboardist of a very different kind - Saga's Jim Gilmour. |
Fostex MTC1Review | Music Technology, Sep 1990MIDI Time Code ControllerWith sequencing and tape recording becoming equally important to many musicians, any means of integrating the two is likely to be a welcome development. Vic Lennard looks at a unit that allows Fostex' R8 to be operated from within Steinberg's Cubase. |
That Syncing Feeling - Part 4Feature Series | Topic: Syncronisation | Micro Music, Feb 1990Chris Smith continues his series on synchronisation |
Linn SequencerReview | International Musician & Recording World, Jan 1986SequencerCheckWodger's latest offering takes the Paul Fishman test |
Fireball CX5MReview | Electronic Soundmaker & Computer Music, Oct 1984The CX5M music computer could change the face of the home micro-music market. We examine the first dedicated music computer to reach the UK |
Percussion PowerReview | Electronic Soundmaker & Computer Music, Mar 1984Music Percussion ComputerIn-depth scrutiny |
MIDI Data PortabilityFeature | Topic: MIDI | Sound On Sound, Jun 1990Thinking of changing drum machines, adding a new synth to your MIDI setup, or buying a new sequencer? Paul Andreas Overaa outlines some sensible tips to help you remove the need to edit your sequences every time you change your equipment. |
Sounding OffOpinion | Sound On Sound, Oct 1989Whatever happened to MTC?'Whatever happened to MIDI Timecode?' asks Chris Smith of XRI Systems. |
Passport Master Tracks ProFeature | Music Technology, Jul 1987Software for the Apple MacintoshFew software houses have been in the music business as long as Passport, yet only now have they designed a package for the sophisticated Apple Macintosh. Jim Burgess checks it out. |
One Size Fits AllEditorial | Music Technology, Dec 1990Once a recording studio was a large room lined with futuristic acoustic tiles and filled with impressive equipment; now it could be the corner of a bedroom - it's all a matter of size. |
Interfacing The Past - Part 1Feature Series | Topic: Syncronisation, Vintage Instruments | Music Technology, Dec 1992The missing sync? |
Elka CR99Review | Music Technology, May 1989MIDI Disk RecorderMeanwhile, Elka have called their CR99 a MIDI Disk Recorder rather than a MIDI sequencer. Vic Lennard goes on record with a MIDI sequencer with a few surprises up its sleeve. |
System Exclusive DumpsFeature | Topic: MIDI | Sound On Sound, Mar 1988The mysteries of SysEx are revealed. Martin Russ discovers that there may be more to that disk drive in your latest acquisition than you thought... |
Gajits Sequencer OneReview | Music Technology, Mar 1990Atari ST SoftwareIt's powerful, it's intuitive and it's cheap - just about everything an ideal Atari sequencing package should be. Ian Waugh reviews. |