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Desert Island RiffsFeature | One Two Testing, Mar 1985Six heavy people choose their 30 favourite riffs.six heavy metallurgists pick their favourites - Joan Jett, Punky Mendoza, Graham Oliver, Paul Quinn, Mick Ralphs, Paul Samson |
Low Tech - High EmotionInterview | Electronic Soundmaker & Computer Music, Feb 1985On the brink with Kissing The Pink, a low-tech group with high-tech appeal. |
Exclusive Syn-D-KationFeature | Topic: Construction / Build, Electronics / Build | Electronics & Music Maker, Nov 1985The Syn-D-KitDo you turn pale at the thought of forking out for a Simmons SDS9? Do you go green with envy when friends show off brand-new Ultimate Percussion kits? Paul White's design for a build-your-unswer electronic drum hit could bring a bit of colour to your cheeks. |
The Great Pretender?Review | Electronic Soundmaker & Computer Music, May 1985Casio CK-500A four-track find or fraud? We pass judgement. |
Classix NouveauxInterview | Electronics & Music Maker, Jun 1982Mik Sweeney talks about his guitars and Sal Solo describes how he is acquiring production skills. |
Newsdesk SpecialShow Report | Electronics & Music Maker, Sep 1984British Music Fair '84What captured our attention at the recent British Music Fair in London. |
Paradise FoundFeature | Topic: Recording Studios | Electronics & Music Maker, Nov 1985Paradise StudiosSynth players in search of Heaven need look no further than West London, where a recording studio puts the emphasis firmly on hi-tech musical equipment, but doesn't charge people the Earth to use it. Simon Trusk pays Paradise a visit. |
Drum HumFeature | Topic: Tuition / Technique | Making Music, Dec 1986A drum is a drum is a drum — so why shouldn't a drum kit player turn to other percussion... |
Fast ForwardNews | Home & Studio Recording, Sep 1986 |
The Big Ten - 1981Group: The Big Ten |
African Music - Part 1Feature Series | Topic: Home Studio | Sound On Sound, Oct 1987Sound On Sound reader Kofi Busia recently released his own independent LP called 'Oh Africa', funded entirely by himself. To encourage others to follow his example, we asked Kofi to write about his experiences. In this the first of three parts, he presents a frank and revealing account of why the record came about, how he came to grips with using modern technology for African music, and why he chose the equipment he used. |
SaxonInterview | Making Music, Sep 1986shrugs and knock 'n' knowallWrenched from video filming (with a ballerina no less) and quizzed on gear and blushes. |
The Magic Of Enigma StudiosFeature | Topic: Recording Studios | Sound On Sound, Apr 1989Mike Collins investigates the magic behind Enigma Studios, a MIDI-based recording facility in London's East End. |
Colin ThurstonInterview | Home & Studio Recording, Feb 1985Record ProducerThe man who turned the music of Duran Duran, Kajagoogoo, Human League and Magazine into hits, discloses his hit-making formulae, recording methods and well-equipped home studio. |
The American WayShow Report | Music Technology, Mar 1989Winter NAMM 1989Californian sunshine, sea and sand - with all this on offer, why should MT's intrepid reporters want to visit a trade show in Anaheim? Bob "El Bobo" O'Donnell, Chris "El Macho" Meyer and Dan "La" Rue have the answer. |
Sick As A PlayerFeature | Topic: Humour, Live, Performing | One Two Testing, Jul 1985Here's Healthmusicians' ailments: how to get, how to avoid |
The ProducersGroup: Recording WorldChas de Whalley interviews Richard Burgess |
Behind VisageInterview | Electronics & Music Maker, Aug 1984An interview with Rusty EganDan Goldstein tracks down another drummer-turned-musical technofreak, Rusty Egan, and finds out about the past, present, and the future of the electro-dance band he helped found, Visage. |
Three Imaginary BoysInterview | International Musician & Recording World, Feb 1985 |